I have just returned from a social tea-party at a house of one of the few English families left in Paris. It is but a little after ten, and the streets, as I came along, were as deserted and still as if it were a city of the dead. Usually, until four or five in the morning, the same streets are thronged with carriages hurrying to and fro, and always till midnight the trottoirs are crowded with promenaders. To-night I scarce met a foot-passenger, and but one solitary cabriolet in a walk of a mile. The contrast was really impressive. The moon was nearly full, and high in the heavens, and the sky absolutely without a trace of a cloud; nothing interrupted the full broad light of the moon, and the empty streets were almost as bright as at noon-day; and, as I crossed the Place Vendome, I could hear, for the first time since I have been in Paris, though I have passed it at every hour of the night, the echo of my footsteps reverberated from the walls around. You should have been in these crowded cities of Europe to realize the impressive solemnity of such solitude.
It is said that fifty thousand people have left Paris within the past week. Adding this to the thousand a day who are struck with the cholera, and the attendance necessary to the sick, and a thinned population is sufficiently accounted for. There are, however, hundreds ill of this frightful disease, whose cases are not reported. It is only those who are taken to the hospitals, the poor and destitute, who are numbered in the official statements. The physicians are wearied out with their private practice. The medical lectures are suspended, and a regular physician is hardly to be had at all. There is scarce a house in which some one has not been taken. You see biers and litters issuing from almost every gate, and the better ranks are no longer spared. A sister of the premier, M. Perier, died yesterday; and it was reported at the Bourse, that several distinguished persons, who have been ill of it, are also dead. No one feels safe; and the consternation and dread on every countenance you meet, is enough to chill one's very blood. I went out to-day for a little exercise, not feeling very well, and I was glad to get home again. Every creature looks stricken with a mortal fear. And this among a French population, the gayest and merriest of people under all depressions ordinarily, is too strong a contrast not to be felt painfully. There is something singular in the air, too; a disagreeable, depressing dryness, which the physicians say must change, or all Paris will be struck with the plague. It is clear and cold, but almost suffocating with dryness.
It is very consoling in the midst of so much that is depressing, that the preventives recommended against the cholera are so agreeable. "Live well," say the doctors, "and bathe often. Abstain from excesses, keep a clear head and good spirits, and amuse yourself as much and as rationally as possible." It is a very excellent recipe for happiness, let alone the cholera. There is great room for a nice observance of this system in Paris, particularly the eating and bathing. The baths are delightful. You are received in handsome saloons, opening upon a garden in the centre of the building, ornamented with statues and fountains, the journals lying upon the sofas, and everything arranged with quite the luxury of a palace. The bathing-rooms are furnished with taste; the baths are of marble, and covered inside with spotlessly white linen cloths; the water is perfumed, and you may lie and take your coffee, or have your breakfast served upon the mahogany cover which shuts you in—a union of luxuries which is enough to enervate a cynic. When you are ready to come out, a pull of the bell brings a servant, who gives you a peignoir—a long linen wrapper, heated in an oven, in the warm folds of which you are enveloped, and in three minutes are quite dry. In this you may sit, at your ease, reading, or musing, or lie upon the sofa without the restraint of a tight dress, till you are ready to depart; and then four or five francs, something less than a dollar, pays for all.
LETTER XIX.
MORNING VIEW FROM THE RUE RIVOLI—THE BOIS DE BOULOGNE—GUICCIOLI—SISMONDI THE HISTORIAN, ETC.
It is now the middle of April, and, sitting at my window on the Rue Rivoli, I look through one of the long, clipped avenues of the Tuileries, and see an arch of green leaves, the sun of eight o'clock in the morning just breaking through the thin foliage and dappling the straight, even gravel-walk below, with a look of summer that makes my heart leap. The cholera has put an end to dissipation, and one gets up early, from necessity. It is delicious to step out before breakfast, and cross the street into those lovely gardens, for an hour or two of fresh air and reflection. It is warm enough now to sit on the stone benches about the fountains, by the time the dew is dry; and I know nothing so contemplative as the occupation of watching these royal swans, in the dreamy, almost imperceptible motion with which they glide around the edges of the basins. The gold fish swim up and circle about the breast of the imperial birds with a motion almost as idle; and the old wooden-legged soldier, who has been made warden of the gardens for his service, sits nodding on one of the chairs, or drawing fortifications with his stick in the gravel; and so it happens, that, in the midst of a gay and busy city one may feel always a luxurious solitude; and, be he ever so poor, loiter all day if he will, among scenes which only regal munificence could provide for him. With the Seine bounding them on one side, the splendid uniform façade of the Rue Rivoli on the other, the palace stretching across the southern terrace, and the thick woods of the Champs Elysées at the opposite gate, where could one go in the world to give his taste or his eye a more costly or delightful satisfaction?
The Bois de Boulogne, about which the Parisians talk so much, is less to my taste. It is a level wood of small trees, covering a mile or two square, and cut from corner to corner with straight roads for driving. The soil is sandy, and the grass grows only in tufts, the walks are rough, and either muddy or dusty always; and, barring the equipages and the pleasure of a word in passing an acquaintance, I find a drive to this famous wood rather a dull business. I want either one thing or the other—cultivated grounds like the Tuileries, or the wild wood.
I have just left the Countess Guiccioli, with whom I have been acquainted for some two or three weeks. She is very much frightened at the cholera, and thinks of going to America. The conversation turned principally upon Shelley, whom of course she knew intimately; and she gave me one of his letters to herself as an autograph. She says at times he was a little crazy—"fou," as she expressed it—but that there never was a nobler or a better man. Lord Byron, she says, loved him like a brother. She is still in correspondence with Shelley's wife, of whom also she speaks with the greatest affection. There were several miniatures of Byron hanging up in the room, and I asked her if any of them were perfect in the resemblance. "No," she said, "this was the most like him," taking down an exquisitely-finished miniature by an Italian artist, "mais il etaît beaucoup plus beau—beaucoup! beaucoup!" She reiterated the word with a very touching tenderness, and continued to look at the picture for some time, either forgetting our presence, or affecting it. She speaks English sweetly, with a soft, slow, honeyed accent, breaking into French when ever she gets too much interested to choose her words. She went on talking in French of the painters who had drawn Byron, and said the American, West's was the best likeness. I did not like to tell her that West's picture of herself was excessively flattered. I am sure no one would know her from the engraving of it, at least. Her cheek bones are high, her forehead is badly shaped, and, altogether, the frame of her features is decidedly ugly. She dresses in the worst taste, too, and yet, with all this, and poetry and celebrity aside, the Countess Guiccioli is both a lovely and a fascinating woman, and one whom a man of sentiment would admire, even at this age, very sincerely, but not for beauty. She has white and regular teeth, however, and her hair is incomparably the most beautiful I ever saw. It is of the richest and glossiest gold, silken and luxuriant, and changes, as the light falls upon it, with a mellow softness, than which nothing could be lovelier. It is this and her indescribably winning manner which are lost in a picture, and therefore, it is perhaps fair that she should be otherwise flattered. Her drawing-room is one of the most agreeable in Paris at present, and is one of the chief agrémens which console me for a detention in an atmosphere so triste as well as dangerous.