Famous Persons and Places

by Nathaniel Parker Willis

It gives one an odd feeling to see the tomb of his wife and daughter beside him. One does not realize before, that Shakspere had wife, children, kinsmen, like other men—that there were those who had a right to lie in the same tomb; to whom he owed the charities of life; whom he may have benefited or offended; who may have influenced materially his destiny, or he theirs; who were the inheritors of his household goods, his wardrobe, his books—people who looked on him—on Shakspere—as a landholder, a renter of a pew, a townsman; a relative, in short, who had claims upon them, not for the eternal homage due to celestial inspiration, but for the charity of shelter and bread had he been poor, for kindness and ministry had he been sick, for burial and the tears of natural affection when he died. It is painful and embarrassing to the mind to go to Stratford—to reconcile the immortality and the incomprehensible power of genius like Shakspere’s, with the space, tenement, and circumstance of a man! The poet should be like the sea-bird, seen only on the wing—his birth, his slumber, and his death, mysteries alike.

I had stipulated with the hostess that my baggage should be put into the chamber occupied by Washington Irving. I was shown into it to dress for dinner—a small neat room, a perfect specimen, in short, of an English bedroom, with snow-white curtains, a looking-glass the size of the face, a well-polished grate and poker, a well-fitted carpet, and as much light as heaven permits to the climate.

Our dinner for two was served in a neat parlor on the same floor—an English inn dinner—simple, neat and comfortable, in the sense of that word unknown in other countries. There was just fire enough in the grate, just enough for two in the different dishes, a servant who was just enough in the room, and just civil enough—in short, it was, like everything else in that country of adaptation and fitness, just what was ordered and wanted, and no more.

The evening turned out stormy, and the rain pattered merrily against the windows. The shutters were closed, the fire blazed up with new brightness, the well-fitted wax lights were set on the table; and when the dishes were removed, we replaced the wine with a tea-tray, and Miss Porter sent for the hostess to give us her company and a little gossip over our cups.

Nothing could be more nicely understood and defined than the manner of English hostesses generally in such situations, and of Mrs. Gardiner particularly in this. Respectful without servility, perfectly sure of the propriety of her own manner and mode of expression, yet preserving in every look and word the proper distinction between herself and her guests, she insured from them that kindness and ease of communication which would make a long evening of social conversation pass, not only without embarrassment on either side, but with mutual pleasure and gratification.

“I have brought up, mem,” she said, producing a well-polished poker from under her black apron, before she took the chair set for her at the table—“I have brought up a relic for you to see, that no money would buy from me.”

She turned it over in my hand, and I read on one of the flat sides at the bottom—“geoffrey crayon’s sceptre.”

“Do you remember Mr. Irving,” asked my friend, “or have you supposed, since reading his sketch of Stratford-on-Avon that the gentleman in number three might be the person?”

The hostess drew up her thin figure, and the expression of a person about to compliment herself stole into the corners of her mouth.

“Why, you see, mem, I am very much in the habit of observing my guests, and I think I may say I knows a superior gentleman when I sees him. If you remember, mem,” (and she took down from the mantle-piece a much-worn copy of the Sketch-Book,) “Geoffrey Crayon tells the circumstance of my stepping in when it was getting late, and asking if he had rung. I knows it by that, and then the gentleman I mean was an American, and I think, mem, besides,” (and she hesitated a little, as if she was about to advance an original and rather venturesome opinion)—“I think I can see that gentleman’s likeness all through this book.”