Passages from the English Notebooks, Volume 1.

by Nathaniel Hawthorne

There is a good inn at Lodore,—a small, primitive country inn, which has latterly been enlarged and otherwise adapted to meet the convenience of the guests brought thither by the fame of the cascade; but it is still a country inn, though it takes upon itself the title of hotel.

We found pleasant rooms here, and established ourselves for the night. From this point we have a view of the beautiful lake, and of Skiddaw at the head of it. The cascade is within three or four minutes' walk, through the garden gate, towards the cliff, at the base of which the inn stands. The visitor would need no other guide than its own voice, which is said to be audible sometimes at the distance of four miles. As we were coming from Keswick, we caught glimpses of its white foam high up the precipice; and it is only glimpses that can be caught anywhere, because there is no regular sheet of falling water. Once, I think, it must have fallen abruptly over the edge of the long line of precipice that here extends along parallel with the shore of the lake; but, in the course of time, it has gnawed and sawed its way into the heart of the cliff,—this persistent little stream,—so that now it has formed a rude gorge, adown which it hurries and tumbles in the wildest way, over the roughest imaginable staircase. Standing at the bottom of the fall, you have a far vista sloping upward to the sky, with the water everywhere as white as snow, pouring and pouring down, now on one side of the gorge, now on the other, among immense bowlders, which try to choke its passage. It does not attempt to leap over these huge rocks, but finds its way in and out among then, and finally gets to the bottom after a hundred tumbles. It cannot be better described than in Southey's verses, though it is worthy of better poetry than that. After all, I do not know that the cascade is anything more than a beautiful fringe to the grandeur of the scene; for it is very grand,—this fissure through the cliff,—with a steep, lofty precipice on the right hand, sheer up and down, and on the other hand, too, another lofty precipice, with a slope of its own ruin on which trees and shrubbery have grown. The right-hand precipice, however, has shelves affording sufficient hold for small trees, but nowhere does it slant. If it were not for the white little stream falling gently downward, and for the soft verdure upon either precipice, and even along the very pathway of the cascade, it would be a very stern vista up that gorge.

I shall not try to describe it any more. It has not been praised too much, though it may have been praised amiss. I went thither again in the morning, and climbed a good way up, through the midst of its rocky descent, and I think I could have reached the top in this way. It is remarkable that the bounds of the water, from one step of its broken staircase to another, give an impression of softness and gentleness; but there are black, turbulent pools among the great bowlders, where the stream seems angry at the difficulties which it meets with. Looking upward in the sunshine, I could see a rising mist, and I should not wonder if a speck of rainbow were sometimes visible. I noticed a small oak in the bed of the cascade, and there is a lighter vegetation scattered about.

At noon we took a car for Portinscale, and drove back along the road to Keswick, through which we passed, stopping to get a perhaps of letters at the post-office, and reached Portinscale, which is a mile from Keswick. After dinner we walked over a bridge, and through a green lane, to the church where Southey is buried. It is a white church, of Norman architecture, with a low, square tower. As we approached, we saw two persons entering the portal, and, following them in, we found the sexton, who was a tall, thin old man, with white hair, and an intelligent, reverent face, showing the edifice to a stout, red-faced, self-important, good-natured John Bull of a gentleman. Without any question on our part, the old sexton immediately led us to Southey's monument, which is placed in a side aisle, where there is not breadth for it to stand free of the wall; neither is it in a very good light. But, it seemed to me a good work of art,—a recumbent figure of white marble, on a couch, the drapery of which he has drawn about him,—being quite enveloped in what may be a shroud. The sculptor has not intended to represent death, for the figure lies on its side, and has a book in its hand, and the face is lifelike, and looks full of expression,—a thin, high-featured, poetic face, with a finely proportioned head and abundant hair. It represents Southey rightly, at whatever age he died, in the full maturity of manhood, when he was strongest and richest. I liked the statue, and wished that it lay in a broader aisle, or in the chancel, where there is an old tomb of a knight and lady of the Ratcliffe family, who have held the place of honor long enough to yield it now to a poet. Southey's sculptor was Lough. I must not forget to mention that John Bull, climbing on a bench, to get a better view of the statue, tumbled off with a racket that resounded irreverently through the church.

