“We’ll have every one of them when you come home next winter,” said Miss Ailie. “I’d prefer it to the opera.”
“I can’t deny but it’s diverting,” said Miss Bell; “still, it’s dreadfully like play-acting, and hardly the thing for a sober dwelling. Lassie, lassie, away this instant and change yourself!”
If prizes and Italian songs had really been the proof that Bud had taken on the polish, she would have disappointed Uncle Dan, but this art of hers was enough to make full amends, it gave so much diversion. Character roused and held her interest; she had a lightning eye for oddities of speech and gesture. Most of a man’s philosophy is in a favourite phrase, his individuality is betrayed in the way he carries his hat along the aisle on Sunday. Bud, each time that she came home from Edinburgh, collected phrases as others do postage-stamps, and knew how every hat in town was carried. Folk void of idiosyncrasy, having the natural self restrained by watchfulness and fear, were the only ones whose company she wearied of; all others she studied with delight, storing of each some simulacrum in her memory. Had she reproduced them in a way to make them look ridiculous she would have roused the Dyces’ disapproval, but lacking any sense of superiority she made no impersonation look ignoble; the portraits in her gallery, like Raeburn’s, borrowed a becoming curl or two and toned down crimson noses.
But her favourite character was The Macintosh in one of the countless phases that at last were all her own invention, and far removed from the original. Each time she came home, the dancing-mistress they had never really seen became a more familiar personage to the Dyces. “I declare,” cried Bell, “I’m beginning to think of you always as a droll old body.” “And how’s the rheumatism?” Dan would ask; it was “The Macintosh said this” or “The Macintosh said that” with Ailie; and even Kate would quote the dancing-mistress with such earnestness, that the town became familiar with the name and character without suspecting they were often merely parts assumed by young Miss Lennox.
Bud carried the joke one night to daring lengths by going as Miss Macintosh with Ailie to a dance, in a gown and pelerine of Grandma Buntain’s that had made tremendous conquests eighty years before.
Our dances at the inn are not like city routs: Petronella, La Tempête, and the reel have still an honoured place in them; we think the joy of life is not meant wholly for the young and silly, and so the elderly attend them. We sip claret-cup and tea in the alcove or “adjacent,” and gossip together if our dancing days are done, or sit below the flags and heather, humming “Merrily danced the quaker’s wife,” with an approving eye on our bonny daughters. Custom gives the Provost and his lady a place of honour in the alcove behind the music: here is a petty court where the civic spirit pays its devoirs, where the lockets are large and strong, and hair-chains much abound, and mouths before the mellowing midnight hour are apt to be a little mim.
Towards the alcove, Ailie—Dan discreetly moving elsewhere—boldly led The Macintosh, whose ballooning silk brocade put even the haughtiest of the other dames in shadow. She swam across the floor as if her hoops and not her buckled shoon sustained her, as if she moved on air.
“Dod! here’s a character!” said Dr Brash, pulling down his waistcoat. “Where have the Dyces gotten her?”
“The Ark is landed,” said the Provost’s lady. “What a peculiar creature!”
Ailie gravely gave the necessary introductions, and soon the notable Miss Macintosh of Kaims was the lion of the assembly. She flirted most outrageously with the older beaux, sharing roguish smiles and taps of the fan between them, and, compelling unaccustomed gallantries, set their wives all laughing. They drank wine with her in the old style; she met them glass for glass in water.