Passages from the English Notebooks, Complete

by Nathaniel Hawthorne

The first thing we did, before fairly getting into the palace, was to sit down in a large ante-hall, and get some bread and butter and a pint of Bass's pale ale, together with a cup of coffee for S——-. This was the best refreshment we could find at that spot; but farther within we found abundance of refreshment-rooms, and John Bull and his wife and family at fifty little round tables, busily engaged with cold fowl, cold beef, ham, tongue, and bottles of ale and stout, and half-pint decanters of sherry. The English probably eat with more simple enjoyment than any other people; not ravenously, as we often do, and not exquisitely and artificially, like the French, but deliberately and vigorously, and with due absorption in the business, so that nothing good is lost upon them. . . . . It is remarkable how large a feature the refreshment-rooms make in the arrangements of the Crystal Palace.

The Crystal Palace is a gigantic toy for the English people to play with. The design seems to be to reproduce all past ages, by representing the features of their interior architecture, costume, religion, domestic life, and everything that can be expressed by paint and plaster; and, likewise, to bring all climates and regions of the earth within these enchanted precincts, with their inhabitants and animals in living semblance, and their vegetable productions, as far as possible, alive and real. Some part of the design is already accomplished to a wonderful degree. The Indian, the Egyptian, and especially the Arabian, courts are admirably executed. I never saw or conceived anything so gorgeous as the Alhambra. There are Byzantine and mediaeval representations, too,— reproductions of ancient apartments, decorations, statues from tombs, monuments, religious and funereal,—that gave me new ideas of what antiquity has been. It takes down one's overweening opinion of the present time, to see how many kinds of beauty and magnificence have heretofore existed, and are now quite passed away and forgotten; and to find that we, who suppose that, in all matters of taste, our age is the very flower-season of the time,—that we are poor and meagre as to many things in which they were rich. There is nothing gorgeous now. We live a very naked life. This was the only reflection I remember making, as we passed from century to century, through the succession of classic, Oriental, and mediaeval courts, adown the lapse of time,—seeing all these ages in as brief a space as the Wandering Jew might glance along them in his memory. I suppose a Pompeian house with its courts and interior apartments was as faithfully shown as it was possible to do it. I doubt whether I ever should feel at home in such a house.

In the pool of a fountain, of which there are several beautiful ones within the palace, besides larger ones in the garden before it, we saw tropical plants growing,—large water-lilies of various colors, some white, like our Concord pond-lily, only larger, and more numerously leafed. There were great circular green leaves, lying flat on the water, with a circumference equal to that of a centre-table. Tropical trees, too, varieties of palm and others, grew in immense pots or tubs, but seemed not to enjoy themselves much. The atmosphere must, after all, be far too cool to bring out their native luxuriance; and this difficulty can never be got over at a less expense than that of absolutely stewing the visitors and attendants. Otherwise, it would be very practicable to have all the vegetable world, at least, within these precincts.

The palace is very large, and our time was short, it being desirable to get home early; so, after a stay of little more than two hours, we took the rail back again, and reached Hanover Square at about six. After tea I wandered forth, with some thought of going to the theatre, and, passing the entrance of one, in the Strand, I went in, and found a farce in progress. It was one of the minor theatres, very minor indeed; but the pieces, so far as I saw them, were sufficiently laughable. There were some Spanish dances, too, very graceful and pretty. Between the plays a girl from the neighboring saloon came to the doors of the boxes, offering lemonade and ginger-beer to the occupants. A person in my box took a glass of lemonade, and shared it with a young lady by his side, both sipping out of the same glass. The audience seemed rather heavy,—not briskly responsive to the efforts of the performers, but good-natured, and willing to be pleased, especially with some patriotic dances, in which much waving and intermingling of the French and English flags was introduced. Theatrical performances soon weary me of late years; and I came away before the curtain rose on the concluding piece.

September 28th.—8—— and I walked to Charing Cross yesterday forenoon, and there took a Hansom cab to St. Paul's Cathedral. It had been a thick, foggy morning, but had warmed and brightened into one of the balmiest and sunniest of noons. As we entered the cathedral, the long bars of sunshine were falling from its upper windows through the great interior atmosphere, and were made visible by the dust, or mist, floating about in it. It is a grand edifice, and I liked it quite as much as on my first view of it, although a sense of coldness and nakedness is felt when we compare it with Gothic churches. It is more an external work than the Gothic churches are, and is not so made out of the dim, awful, mysterious, grotesque, intricate nature of man. But it is beautiful and grand. I love its remote distances, and wide, clear spaces, its airy massiveness; its noble arches, its sky-like dome, which, I think, should be all over light, with ground-glass, instead of being dark, with only diminutive windows.

