Passages from the English Notebooks, Volume 2.

by Nathaniel Hawthorne

just before eight. The castle, situated on a high and precipitous rock, directly over the edge of which look the walls, was visible, as we drove from the station to our hotel. We followed the advice of a railway attendant in going first to the May Pole, which proved to be a commercial inn, with the air of a drinking-shop, in a by-alley; and, furthermore, they could not take us in. So we drove to the George the Fourth, which seems to be an excellent house; and here I have remained quiet, the size of the town discouraging me from going out in the twilight which was fast coming on after tea. These are glorious long days for travel; daylight fairly between four in the morning and nine at night, and a margin of twilight on either side.

May 29th.—After breakfast, this morning, I wandered out and lost myself; but at last found the post-office, and a letter from Mr. Wilding, with some perplexing intelligence. Nottingham is an unlovely and uninteresting town. The castle I did not see; but, I happened upon a large and stately old church, almost cathedralic in its dimensions. On returning to the hotel, we deliberated on the mode of getting to Newstead Abbey, and we finally decided upon taking a fly, in which conveyance, accordingly, we set out before twelve. It was a slightly overcast day, about half intermixed of shade and sunshine, and rather cool, but not so cool that we could exactly wish it warmer. Our drive to Newstead lay through what was once a portion of Sherwood Forest, though all of it, I believe, has now become private property, and is converted into fertile fields, except where the owners of estates have set out plantations. We have now passed out of the fen-country, and the land rises and falls in gentle swells, presenting a pleasant, but not striking, character of scenery. I remember no remarkable object on the road,—here and there an old inn, a gentleman's seat of moderate pretension, a great deal of tall and continued hedge, a quiet English greenness and rurality, till, drawing near

NEWSTEAD ABBEY,

we began to see copious plantations, principally of firs, larches, and trees of that order, looking very sombre, though with some intermingling of lighter foliage. It was after one when we reached "The Hut,"—a small, modern wayside inn, almost directly across the road from the entrance-gate of Newstead. The post-boy calls the distance ten miles from Nottingham. He also averred that it was forbidden to drive visitors within the gates; so we left the fly at the inn, and set out to walk from the entrance to the house. There is no porter's lodge; and the grounds, in this outlying region, had not the appearance of being very primly kept, but were well wooded with evergreens, and much overgrown with ferns, serving for cover for hares, which scampered in and out of their hiding-places. The road went winding gently along, and, at the distance of nearly a mile, brought us to a second gate, through which we likewise passed, and walked onward a good way farther, seeing much wood, but as yet nothing of the Abbey. At last, through the trees, we caught a glimpse of its battlements, and saw, too, the gleam of water, and then appeared the Abbey's venerable front. It comprises the western wall of the church, which is all that remains of that fabric,—a great, central window, entirely empty, without tracery or mullions; the ivy clambering up on the inside of the wall, and hanging over in front. The front of the inhabited part of the house extends along on a line with this church wall, rather low, with battlements along its top, and all in good keeping with the ruinous remnant. We met a servant, who replied civilly to our inquiries about the mode of gaining admittance, and bade us ring a bell at the corner of the principal porch. We rang accordingly, and were forthwith admitted into a low, vaulted basement, ponderously wrought with intersecting arches, dark and rather chilly, just like what I remember to have seen at Battle Abbey; and, after waiting here a little while, a respectable elderly gentlewoman appeared, of whom we requested to be shown round the Abbey. She courteously acceded, first presenting us to a book in which to inscribe our names.

I suppose ten thousand people, three fourths of them Americans, have written descriptions of Newstead Abbey; and none of them, so far as I have read, give any true idea of the place; neither will my description, if I write one. In fact, I forget very much that I saw, and especially in what order the objects came. In the basement was Byron's bath,—a dark and cold and cellarlike hole, which it must have required good courage to plunge into; in this region, too, or near it, was the chapel, which Colonel Wildman has decorously fitted up, and where service is now regularly performed, but which was used as a dog's kennel in Byron's time.

After seeing this, we were led to Byron's own bedchamber, which remains just as when he slept in it,—the furniture and all the other arrangements being religiously preserved. It was in the plainest possible style, homely, indeed, and almost mean,—an ordinary paper-hanging, and everything so commonplace that it was only the deep embrasure of the window that made it look unlike a bedchamber in a middling-class lodging-house. It would have seemed difficult, beforehand, to fit up a room in that picturesque old edifice so that it should be utterly void of picturesqueness; but it was effected in this apartment, and I suppose it is a specimen of the way in which old mansions used to be robbed of their antique character, and adapted to modern tastes, before mediaeval antiquities came into fashion. Some prints of the Cambridge colleges, and other pictures indicating Byron's predilections at the time, and which he himself had hung there, were on the walls. This, the housekeeper told us, had been the Abbot's chamber, in the monastic time. Adjoining it is the haunted room, where the ghostly monk, whom Byron introduces into Don Juan, is said to have his lurking-place. It is fitted up in the same style as Byron's, and used to be occupied by his valet or page. No doubt in his Lordship's day, these were the only comfortable bedrooms in the Abbey; and by the housekeeper's account of what Colonel Wildman has done, it is to be inferred that the place must have been in a most wild, shaggy, tumble-down condition, inside and out, when he bought it.

