I left Rome by the magnificent "Porta del Popolo," as the flush of a pearly and spotless Italian sunrise deepened over Soracte. They are so splendid without clouds—these skies of Italy! so deep to the eye, so radiantly clear! Clouds make the glory of an American sky. The "Indian summer" sunsets excepted, our sun goes down in New England, with the extravagance of a theatrical scene. The clouds are massed and heavy, like piles of gold and fire, and day after day, if you observe them, you are literally astonished with the brilliant phenomena of the west. Here, for seven months, we have had no rain. The sun has risen faultlessly clear, with the same gray, and silver, and rose tints succeeding each other as regularly as the colors in a turning prism, and it has set as constantly in orange, gold, and purple, with scarce the variation of a painter's pallet, from one day to another. It is really most delightful to live under such heavens as these; to be depressed never by a gloomy sky, nor ill from a chance exposure to a chill wind, nor out of humor because the rain or damp keeps you a prisoner at home. You feel the delicious climate in a thousand ways. It is a positive blessing, and were worth more than a fortune, if it were bought and sold. I would rather be poor in Italy, than rich in any other country in the world.
We ascended the mountain that shuts in the campagna on the north, and turned, while the horses breathed, to take a last look at Rome. My two friends, the lieutenants, and myself, occupied the interior of the vetturino, in company with a young Roman woman, who was making her first journey from home. She was going to see her husband. I pointed out of the window to the distant dome of St. Peter's, rising above the thin smoke hung over the city, and she looked at it with the tears streaming from her large black eyes in torrents. She might have cried because she was going to her husband, but I could not divest myself of the fact that she was a Roman, and leaving a home that could be very romantically wept for. She was a fine specimen of this finest of the races of woman—amply proportioned without grossness, and with that certain presence or dignity that rises above manners and rank, common to them all.
We saw beautiful scenery at Narni. The town stands on the edge of a precipice, and the valley, a hundred feet or two below, is coursed by a wild stream, that goes foaming along its bed in a long line of froth for miles away. We dined here, and drove afterward to Terni, where the voiturier stopped for the night, to give us an opportunity to see the Falls.
We drove to the mountain base, three miles, in an old post barouche, and made the ascent on foot. A line of precipices extends along from the summit, and from the third or fourth of these leaps the Velino, clear into the valley. We saw it in front as we went on, and then followed the road round, till we reached the bed of the river behind. The fountain of Egeria is not more secludedly beautiful than its current above the fall. Trees overhang and meet, and flowers spring in wonderful variety on its banks, and the ripple against the roots is heard amid the roar of the cataract, like a sweet, clear voice in a chorus. It is a place in which you half expect to startle a fawn, it looks so unvisited and wild. We wound out through the shrubbery, and gained a projecting point, from which we could see the sheet of the cascade. It is "horribly beautiful" to be sure. Childe Harold's description of it is as true as a drawing.
I should think the quantity of water at Niagara would make five hundred such falls as those of Terni, without exaggeration. It is a "hell of waters," however, notwithstanding, and leaps over with a current all turned into foam by the roughness of its bed above—a circumstance that gives the sheet more richness of surface. Two or three lovely little streams steal off on either side of the fall, as if they shrunk from the leap, and drop down, from rock to rock, till they are lost in the rising mist.
The sun set over the little town of Terni, while we stood silently looking down into the gulf, and the wet spray reminded us that the most romantic people may take cold. We descended to our carriage; and in an hour were sitting around the blazing fire at the post-house, with a motley group of Germans, Swiss, French, and Italians—a mixture of company universal in the public room of an Italian albergo, at night. The coming and going vetturini stop at the same houses throughout, and the concourse is always amusing. We sat till the fire burned low, and then wishing our chance friends a happy night, had the "priests"[4] taken from our beds, and were soon lost to everything but sleep.
Terni was the Italian Tempe, and its beautiful scenery was shown to Cicero, whose excursion hither is recorded. It is part of a long, deep valley, between abrupt ranges of mountains, and abounds in loveliness.
We went to Spoleto, the next morning, to breakfast. It is a very old town, oddly built, and one of its gates still remains, at which Hannibal was repulsed after his victory at Thrasimene. It bears his name in time-worn letters.
At the distance of one post from Spoleto we came to the Clitumnus, a small stream, still, deep, and glassy—the clearest water I ever saw. It looks almost like air. On its bank, facing away from the road, stands the temple, "of small and delicate proportions," mentioned so exquisitely by Childe Harold.
The temple of the Clitumnus might stand in a drawing-room. The stream is a mere brook, and this little marble gem, whose richly fretted columns were raised to its honor with a feeling of beauty that makes one thrill, seems exactly of relative proportions. It is a thing of pure poetry; and to find an antiquity of such perfect preservation, with the small clear stream running still at the base of its façade, just as it did when Cicero and his contemporaries passed it on their visits to a country called after the loveliest vale of Greece for its beauty, was a gratification of the highest demand of taste. Childe Harold's lesson,