The old, white-headed, thin sexton was a model man of his class, and appeared to take a loving and cheerful interest in the building, and in those who, from age to age, have worshipped and been buried there. It is a very ancient and interesting church. Within a few years it has been thoroughly repaired as to the interior, and now looks as if it might endure ten more centuries; and I suppose we see little that is really ancient, except the double row of Norman arches, of light freestone, that support the oaken beams and rafters of the roof. All the walls, however, are venerable, and quite preserve the identity of the edifice. There is a stained-glass window of modern manufacture, and in one of the side windows, set amidst plain glass, there is a single piece, five hundred years old, representing St. Anthony, very finely executed, though it looks a little faded. Along the walls, on each side, between the arched windows, there are marble slabs affixed, with inscriptions to the memories of those who used to occupy the seats beneath. I remember none of great antiquity, nor any old monument, except that in the chancel, over the knight and lady of the Ratcliffe family. This consists of a slab of stone, on four small stone pillars, about two feet high. The slab is inlaid with a brass plate, on which is sculptured the knight in armor, and the lady in the costume of Elizabeth's time, exceedingly well done and well preserved, and each figure about eighteen inches in length. The sexton showed us a rubbing of them on paper. Under the slab, which, supported by the low stone pillars, forms a canopy for them, lie two sculptured figures of stone, of life size, and at full length, representing the same persons; but I think the sculptor was hardly equal in his art to the engraver.

The most-curious antique relic in the church is the font. The bowl is very capacious, sufficiently so to admit of the complete immersion of a child of two or three months old. On the outside, in several compartments, there are bas-reliefs of Scriptural and symbolic subjects, —such as the tree of life, the word proceeding out of God's mouth, the crown of thorns,—all in the quaintest taste, sculptured by some hand of a thousand years ago, and preserving the fancies of monkish brains, in stone. The sexton was very proud of this font and its sculpture, and took a kindly personal interest, in showing it; and when we had spent as much time as we could inside, he led us to Southey's grave in the churchyard. He told us that he had known Southey long and well, from early manhood to old age; for he was only twenty-nine when he came to Keswick to reside. He had known Wordsworth too, and Coleridge, and Lovell; and he had seen Southey and Wordsworth walking arm in arm together in that churchyard. He seemed to revere Southey's memory, and said that he had been much lamented, and that as many as a hundred people came to the churchyard when he was buried. He spoke with great praise of Mrs. Southey, his first wife, telling of her charity to the poor, and how she was a blessing to the neighborhood; but he said nothing in favor of the second Mrs. Southey, and only mentioned her selling the library, and other things, after her husband's death, and going to London. Yet I think she was probably a good woman, and meets with less than justice because she took the place of another good woman, and had not time and opportunity to prove herself as good. As for Southey himself, my idea is, that few better or more blameless men have ever lived; but he seems to lack color, passion, warmth, or something that should enable me to bring him into close relation with myself. The graveyard where his body lies is not so rural and picturesque as that where Wordsworth is buried; although Skiddaw rises behind it, and the Greta is murmuring at no very great distance away. But the spot itself has a somewhat bare and bold aspect, with no shadow of trees, no shrubbery.

Over his grave there is a ponderous, oblong block of slate, a native mineral of this region, as hard as iron, and which will doubtless last quite as long as Southey's works retain any vitality in English literature. It is not a monument fit for a poet. There is nothing airy or graceful about it,—and, indeed, there cannot be many men so solid and matter-of-fact as to deserve a tomb like that. Wordsworth's grave is much better, with only a simple headstone, and the grass growing over his mortality, which, for a thousand years, at least, it never can over Southey's. Most of the monuments are of this same black slate, and some erect headstones are curiously sculptured, and seem to have been recently erected.

