Albany is the residence of several of the oldest and wealthiest families in the State; but except this, it is a mere centre of transit—the channel through which passes the vast tide of commerce and travel to the north and west. The Erie and Champlain canals here meet the Hudson; and that which is passed up by this long arm from the sea, is handed over to the great lakes by the other two,—as if old Enceladus had been turned into a “worky,” and stood with his long arms between salt water and fresh.
The association most people have with Albany, is that of having lost a portmanteau there. The north-river steam-boats land you with from three to seven hundred passengers upon a narrow pier, in the dusk of the evening, where you find from three to seven hundred individuals (more or less), each of whom seems to have no other object in life, than to persuade you, at that particular instant, to go by a certain conveyance, or to stop at a certain hotel. Upon setting your foot on shore, you find yourself among five or six infuriated gentlemen, two or three of whom walk backward before you, and all talking at the pitch which is necessary to drown the deepening hiss of the escape-valve and each other’s voices. If you attempt to reason, you have no sooner satisfied the aforesaid six, that your route, your baggage, and your choice of an hotel, are matters in which they cannot be of the slightest assistance to you, than six more take their places, who must be satisfied as well; and so on in the same order. If you resolutely shut your lips, silence is taken for consent; your baggage is seized, and disappears before you have recovered from your amazement; and your only course is to follow the most importunate of your remaining five persecutors to an hotel; advertise in the next morning’s paper for your portmanteau; and wait in Albany till it returns from Canada or Lake Erie, or till you are reconciled to its loss.
One of the most amusing scenes in the world, if it were not so distressing, is to see a large family of rather respectable emigrants landed by the steamer in Albany. It is their first step inland; and with all the confidence of those who are accustomed to countries where a man’s person and property are outwardly respected, they yield their children and baggage to the persuasive gentlemen who assure them that all is right; and if a passing wonder crosses the mind of the sufferer, that his route should be so immediately comprehended by a perfect stranger, it is chased away the next moment by his surprise at the scene of bustle and confusion. At the end of five minutes the crowd thins a little, and he looks about for his family and effects. A stage coach is dashing off at top-speed in one direction, with his eldest daughter stretching out of the window, and crying in vain that there is some mistake; his two youngest are on board a steam-boat just off from the pier, and bound eight miles further up the river: the respectable part of his baggage has entirely disappeared; and nothing but his decrepit grandmother and the paternal bedstead (both indebted for their escape to being deaf, and not portable,) remain of his family and chattels. For his comfort, the gentry around inform him that his children may be got back in a day or two, and he may find his baggage somewhere on his route to the west—offering, for a consideration not very trifling, to send off an express for either one or the other.
Albany is the seat of government, and has a State House, of which the historian of New York remarks: “In the structure of this edifice, the rules of architecture, whether Egyptian, Hindoo, Chinese, Grecian, Roman, Saracenic, Gothic, or Composite, have been violated.” Lately, however, a taste for a better style of architecture seems to prevail; and in North Pearl-street we lately noticed a façade (we think, of a new church,) in a very pure and beautiful style. The private houses of Albany are built, many of them, very expensively; and the city is remarkable for its hospitality.
CROW NEST, FROM BULL HILL, WEST POINT.
It is true of the Hudson, as of all other rivers, that, to be seen to advantage, it should form the middle, not the foreground of the picture. Those who go to Albany by steam have something the same idea of the scenery of West Point, that an inside passenger may have of the effect of the Brighton coach at top-speed. It is astonishing how much foreground goes for in landscape; and there are few passes of scenery where it is more naturally beautiful than those of the Hudson. In the accompanying drawing, the picturesque neighbourhood of Undercliff, the seat of Colonel Morris, lies between the river and the artist, and directly opposite stands the peak of Crow Nest, mentioned in the description of West Point.
Crow Nest is one of the most beautiful mountains of America for shape, verdure, and position; and when the water is unruffled, and the moon sits on his summit, he looks like a monarch crowned with a single pearl. This is the scene of the first piece-work of fancy which has come from the practical brain of America,—the poem of The Culprit Fay. The opening is so descriptive of the spot, that it is quite in place here; and to those who have not seen the poem (as most European readers have not) it will convey an idea of a production which, in my opinion, treads close on the heels of the Midsummer Night’s Dream:—