It is very different now. After showing us these two apartments of Byron and his servant, the housekeeper led us from one to another and another magnificent chamber fitted up in antique style, with oak panelling, and heavily carved bedsteads, of Queen Elizabeth's time, or of the Stuarts, hung with rich tapestry curtains of similar date, and with beautiful old cabinets of carved wood, sculptured in relief, or tortoise-shell and ivory. The very pictures and realities, these rooms were, of stately comfort; and they were called by the name of kings,—King Edward's, King Charles II's, King Henry VII's chamber; and they were hung with beautiful pictures, many of them portraits of these kings. The chimney-pieces were carved and emblazoned; and all, so far as I could judge, was in perfect keeping, so that if a prince or noble of three centuries ago were to come to lodge at Newstead Abbey, he would hardly know that he had strayed out of his own century. And yet he might have known by some token, for there are volumes of poetry and light literature on the tables in these royal bedchambers, and in that of Henry VII. I saw The House of the Seven Gables and The Scarlet Letter in Routledge's edition.

Certainly the house is admirably fitted up; and there must have been something very excellent and comprehensive in the domestic arrangements of the monks, since they adapt themselves so well to a state of society entirely different from that in which they originated. The library is a very comfortable room, and provocative of studious ideas, though lounging and luxurious. It is long, and rather low, furnished with soft couches, and, on the whole, though a man might dream of study, I think he would be most likely to read nothing but novels there. I know not what the room was in monkish times, but it was waste and ruinous in Lord Byron's. Here, I think, the housekeeper unlocked a beautiful cabinet, and took out the famous skull which Lord Byron transformed into a drinking-goblet. It has a silver rim and stand, but still the ugly skull is bare and evident, and the naked inner bone receives the wine. I should think it would hold at least a quart,—enough to overpower any living head into which this death's-head should transfer its contents; and a man must be either very drunk or very thirsty, before he would taste wine out of such a goblet. I think Byron's freak was outdone by that of a cousin of my own, who once solemnly assured me that he had a spittoon made out of the skull of his enemy. The ancient coffin in which the goblet-skull was found was shown us in the basement of the Abbey.

There was much more to see in the house than I had any previous notion of; but except the two chambers already noticed, nothing remained the least as Byron left it. Yes, another place there was,—his own small dining-room, with a table of moderate size, where, no doubt, the skull-goblet has often gone its rounds. Colonel Wildman's dining-room was once Byron's shooting-gallery, and the original refectory of the monks. It is now magnificently arranged, with a vaulted roof, a music-gallery at one end, suits of armor and weapons on the walls, and mailed arms extended, holding candelabras. There are one or two painted windows, commemorative of the Peninsular war, and the battles in which the Colonel and his two brothers fought,—for these Wildmen seem to have been mighty troopers, and Colonel Wildman is represented as a fierce-looking mustachioed hussar at two different ages. The housekeeper spoke of him affectionately, but says that he is now getting into years, and that they fancy him failing. He has no children. He appears to have been on good terms with Byron, and had the latter ever returned to England, he was under promise to make his first visit to his old home, and it was in such an expectation that Colonel Wildman had kept Byron's private apartments in the same condition in which he found them. Byron was informed of all the Colonel's fittings up and restorations, and when he introduces the Abbey in Don Juan, the poet describes it, not as he himself left it, but as Colonel Wildman has restored it. There is a beautiful drawing-room, and all these apartments are adorned with pictures, the collection being especially rich in portraits by Sir Peter Lely,—that of Nell Gwynn being one, who is one of the few beautiful women whom I have seen on canvas.

We parted with the housekeeper, and I with a good many shillings, at the door by which we entered; and our next business was to see the private grounds and gardens. A little boy attended us through the first part of our progress, but soon appeared the veritable gardener,—a shrewd and sensible old man, who has been very many years on the place. There was nothing of special interest as concerning Byron until we entered the original old monkish garden, which is still laid out in the same fashion as the monks left it, with a large, oblong piece of water in the centre, and terraced banks rising at two or three different stages with perfect regularity around it; so that the sheet of water looks like the plate of an immense looking-glass, of which the terraces form the frame. It seems as if, were there any giant large enough, he might raise up this mirror and set it on end. In the monks' garden, there is a marble statue of Pan, which, the gardener told us, was brought by the "Wicked Lord" (great-uncle of Byron) from Italy, and was supposed by the country people to represent the Devil, and to be the object of his worship,—a natural idea enough, in view of his horns and cloven feet and tail, though this indicates, at all events, a very jolly devil. There is also a female statue, beautiful from the waist upward, but shaggy and cloven-footed below, and holding a little cloven-footed child by the hand. This, the old gardener assured us, was Pandora, wife of the above-mentioned Pan, with her son. Not far from this spot, we came to the tree on which Byron carved his own name and that of his sister Augusta. It is a tree of twin stems,—a birch-tree, I think,—growing up side by side. One of the stems still lives and flourishes, but that on which he carved the two names is quite dead, as if there had been something fatal in the inscription that has made it forever famous. The names are still very legible, although the letters had been closed up by the growth of the bark before the tree died. They must have been deeply cut at first.