The next morning the manuscript was returned to Molly by the professor after the class in Literature. It was folded into a big envelope and contained a note. The note had no beginning and was signed “E. G.” This is what it said:
“Since you wish my true opinion of this story, I will tell you frankly that it is decidedly amateurish. The style is heavy and labored and the plot mawkishly sentimental and mock heroic.
“Try to think up some simple story and write it out in simple language. Do not employ words that you are not in the habit of using. Be natural and express yourself as you would if you were writing a letter to your mother. Write about real people and real happenings; not about impossibly beautiful and rich goddesses and superbly handsome, fearless gods. Such people do not really exist, you know, and you are supposed to be painting a word picture of life.
“You have talent, but you must be willing to work very hard. Good writing does not come in a day any more than good piano playing or painting. I would add: be yourself—unaffected—sincere—and your style will be perfect.”
Molly wept a little over this frank expression of criticism, although there did seem to be an implied compliment in the last line. She reread the story and blushed for her commonplaceness. Surely there never had been written anything so inane and silly.
For a long time she sat gazing at the white peak of Fujiyama on the Japanese scroll.
“Simple and natural, indeed,” she exclaimed. “It’s much harder than the other way. Unaffected and sincere! That’s not easy, either.” She sighed and tore the story into little bits, casting it into the waste-paper basket. “That’s the best place for you,” she continued, apostrophizing her first attempt at fiction. “Nobody would ever have laughed or cried over you. Nobody would even have noticed you. My trouble is that I try too hard. I am always straining my mind for words and ideas. Now, when I write letters, how do I do? I let go. I never worry. Can a story be written in that way?”
“How now, