The manuscript of the unfinished "Dolliver Romance" lay upon his coffin during the funeral services at Concord, but, contrary to the impression sometimes entertained on this point, was not buried with him. It is preserved in the Concord Public Library. The first chapter was published in the "Atlantic" as an isolated portion, soon after his death; and subsequently the second chapter, which he had been unable to revise, appeared in the same periodical. Between this and the third fragment there is a gap, for bridging which no material was found among his papers; but, after hesitating for several years, Mrs. Hawthorne copied and placed in the publishers' hands that final portion, which, with the two parts previously printed, constitutes the whole of what Hawthorne had put into tangible form.

Hawthorne had purposed prefixing a sketch of Thoreau, "because, from a tradition which he told me about this house of mine, I got the idea of a deathless man, which is now taking a shape very different from the original one." This refers to the tradition mentioned in the editor's note to "Septimius Felton," and forms a link in the interesting chain of evidence connecting that romance with the "Dolliver Romance." With the plan respecting Thoreau he combined the idea of writing an autobiographical preface, wherein The Wayside was to be described, after the manner of his Introduction to the "Mosses from an Old Manse"; but, so far as is known, nothing of this was ever actually committed to paper.

Beginning with the idea of producing an English romance, fragments of which remain to us in "The Ancestral Footstep," and the incomplete work known as "Doctor Grimshawe's Secret," he replaced these by another design, of which "Septimius Felton" represents the partial execution. But that elaborate study yielded, in its turn, to "The Dolliver Romance." The last-named work, had the author lived to carry it out, would doubtless have become the vehicle of a profound and pathetic drama, based on the instinctive yearning of man for an immortal existence, the attempted gratification of which would have been set forth in a variety of ways: First, through the selfish old sensualist, Colonel Dabney, who greedily seized the mysterious elixir and took such a draught of it that he perished on the spot; then, through the simple old Grandsir, anxious to live for Pansie's sake; and, perhaps, through Pansie herself, who, coming into the enjoyment of some ennobling love, would wish to defeat death, so that she might always keep the perfection of her mundane happiness,—all these forms of striving to be made the adumbration of a higher one, the shadow-play that should direct our minds to the true immortality beyond this world.

G. P. L.

THE DOLLIVER ROMANCE.

A SCENE FROM THE DOLLIVER ROMANCE.

Dr. Dolliver, a worthy personage of extreme antiquity, was aroused rather prematurely, one summer morning, by the shouts of the child Pansie, in an adjoining chamber, summoning old Martha (who performed the duties of nurse, housekeeper, and kitchen-maid, in the Doctor's establishment) to take up her little ladyship and dress her. The old gentleman woke with more than his customary alacrity, and, after taking a moment to gather his wits about him, pulled aside the faded moreen curtains of his ancient bed, and thrust his head into a beam of sunshine that caused him to wink and withdraw it again. This transitory glimpse of good Dr. Dolliver showed a flannel night-cap, fringed round with stray locks of silvery white hair, and surmounting a meagre and duskily yellow visage, which was crossed and criss-crossed with a record of his long life in wrinkles, faithfully written, no doubt, but with such cramped chirography of Father Time that the purport was illegible. It seemed hardly worth while for the patriarch to get out of bed any more, and bring his forlorn shadow into the summer day that was made for younger folks. The Doctor, however, was by no means of that opinion, being considerably encouraged towards the toil of living twenty-four hours longer by the comparative ease with which he found himself going through the usually painful process of bestirring his rusty joints (stiffened by the very rest and sleep that should have made them pliable) and putting them in a condition to bear his weight upon the floor. Nor was he absolutely disheartened by the idea of those tonsorial, ablutionary, and personally decorative labors which are apt to become so intolerably irksome to an old gentleman, after performing them daily and daily for fifty, sixty, or seventy years, and finding them still as immitigably recurrent as at first. Dr. Dolliver could nowise account for this happy condition of his spirits and physical energies, until he remembered taking an experimental sip of a certain cordial which was long ago prepared by his grandson, and carefully sealed up in a bottle, and had been reposited in a dark closet, among a parcel of effete medicines, ever since that gifted young man's death.

"It may have wrought effect upon me," thought the doctor, shaking his head as he lifted it again from the pillow. "It may be so; for poor Edward oftentimes instilled a strange efficacy into his perilous drugs. But I will rather believe it to be the operation of God's mercy, which may have temporarily invigorated my feeble age for little Pansie's sake."

A twinge of his familiar rheumatism, as he put his foot out of bed, taught him that he must not reckon too confidently upon even a day's respite from the intrusive family of aches and infirmities, which, with their proverbial fidelity to attachments once formed, had long been the closest acquaintances that the poor old gentleman had in the world. Nevertheless, he fancied the twinge a little less poignant than those of yesterday; and, moreover, after stinging him pretty smartly, it passed gradually off with a thrill, which, in its latter stages, grew to be almost agreeable. Pain is but pleasure too strongly emphasized. With cautious movements, and only a groan or two, the good Doctor transferred himself from the bed to the floor, where he stood awhile, gazing from one piece of quaint furniture to another (such as stiff-backed Mayflower chairs, an oaken chest-of-drawers carved cunningly with shapes of animals and wreaths of foliage, a table with multitudinous legs, a family record in faded embroidery, a shelf of black-bound books, a dirty heap of gallipots and phials in a dim corner),—gazing at these things, and steadying himself by the bedpost, while his inert brain, still partially benumbed with sleep, came slowly into accordance with the realities about him. The object which most helped to bring Dr. Dolliver completely to his waking perceptions was one that common observers might suppose to have been snatched bodily out of his dreams. The same sunbeam that had dazzled the doctor between the bed-curtains gleamed on the weather-beaten gilding which had once adorned this mysterious symbol, and showed it to be an enormous serpent, twining round a wooden post, and reaching quite from the floor of the chamber to its ceiling.

It was evidently a thing that could boast of considerable antiquity, the dry-rot having eaten out its eyes and gnawed away the tip of its tail; and it must have stood long exposed to the atmosphere, for a kind of gray moss had partially overspread its tarnished gilt surface, and a swallow, or other familiar little bird in some by-gone summer, seemed to have built its nest in the yawning and exaggerated mouth. It looked like a kind of Manichean idol, which might have been elevated on a pedestal for a century or so, enjoying the worship of its votaries in the open air, until the impious sect perished from among men,—all save old Dr. Dolliver, who had set up the monster in his bedchamber for the convenience of private devotion. But we are unpardonable in suggesting such a fantasy to the prejudice of our venerable friend, knowing him to have been as pious and upright a Christian, and with as little of the serpent in his character, as ever came of Puritan lineage. Not to make a further mystery about a very simple matter, this bedimmed and rotten reptile was once the medical emblem or apothecary's sign of the famous Dr. Swinnerton, who practised physic in the earlier days of New England, when a head of Aesculapius or Hippocrates would have vexed the souls of the righteous as savoring of heathendom. The ancient dispenser of drugs had therefore set up an image of the Brazen Serpent, and followed his business for many years with great credit, under this Scriptural device; and Dr. Dolliver, being the apprentice, pupil, and humble friend of the learned Swinnerton's old age, had inherited the symbolic snake, and much other valuable property by his bequest.