A VISIT TO DUBLIN ABOUT THE TIME OF
THE QUEEN’S MARRIAGE.

The usual directions for costume, in the corner of the court card of invitation, included, on the occasion of the Queen’s marriage, a wedding favor, to be worn by ladies on the shoulder, and by gentlemen on the left breast. This trifling addition to the dress of the individual was a matter of considerable importance to the milliners, hatters, etc., who, in a sale of ten or twelve hundred white cockades (price from two dollars to five) made a very pretty profit. The power of giving a large ball to the more expensive classes, and ordering a particular addition to the costume—in other words, of laying a tax on the rich for the benefit of the poor, is exercised more frequently in Ireland than in other countries, and serves the double purpose of popularity to the Lord Lieutenant, and benefit to any particular branch of industry that may be suffering from the decline of a fashion.

The large quadrangular court-yard of the castle rattled with the tramp of horses’ feet and the clatter of sabres and spurs, and in the uncertain glare of torches and lamps, the gay colors and glittering arms of the mounted guard of lancers had a most warlike appearance. The procession which the guard was stationed to regulate and protect, rather detracted from the romantic effect—the greater proportion of equipages being the covered hack cars of the city—vehicles of the most unmitigated and ludicrous vulgarity. A coffin for two, set on its end, with the driver riding on the turned-down lid, would be a very near resemblance; and the rags of the driver, and the translucent leanness of his beast, make it altogether the most deplorable of conveyances. Here and there a carriage with liveries, and here and there a sedan-chair with four stout Milesian calves in blue stockings trotting under the poles, rather served as a foil than a mitigation of the effect, and the hour we passed in the line, edging slowly toward the castle, was far from unfruitful in amusement. I learned afterward that even those who have equipages in Dublin go to Court in hack cars as a matter of economy—one of the many indications of that feeling of lost pride which has existed in Ireland since the removal of the parliament.

A hall and staircase lined with files of soldiers is not quite as festive an entrance to a ball as the more common one of alleys of flowering shrubs; but with a waltz by a military band resounding from the lofty ceiling, I am not sure that it does not temper the blood as aptly for the spirit of the hour. It was a rainy night, and the streets were dark, and the effect upon myself of coming suddenly into so enchanted a scene—arms glittering on either side, and a procession of uniforms and plumed dames winding up the spacious stairs—was thrilling, even with the chivalric scenes of Eglinton fresh in my remembrance.

At the head of the ascent we entered a long hall, lined with the private servants of Lord Ebrington, and the ceremony of presentation having been achieved the week before, we left the throne-room on the right, and passed directly to St. Patrick’s Hall, the grand scene of the evening’s festivities. This, I have said before, is the finest ball-room I remember in Europe. Twelve hundred people, seated, dancing, or promenading, were within its lofty walls on the night whose festivities I am describing; and at either end a gallery, supported by columns of marble, contained a band of music, relieving each other with alternate waltzes and quadrilles. On the long sides of the hall were raised tiers of divans, filled with chaperons, veteran officers, and other lookers-on, and at the upper end was raised a platform with a throne in the centre, and seats on either side for the family of the Lord Lieutenant, and the more distinguished persons of the nobility. Lord Ebrington was rather in his character of a noble host than that of Viceroy, and I did not observe him once seated under his canopy of state; but with his Aids and some one of the noble ladies of his family on his arm, he promenaded the hall conversing with his acquaintances, and seemingly enjoying in a high degree the brilliant gayety of the scene. His dress, by the way, was the simple diplomatic dress of most continental courts, a blue uniform embroidered with gold, the various orders on his breast forming its principal distinction. I seldom have seen a man of a more calm and noble dignity of presence than the Lord Lieutenant, and never a face that expressed more strongly the benevolence and high purity of character for which he is distinguished. In person, except that he is taller, he bears a remarkably close resemblance to the Duke of Wellington.

We can scarcely conceive, in this country of black coats, the brilliant effect of a large assembly in which there is no person out of uniform or court-dress—every lady’s head nodding with plumes, and every gentleman in military scarlet and gold or lace and embroidery. I may add, too, that in this country of care-worn and pale faces, we can as little conceive the effect of an assembly rosy with universal health, habitually unacquainted with care, and abandoned with the apparent child-like simplicity of high breeding, to the inspiring gayety of the hour. The greater contrast, however, is between a nation where health is the first care, and one in which health is never thought of till lost; and light and shade are not more contrasted than the mere general effect of countenance in one and in the other. A stranger travelling in our country, once remarked to me that a party he had attended seemed like an entertainment given in the convalescent ward of a hospital—the ladies were so pale and fragile, and the men so unjoyous and sallow. And my own invariable impression, in the assemblies I have first seen after leaving my own country, was a corresponding one—that the men and women had the rosy health and untroubled gayety of children round a May-pole. That this is not the effect of climate, I do most religiously believe. It is over-much care and over-much carelessness—the corroding care of an avid temerity in business, and the carelessness of all the functions of life till their complaints become too imperative to be disregarded. But this is a theme out of place.

