RATCLIFFE LIBRARY.
This is a very handsome edifice, of a circular shape; the lower story consisting altogether of arches, open on all sides, as if to admit anybody to the learning here stored up. I always see great beauty and lightsomeness in these classic and Grecian edifices, though they seem cold and intellectual, and not to have had their mortar moistened with human life-blood, nor to have the mystery of human life in them, as Gothic structures do. The library is in a large and beautiful room, in the story above the basement, and, as far as I saw, consisted chiefly or altogether of scientific works. I saw Silliman's Journal on one of the desks, being the only trace of American science, or American learning or ability in any department, which I discovered in the University of Oxford. After seeing the library, we went to the top of the building, where we had an excellent view of Oxford and the surrounding country. Then we went to the Convocation Hall, and afterwards to the theatre, where S——- sat down in the Chancellor's chair, which is very broad, and ponderously wrought of oak. I remember little here, except the amphitheatre of benches, and the roof, which seems to be supported by golden ropes, and on the wall, opposite the door, some full-length portraits, among which one of that ridiculous coxcomb, George IV., was the most prominent. These kings thrust themselves impertinently forward by bust, statue, and picture, on all occasions, and it is not wise in them to show their shallow foreheads among men of mind.
THE BODLEIAN LIBRARY.
Mr. Spiers tried to get us admittance to the Bodleian Library; but this is just the moment when it is closed for the purpose of being cleaned; so we missed seeing the principal halls of this library, and were only admitted into what was called the Picture Gallery. This, however, satisfied all my desires, so far as the backs of books are concerned, for they extend through a gallery, running round three sides of a quadrangle, making an aggregate length of more than four hundred feet,—a solid array of bookcases, full of books, within a protection of open iron-work. Up and down the gallery there are models of classic temples; and about midway in its extent stands a brass statue of Earl Pembroke, who was Chancellor of the University in James I's time; not in scholarly garb, however, but in plate and mail, looking indeed like a thunderbolt of war. I rapped him with my knuckles, and he seemed to be solid metal, though, I should imagine, hollow at heart. A thing which interested me very much was the lantern of Guy Fawkes. It was once tinned, no doubt, but is now nothing but rusty iron, partly broken. As this is called the Picture Gallery, I must not forget the pictures, which are ranged in long succession over the bookcases, and include almost all Englishmen whom the world has ever heard of, whether in statesmanship or literature, I saw a canvas on which had once been a lovely and unique portrait of Mary of Scotland; but it was consigned to a picture-cleaner to be cleansed, and, discovering that it was painted over another picture, he had the curiosity to clean poor Mary quite away, thus revealing a wishy-washy woman's face, which now hangs in the gallery. I am so tired of seeing notable things that I almost wish that whatever else is remarkable in Oxford could be obliterated in some similar manner.
From the Bodleian we went to
THE TAYLOR INSTITUTE,
which was likewise closed; but the woman who had it in charge had formerly been a servant of Mr. Spiers, and he so overpersuaded her that she finally smiled and admitted us. It would truly have been a pity to miss it; for here, on the basement floor, are the original models of Chantrey's busts and statues, great and small; and in the rooms above are a far richer treasure,—a large collection of original drawings by Raphael and Michael Angelo. These are far better for my purpose than their finished pictures,—that is to say, they bring me much closer to the hands that drew them and the minds that imagined them. It is like looking into their brains, and seeing the first conception before it took shape outwardly (I have somewhere else said about the same thing of such sketches). I noticed one of Raphael's drawings, representing the effect of eloquence; it was a man speaking in the centre of a group, between whose ears and the orator's mouth connecting lines were drawn. Raphael's idea must have been to compose his picture in such a way that their auricular organs should not fail to be in a proper relation with the eloquent voice; and though this relation would not have been individually traceable in the finished picture, yet the general effect—that of deep and entranced attention—would have been produced.
In another room there are some copies of Raphael's cartoons, and some queer mediaeval pictures, as stiff and ugly as can well be conceived, yet successful in telling their own story. We looked a little while at these, and then, thank Heaven! went home and dressed for dinner. I can write no more to-day. Indeed, what a mockery it is to write at all!
[Here follows the drive to Cumnor Place, Stanton Harcourt, Nuneham Courtney, Godstowe, etc.,—already published in Our Old Home.—ED.]
September 9th.—The morning after our excursion on the Thames was as bright and beautiful as many preceding ones had been. After breakfast S——- and I walked a little about the town, and bought Thomas a Kempis, in both French and English, for U——. . . . Mr. De la Motte, the photographer, had breakfasted with us, and Mr. Spiers wished him to take a photograph of our whole party. So, in the first place, before the rest were assembled, he made an experimental group of such as were there; and I did not like my own aspect very much. Afterwards, when we were all come, he arranged us under a tree in the garden,—Mr. and Mrs. Spiers, with their eldest son, Mr. and Mrs. Hall and Fanny, Mr. Addison, my wife and me,—and stained the glass with our figures and faces in the twinkling of an eye; not S——-'s face, however, for she turned it away, and left only a portion of her bonnet and dress,—and Mrs. Hall, too, refused to countenance the proceeding. But all the rest of us were caught to the life, and I was really a little startled at recognizing myself so apart from myself, and done so quickly too.