Passages from the English Notebooks, Volume 2.

by Nathaniel Hawthorne

[Here follow the visits to Lincoln and Boston, printed in Our Old Home. —ED.]

May 27th.—We left Boston by railway at noon, and arrived in PETERBOROUGH in about an hour and a quarter, and have put up at the Railway Hotel. After dinner we walked into the town to see

THE CATHEDRAL,

of the towers and arches of which we had already had a glimpse from our parlor window.

Our journey from Boston hitherward was through a perfectly level country,—the fens of Lincolnshire,—green, green, and nothing else, with old villages and farm-houses and old church-towers; very pleasant and rather wearisomely monotonous. To return to Peterborough. It is a town of ancient aspect; and we passed, on our way towards the market-place, a very ancient-looking church, with a very far projecting porch, opening in front and on each side through arches of broad sweep. The street by which we approached from our hotel led us into the market-place, which had what looked like an old Guildhall on one side. On the opposite side, above the houses, appeared the towers of the cathedral, and a street leads from the market-place to its front, through an arched gateway, which used to be the external entrance to the abbey, I suppose, of which the cathedral was formerly the church. The front of the cathedral is very striking, and unlike any other that I have seen; being formed by three lofty and majestic arches in a row, with three gable peaks above them, forming a sort of colonnade, within which is the western entrance of the nave. The towers are massive, but low in proportion to their bulk. There are no spires, but pinnacles and statues, and all the rich detail of Gothic architecture, the whole of a venerable gray line. It is in perfect repair, and has not suffered externally, except by the loss of multitudes of statues, gargoyles, and miscellaneous eccentricities of sculpture, which used to smile, frown, laugh, and weep over the faces of these old fabrics.

We entered through a side portal, and sat down on a bench in the nave, and kept ourselves quiet; for the organ was sounding, and the choristers were chanting in the choir. The nave and transepts are very noble, with clustered pillars and Norman arches, and a great height under the central tower; the whole, however, being covered with plaster and whitewash, except the roof, which is of painted oak. This latter adornment has the merit, I believe, of being veritably ancient; but certainly I should prefer the oak of its native hue, for the effect of the paint is to make it appear as if the ceiling were covered with imitation mosaic-work or an oil-cloth carpet.

After sitting awhile, we were invited by a verger, who came from within the screen, to enter the choir and hear the rest of the service. We found the choristers there in their white garments, and an audience of half a dozen people, and had time to look at the interior of the choir. All the carved wood-work of the tabernacle, the Bishop's throne, the prebends' stalls, and whatever else, is modern; for this cathedral seems to have suffered wofully from Cromwell's soldiers, who hacked at the old oak, and hammered and pounded upon the marble tombs, till nothing of the first and very few of the latter remain. It is wonderful how suddenly the English people lost their sense of the sanctity of all manner of externals in religion, without losing their religion too. The French, in their Revolution, underwent as sudden a change; but they became pagans and atheists, and threw away the substance with the shadow.

I suspect that the interior arrangement of the choir and the chancel has been greatly modernized; for it is quite unlike anything that I have seen elsewhere. Instead of one vast eastern window, there are rows of windows lighting the Lady Chapel, and seen through rows of arches in the screen of the chancel; the effect being, whoever is to have the credit of it, very rich and beautiful. There is, I think, no stained glass in the windows of the nave, though in the windows of the chancel there is some of recent date, and from fragments of veritable antique. The effect of the whole interior is grand, expansive, and both ponderous and airy; not dim, mysterious, and involved, as Gothic interiors often are, the roundness and openness of the arches being opposed to this latter effect.

When the chanting came to a close, one verger took his stand at the entrance of the choir, and another stood farther up the aisle, and then the door of a stall opened, and forth came a clerical dignity of much breadth and substance, aged and infirm, and was ushered out of the choir with a great deal of ceremony. We took him for the bishop, but he proved to be only a canon. We now engaged an attendant to show us through the Lady Chapel and the other penetralia, which it did not take him long to accomplish. One of the first things he showed us was the tombstone, in the pavement of the southern aisle, beneath which Mary, Queen of Scots, had been originally buried, and where she lay for a quarter of a century, till borne to her present resting-place in Westminster Abbey. It is a plain marble slab, with no inscription. Near this, there was a Saxon monument of the date 870, with sculpture in relief upon it,—the memorial of an Abbot Hedda, who was killed by the Danes when they destroyed the monastery that preceded the abbey and church. I remember, likewise, the recumbent figure of the prelate, whose face has been quite obliterated by Puritanic violence; and I think that there is not a single tomb older than the parliamentary wars, which has not been in like manner battered and shattered, except the Saxon abbot's just mentioned. The most pretentious monument remaining is that of a Mr. Deacon, a gentleman of George I.'s time, in wig and breeches, leaning on his elbow, and resting one hand upon a skull. In the north aisle, precisely opposite to that of Queen Mary, the attendant pointed out to us the slab beneath which lie the ashes of Catharine of Aragon, the divorced queen of Henry VIII.

In the nave there was an ancient font, a venerable and beautiful relic, which has been repaired not long ago, but in such a way as not to lessen its individuality. This sacred vessel suffered especial indignity from Cromwell's soldiers; insomuch that if anything could possibly destroy its sanctity, they would have effected that bad end. On the eastern wall of the nave, and near the entrance, hangs the picture of old Scarlet, the sexton who buried both Mary of Scotland and Catharine of Aragon, and not only these two queens, but everybody else in Peterborough, twice over. I think one feels a sort of enmity and spite against these grave-diggers, who live so long, and seem to contract a kindred and partnership with Death, being boon companions with him, and taking his part against mankind.