“It’s exactly like an old monastery,” she said to herself. “I wonder anybody could ever be frivolous or flippant in such an old world spot as this. I could easily imagine myself a monk, telling my beads.”
She sat down on a stone bench and folded her hands meditatively.
“So far, I’ve really only made one friend at college,” she thought to herself, for Nance Oldham was too reserved to be called a friend yet, “and that friend is Frances Andrews. Who is she? What is she? Why do her classmates snub her and why did Miss Pembroke, who belonged to the faculty, wish to speak with her in her private office?” It was all queer, very queer. Somehow, it seemed to Molly now that what she had taken for whirlwind manners was really a tremendous excitement under which Frances Andrews was laboring. She was trying to brazen out something.
“Just the same, I’m sorry for her,” she said out loud.
At that moment, a musical, deep-throated bell boomed out six times in the stillness of the cloisters. There was the sound of a door opening, a pause and the door closed with a clicking noise. Molly started from her reverie. It was six o’clock. She rushed to the door of antique design through which she had entered just fifteen minutes before. It was closed and locked securely. She knocked loudly and called:
“Let me out! Let me out! I’m locked in!”
Then she waited, but no one answered. In the stillness of the twilit courtyard she could hear the sounds of laughter and talking from the Quadrangle. They grew fainter and fainter. A gray chill settled down over the place and Molly looked about her with a feeling of utter desolation. She had been locked in the Cloisters for the night.