“Know him! I should say I did! Bless my soul, if you don’t look like him—same eyes—same mouth! Ha, ha! See Bob Kean missing a train! Not much!” and the erstwhile stern captain of the train now grasped Judy’s hand. “Come on, I’ll see that you get a chair, Miss Kean. I’m certainly pleased to make your acquaintance.”
“I’m not Miss Kean any more,—I’m Mrs. Kent Brown now.—It was my husband who pitched me and my luggage on the back end of the train.”
“Married! By jiminy! I can’t believe Bob Kean has a married daughter! And your husband aided and abetted you in jumping on the back of fast trains, did he?” and the once grim captain laughed aloud. “Well, I’m glad you got a game husband. I don’t know what your father would have done with a ’fraid cat.”
Judy’s entrance in the Pullman caused some commotion. The old conductor was laughing heartily and the brakeman was in a much pleasanter frame of mind as he handed over Judy’s bag to the grinning porter. There were about eight persons in the chair car as Judy entered and Judy-like, she immediately became intensely interested in them.
Of course, the spot of color made by a flashy dame in lavender attracted her attention first, and then her companion in loud checks cried out to be noticed. What a couple! Race track written all over both of them! Even from three seats off Judy could smell the musk on the woman. The man’s face was hidden by the newspaper and the woman seemed to be engaged in rapt contemplation of her beauty in the narrow little mirror by her chair. To Judy’s disappointment the gaudy dame whirled her chair around so she could not see her face.
“I bet she’s a peacherino!” she said to herself.
There were other persons in the train that proved interesting, too: among them a mother and child who appealed to Judy’s artistic sense; a G. A. R. veteran who was sure he had been in worse battles than the Marne; an ancient lady from Louisiana who made our young artist wild to paint her white hair and patrician nose. Opposite Judy’s chair was a young man, (or was he a young man?) At least he was not an old man! There were a few tiny lines around his twinkling bright blue eyes, but his movements were as alert as a college athlete’s, and his mouth, though very firm, had the saucy expression of a street boy. Judy was sure she had seen his face before. The way his hair grew on his forehead in a so-called widow’s peak reminded her vaguely of someone,—the cleft chin she was sure she had known somewhere. He was interested in her, too, she could plainly see. He had a pleasant, dependable expression, the kind of look one felt meant that in time of trouble he would be a good person to call on. He was making himself generally useful to the madonna-like mother and child; he had assisted the ancient lady from Louisiana to get up and sit down several times since Judy had so unceremoniously boarded the car.
“I wish I knew where I had known him. His face is as familiar to me as my own.”
She felt in her jacket pocket for her sketch book. She must get an impression of the mother and child, and the old lady was destined to be sketched in, too. She longed to do the youngish-oldish person opposite, but he was too close for her to permit herself such a familiarity. She turned over the leaves of her book and suddenly came upon the page given up to the Tucker twins and their friend Page Allison. What delightful girls they were! Suddenly she could place the resemblance seen in the gentleman across the aisle. Of course his forehead and widow’s peak were the same that Dum Tucker owned, and his cleft chin was the identical one belonging to Dee Tucker. Could he be their father?
She remembered what the girls had told her of their delightful father. He was a newspaper man in Richmond, Virginia, and according to the twins was just about the most wonderful person in the world. Page Allison, too, had given him praise, although not quite so wildly unstinted as his daughters.