We walked round, looking at the monuments, which are so arranged, at the bases of columns and in niches, as to coincide with the regularity of the cathedral, and be each an additional ornament to the whole, however defective individually as works of art. We thought that many of these monuments were striking and impressive, though there was a pervading sameness of idea,—a great many Victorys and Valors and Britannias, and a great expenditure of wreaths, which must have cost Victory a considerable sum at any florist's whom she patronizes. A very great majority of the memorials are to naval and military men, slain in Bonaparte's wars; men in whom one feels little or no interest (except Picton, Abercrombie, Moore, Nelson, of course, and a few others really historic), they having done nothing remarkable, save having been shot, nor shown any more brains than the cannonballs that killed them. All the statues have the dust of years upon then, strewn thickly in the folds of their marble garments, and on any limb stretched horizontally, and on their noses, so that the expression is much obscured. I think the nation might employ people to brush away the dust from the statues of its heroes. But, on the whole, it is very fine to look through the broad arches of the cathedral, and see, at the foot of some distant pillar, a group of sculptured figures, commemorating some man and deed that (whether worth remembering or not) the nation is so happy as to reverence. In Westminster Abbey, the monuments are so crowded, and so oddly patched together upon the walls, that they are ornamental only in a mural point of view; and, moreover, the quaint and grotesque taste of many of them might well make the spectator laugh,—an effect not likely to be produced by the monuments in St. Paul's. But, after all, a man might read the walls of the Abbey day after day with ever-fresh interest, whereas the cold propriety of the cathedral would weary him in due time.

We did not ascend to the galleries and other points of interest aloft, nor go down into the vaults, where Nelson's sarcophagus is shown, and many monuments of the old Gothic cathedral, which stood on this site, before the great fire. They say that these lower regions are comfortably warm and dry; but as we walked round in front, within the iron railing of the churchyard, we passed an open door, giving access to the crypt, and it breathed out a chill like death upon us.

It is pleasant to stand in the centre of the cathedral, and hear the noise of London, loudest all round this spot,—how it is calmed into a sound as proper to be heard through the aisles as the tones of its own organ. If St. Paul's were to be burnt again (having already been bunt and risen three or four times since the sixth century), I wonder whether it would ever be rebuilt in the same spot! I doubt whether the city and the nation are so religious as to consecrate their midmost heart for the site of a church, where land would be so valuable by the square inch.

Coming from the cathedral, we went through Paternoster Row, and saw Ave Mary Lane; all this locality appearing to have got its nomenclature from monkish personages. We now took a cab for the British Museum, but found this to be one of the days on which strangers are not admitted; so we slowly walked into Oxford Street, and then strolled homeward, till, coming to a sort of bazaar, we went in and found a gallery of pictures. This bazaar proved to be the Pantheon, and the first picture we saw in the gallery was Haydon's Resurrection of Lazarus,—a great height and breadth of canvas, right before you as you ascend the stairs. The face of Lazarus is very awful, and not to be forgotten; it is as true as if the painter had seen it, or had been himself the resurrected man and felt it; but the rest of the picture signified nothing, and is vulgar and disagreeable besides. There are several other pictures by Haydon in this collection,—the Banishment of Aristides, Nero with his Harp, and the Conflagration of Rome; but the last is perfectly ridiculous, and all of them are exceedingly unpleasant. I should be sorry to live in a house that contained one of them. The best thing of Haydon was a hasty dash of a sketch for a small, full-length portrait of Wordsworth, sitting on the crag of a mountain. I doubt whether Wordsworth's likeness has ever been so poetically brought out. This gallery is altogether of modern painters, and it seems to be a receptacle for pictures by artists who can obtain places nowhere else,—at least, I never heard of their names before. They were very uninteresting, almost without exception, and yet some of the pictures were done cleverly enough. There is very little talent in this world, and what there is, it seems to me, is pretty well known and acknowledged. We don't often stumble upon geniuses in obscure corners.

Leaving the gallery, we wandered through the rest of the bazaar, which is devoted to the sale of ladies' finery, jewels, perfumes, children's toys, and all manner of small and pretty rubbish. . . . . In the evening I again sallied forth, and lost myself for an hour or two; at last recognizing my whereabouts in Tottenham Court Road. In such quarters of London it seems to be the habit of people to take their suppers in the open air. You see old women at the corners, with kettles of hot water for tea or coffee; and as I passed a butcher's open shop, he was just taking out large quantities of boiled beef, smoking hot. Butchers' stands are remarkable for their profuse expenditure of gas; it belches forth from the pipes in great flaring jets of flame, uncovered by any glass, and broadly illuminating the neighborhood. I have not observed that London ever goes to bed.