The ball was managed by the Grand Chamberlain (Sir William Leeson,) and the aids-de-camp of the Lord Lieutenant, and except that now and then you were reminded by the movement around you that you stood with your back to the representative of royalty, there was little to draw your attention from the attractions of the dance. Waltz, quadrille, and gallop, followed each other in giddy succession, and “what do you think of Irish beauty?” had been asked me as often as “how do you like America?” was ever mumbled through the trumpet of Miss Martineau, when I mounted with a friend to one of the upper divans, and tried, what is always a difficult task, and nowhere so difficult as in Ireland, to call in the intoxicated fancy, and anatomize the charm of the hour.

Moore’s remark has been often quoted—“there is nothing like an Irish woman to take a man off his feet;” but whether this figure of speech was suggested by the little bard’s common soubriquet of “Jump-up-and-kiss-me[[5]] Tom Moore,” or simply conveyed his idea of the bewildering character of Irish beauty, it contains, to any one who has ever travelled (or waltzed) in that country, a very just, as well as realizing description. Physically, Irish women are probably the finest race in the world—I mean, taller, better limbed and chested, larger eyed, and with more luxuriant hair, and freer action, than any other nation I have observed. The Phœnician and Spanish blood which has run hundreds of years in their veins, still kindles its dark fire in their eyes, and with the vivacity of the northern mind and the bright color of the northern skin, these southern qualities mingle in most admirable and superb harmony. The idea we form of Italian and Grecian beauty is never realized in Greece and Italy, but we find it in Ireland, heightened and exceeded. Cheeks and lips of the delicacy and bright teint of carnation, with snowy teeth, and hair and eyebrows of jet, are what we should look for on the palette of Apelles, could we recall the painter, and re-animate his far-famed models; and these varied charms, united, fall very commonly to the share of the fair Milesian of the upper classes. In other lands of dark eyes, the rareness of a fine-grained skin, so necessary to a brunette, makes beauty as rare—but whether it is the damp softness of the climate or the infusion of Saxon blood, a coarse skin is almost never seen in Ireland. I speak now only of the better-born ranks of society, for in all my travels in Ireland I did not chance to see even one peasant girl of any pretensions to good looks. From north to south, they looked, to me, coarse, ill-formed, and repulsive.

I noticed in St. Patrick’s Hall what I had remarked ever since I had been in the country, that with all their beauty, the Irish women are very deficient in what in England is called style. The men, on the contrary, were particularly comme il faut, and as they are a magnificent race (corresponding to such mothers and sisters) I frequently observed I had never seen so many handsome and elegant men in a day. Whenever I saw a gentleman and lady together, riding, driving, or walking, my first impression was, almost universally, that the man was in attendance upon a woman of an inferior class to his own. This difference may be partly accounted for by the reduced circumstances of the gentry of Ireland, which keeps the daughters at home, that the sons may travel and improve; but it works differently in America, where, spite of travel and every other advantage to the contrary, the daughters of a family are much oftener lady-like than the sons are gentleman-like. After wondering for some time, however, why the quick-witted women of Ireland should be less apt than those of other countries in catching the air of high breeding usually deemed so desirable, I began to like them better for the deficiency, and to find a reason for it in the very qualities which make them so attractive. Nothing could be more captivating and delightful than the manners of Irish women, and nothing, at the same time, could be more at war with the first principles of English high breeding—coldness and retenu. The frank, almost hilarious “how are you?” of an Irish girl, her whole-handed and cordial grasp, as often in the day as you meet her, the perfectly un-missy-ish, confiding, direct character of her conversation, are all traits which would stamp her as somewhat rudely bred in England, and as desperately vulgar in New York or Philadelphia.

Modest to a proverb, the Irish woman is as unsuspecting of an impropriety as if it were an impossible thing, and she is as fearless and joyous as a midshipman, and sometimes as noisy. In a ball-room she looks ill-dressed, not because her dress was ill-put-on, but because she dances, not glides, sits down without care, pulls her flowers to pieces, and if her head-dress incommodes her, gives it a pull or a push—acts which would be perfect insanity at Almack’s. If she is offended, she asks for an explanation. If she does not understand you, she confesses her ignorance. If she wishes to see you the next day, she tells you how and when. She is the child of nature, and children are not “stylish.” The niminy-piminy, eye-avoiding, finger-tipped, drawling, don’t-touch-me manner of some of the fashionable ladies of our country, would amuse a cold and reserved English woman sufficiently, but they would drive an Irish girl into hysterics. I have met one of our fair country-people abroad, whose “Grecian stoop,” and exquisitely subdued manner, was invariably taken for a fit of indigestion.