To well consider the characters of a family of persons in a certain condition,—in poverty, for instance,—and endeavor to judge how an altered condition would affect the character of each.
The aromatic odor of peat-smoke in the sunny autumnal air is very pleasant.
Salem, October 14th.—A walk through Beverly to Browne's Hill, and home by the iron-factory. A bright, cool afternoon. The trees, in a large part of the space through which I passed, appeared to be in their fullest glory, bright red, yellow, some of a tender green, appearing at a distance as if bedecked with new foliage, though this emerald tint was likewise the effect of frost. In some places, large tracts of ground were covered as with a scarlet cloth,—the underbrush being thus colored. The general character of these autumnal colors is not gaudy, scarcely gay; there is something too deep and rich in it: it is gorgeous and magnificent, but with a sobriety diffused. The pastures at the foot of Browne's Hill were plentifully covered with barberry-bushes, the leaves of which were reddish, and they were hung with a prodigious quantity of berries. From the summit of the hill, looking down a tract of woodland at a considerable distance, so that the interstices between the trees could not be seen, their tops presented an unbroken level, and seemed somewhat like a richly variegated carpet. The prospect from the hill is wide and interesting; but methinks it is pleasanter in the more immediate vicinity of the hill than miles away. It is agreeable to look down at the square patches of cornfield, or of potato-ground, or of cabbages still green, or of beets looking red,—all a man's farm, in short,—each portion of which he considers separately so important, while you take in the whole at a glance. Then to cast your eye over so many different establishments at once, and rapidly compare thorn,—here a house of gentility, with shady old yellow-leaved elms hanging around it; there a new little white dwelling; there an old farm-house; to see the barns and sheds and all the out-houses clustered together; to comprehend the oneness and exclusiveness and what constitutes the peculiarity of each of so many establishments, and to have in your mind a multitude of them, each of which is the most important part of the world to those who live in it,—this really enlarges the mind, and you come down the hill somewhat wiser than you go up. Pleasant to look over an orchard far below, and see the trees, each casting its own shadow; the white spires of meeting-houses; a sheet of water, partly seen among swelling lands. This Browne's Hill is a long ridge, lying in the midst of a large, level plain; it looks at a distance somewhat like a whale, with its head and tail under water, but its immense back protruding, with steep sides, and a gradual curve along its length. When you have climbed it on one side, and gaze from the summit at the other, you feel as if you had made a discovery,—the landscape being quite different on the two sides. The cellar of the house which formerly crowned the hill, and used to be named Browne's Folly, still remains, two grass-grown and shallow hollows, on the highest part of the ridge. The house consisted of two wings, each perhaps sixty feet in length, united by a middle part, in which was the entrance-hall, and which looked lengthwise along the hill. The foundation of a spacious porch may be traced on either side of the central portion; some of the stones still remain; but even where they are gone, the line of the porch is still traceable by the greener verdure. In the cellar, or rather in the two cellars, grow one or two barberry-bushes, with frost-bitten fruit; there is also yarrow with its white flower, and yellow dandelions. The cellars are still deep enough to shelter a person, all but his head at least, from the wind on the summit of the hill; but they are all grass-grown. A line of trees seems to have been planted along the ridge of the hill. The edifice must have made quite a magnificent appearance.
Characteristics during the walk:—Apple-trees with only here and there an apple on the boughs, among the thinned leaves, the relics of a gathering. In others you observe a rustling, and see the boughs shaking and hear the apples thumping down, without seeing the person who does it. Apples scattered by the wayside, some with pieces bitten out, others entire, which you pick up and taste, and find them harsh, crabbed cider-apples, though they have a pretty, waxen appearance. In sunny spots of woodland, boys in search of nuts, looking picturesque among the scarlet and golden foliage. There is something in this sunny autumnal atmosphere that gives a peculiar effect to laughter and joyous voices,—it makes them infinitely more elastic and gladsome than at other seasons. Heaps of dry leaves tossed together by the wind, as if for a couch and lounging-place for the weary traveller, while the sun is warming it for him. Golden pumpkins and squashes, heaped in the angle of a house, till they reach the lower windows. Ox-teams, laden with a rustling load of Indian corn, in the stalk and ear. When all inlet of the sea runs far up into the country, you stare to see a large schooner appear amid the rural landscape; she is unloading a cargo of wood, moist with rain or salt water that has dashed over it. Perhaps you hear the sound of an axe in the woodland; occasionally, the report of a fowling-piece. The travellers in the early part of the afternoon look warm and comfortable as if taking a summer drive; but as eve draws nearer, you meet them well wrapped in top-coats or cloaks, or rough, great surtouts, and red-nosed withal, seeming to take no great comfort, but pressing homeward. The characteristic conversation among teamsters and country squires, where the ascent of a hill causes the chaise to go at the same pace as an ox-team,—perhaps discussing the qualities of a yoke of oxen. The cold, blue aspects of sheets of water. Some of the country shops with the doors closed; others still open as in summer. I meet a wood-sawyer, with his horse and saw on his shoulders, returning from work. As night draws on, you begin to see the gleaming of fires on the ceilings in the houses which you pass. The comfortless appearance of houses at bleak and bare spots,—you wonder how there can be any enjoyment in them. I meet a girl in a chintz gown, with a small shawl on her shoulders, white stockings, and summer morocco shoes,—it looks observable. Turkeys, queer, solemn objects, in black attire, grazing about, and trying to peck the fallen apples, which slip away from their bills.