We now returned to the hotel, and took a car for the valley of St. John. The sky seemed to portend rain in no long time, and Skiddaw had put on his cap; but the people of the hotel and the driver said that there would be no rain this afternoon, and their opinion proved correct. After driving a few miles, we again cane within sight of the Enchanted Castle. It stands rather more than midway adown the declivity of one of the ridges that form the valley to the left, as you go southward, and its site would have been a good one for a fortress, intended to defend the lower entrance of this mountain defile. At a proper distance, it looks not unlike the gray dilapidation of a Gothic castle, which has been crumbling and crumbling away for ages, until Time might be supposed to have imperceptibly stolen its massive pile from man, and given it back to Nature; its towers and battlements and arched entrances being so much defaced and decayed that all the marks of human labor had nearly been obliterated, and the angles of the hewn stone rounded away, while mosses and weeds and bushes grow over it as freely as over a natural ledge of rocks. It is conceivable that in some lights, and in some states of the atmosphere, a traveller, at the entrance of the valley, might really imagine that he beheld a castle here; but, for myself, I must acknowledge that it required a willing fancy to make me see it. As we drew nearer, the delusion did not immediately grow less strong; but, at length, we found ourselves passing at the foot of the declivity, and, behold! it was nothing but an enormous ledge of rock, coming squarely out of the hillside, with other parts of the ledge cropping out in its vicinity. Looking back, after passing, we saw a knoll or hillock, of which the castled rock is the bare face. There are two or three stone cottages along the roadside, beneath the magic castle, and within the enchanted ground. Scott, in the Bridal of Triermain, locates the castle in the middle of the valley, and makes King Arthur ride around it, which any mortal would have great difficulty in doing. This vale of St. John has very striking scenery. Blencathra shuts it in to the northward, lying right across the entrance; and on either side there are lofty crags and declivities, those to the west being more broken and better wooded than the ridge to the eastward, which stretches along for several miles, steep, high, and bare, producing only grass enough for sheep pasture, until it rises into the dark brow of Helvellyn. Adown this ridge, seen afar, like a white ribbon, comes here and there a cascade, sending its voice before it, which distance robs of all its fury, and makes it the quietest sound in the world; and while you see the foamy leap of its upper course a mile or two away, you may see and hear the selfsame little brook babbling through a field, and passing under the arch of a rustic bridge beneath your feet. It is a deep seclusion, with mountains and crags on all sides.

About a mile beyond the castle we stopped at a little wayside inn, the King's Head, and put up for the night. This, I believe, is the only inn which I have found in England—the only one where I have eaten and slept —that does not call itself a hotel. It is very primitive in its arrangements,—a long, low, whitewashed, unadorned, and ugly cottage of two stories. At one extremity is a barn and cow-house, and next to these the part devoted to the better class of guests, where we had our parlor and chambers, contiguous to which is the kitchen and common room, paved with flagstones,—and, lastly, another barn and stable; all which departments are not under separate roofs, but under the same long contiguity, and forming the same building. Our parlor opens immediately upon the roadside, without any vestibule. The house appears to be of some antiquity, with beams across the low ceilings; but the people made us pretty comfortable at bed and board, and fed us with ham and eggs, veal-steaks, honey, oatcakes, gooseberry-tarts, and such cates and dainties,—making a moderate charge for all. The parlor was adorned with rude engravings. I remember only a plate of the Duke of Wellington, at three stages of his life; and there were minerals, delved, doubtless, out of the hearts of the mountains, upon the mantel-piece. The chairs were of an antiquated fashion, and had very capacious seats. We were waited upon by two women, who looked and acted not unlike the countryfolk of New England,—say, of New Hampshire,—except that these may have been more deferential.

While we remained here, I took various walks to get a glimpse of Helvellyn, and a view of Thirlmere,—which is rather two lakes than one, being so narrow at one point as to be crossed by a foot-bridge. Its shores are very picturesque, coming down abruptly upon it, and broken into crags and prominences, which view their shaggy faces in its mirror; and Helvellyn slopes steeply upward, from its southern shore, into the clouds. On its eastern bank, near the foot-bridge, stands Armboth House, which Miss Martineau says is haunted; and I saw a painted board at the entrance of the road which leads to it advertising lodgings there. The ghosts, of course, pay nothing for their accommodations.