October 16th.—Spent the whole afternoon in a ramble to the sea-shore, near Phillips's Beach. A beautiful, warm, sunny afternoon, the very pleasantest day, probably, that there has been in the whole course of the year. People at work, harvesting, without their coats. Cocks, with their squad of hens, in the grass-fields, hunting grasshoppers, chasing them eagerly with outspread wings, appearing to take much interest in the sport, apart from the profit. Other hens picking up the ears of Indian corn. Grasshoppers, flies, and flying insects of all sorts are more abundant in these warm autumnal days than I have seen them at any other time. Yellow butterflies flutter about in the sunshine, singly, by pairs, or more, and are wafted on the gentle gales. The crickets begin to sing early in the afternoon, and sometimes a locust may be heard. In some warm spots, a pleasant buzz of many insects.
Crossed the fields near Brookhouse's villa, and came upon a long beach,— at least a mile long, I should think,—terminated by craggy rocks at either end, and backed by a high broken bank, the grassy summit of which, year by year, is continually breaking away, and precipitated to the bottom. At the foot of the bank, in some parts, is a vast number of pebbles and paving-stones, rolled up thither by the sea long ago. The beach is of a brown sand, with hardly any pebbles intermixed upon it. When the tide is part way down, there is a margin of several yards from the water's edge, along the whole mile length of the beach, which glistens like a mirror, and reflects objects, and shines bright in the sunshine, the sand being wet to that distance from the water. Above this margin the sand is not wet, and grows less and less damp the farther towards the bank you keep. In some places your footstep is perfectly implanted, showing the whole shape, and the square toe, and every nail in the heel of your boot. Elsewhere, the impression is imperfect, and even when you stamp, you cannot imprint the whole. As you tread, a dry spot flashes around your step, and grows moist as you lift your foot again. Pleasant to pass along this extensive walk, watching the surf-wave;—how sometimes it seems to make a feint of breaking, but dies away ineffectually, merely kissing the strand; then, after many such abortive efforts, it gathers itself, and forms a high wall, and rolls onward, heightening and heightening without foam at the summit of the green line, and at last throws itself fiercely on the beach, with a loud roar, the spray flying above. As you walk along, you are preceded by a flock of twenty or thirty beach birds, which are seeking, I suppose, for food on the margin of the surf, yet seem to be merely sporting, chasing the sea as it retires, and running up before the impending wave. Sometimes they let it bear them off their feet, and float lightly on its breaking summit; sometimes they flutter and seem to rest on the feathery spray. They are little birds with gray backs and snow-white breasts; their images may be seen in the wet sand almost or quite as distinctly as the reality. Their legs are long. As you draw near, they take a flight of a score of yards or more, and then recommence their dalliance with the surf-wave. You may behold their multitudinous little tracks all along your way. Before you reach the end of the beach, you become quite attached to these little sea-birds, and take much interest in their occupations. After passing in one direction, it is pleasant then to retrace your footsteps. Your tracks being all traceable, you may recall the whole mood and occupation of your mind during your first passage. Here you turned somewhat aside to pick up a shell that you saw nearer the water's edge. Here you examined a long sea-weed, and trailed its length after you for a considerable distance. Here the effect of the wide sea struck you suddenly. Here you fronted the ocean, looking at a sail, distant in the sunny blue. Here you looked at some plant on the bank. Here some vagary of mind seems to have bewildered you; for your tracks go round and round, and interchange each other without visible reason. Here you picked up pebbles and skipped them upon the water. Here you wrote names and drew faces with a razor sea-shell in the sand.
After leaving the beach, clambered over crags, all shattered and tossed about everyhow; in some parts curiously worn and hollowed out, almost into caverns. The rock, shagged with sea-weed,—in some places, a thick carpet of sea-weed laid over the pebbles, into which your foot would sink. Deep tanks among these rocks, which the sea replenishes at high tide, and then leaves the bottom all covered with various sorts of sea-plants, as if it were some sea-monster's private garden. I saw a crab in one of them; five-fingers too. From the edge of the rocks, you may look off into deep, deep water, even at low tide. Among the rocks, I found a great bird, whether a wild-goose, a loon, or an albatross, I scarcely know. It was in such a position that I almost fancied it might be asleep, and therefore drew near softly, lest it should take flight; but it was dead, and stirred not when I touched it. Sometimes a dead fish was cast up. A ledge of rocks, with a beacon upon it, looking like a monument erected to those who have perished by shipwreck. The smoked, extempore fireplace, where a party cooked their fish. About midway on the beach, a fresh-water brooklet flows towards the sea. Where it leaves the land, it is quite a rippling little current; but, in flowing across the sand, it grows shallower and more shallow, and at last is quite lost, and dies in the effort to carry its little tribute to the main.
An article to be made of telling the stories of the tiles of an old-fashioned chimney-piece to a child.
A person conscious that he was soon to die, the humor in which he would pay his last visit to familiar persons and things.
A description of the various classes of hotels and taverns, and the prominent personages in each. There should be some story connected with it,—as of a person commencing with boarding at a great hotel, and gradually, as his means grew less, descending in life, till he got below ground into a cellar.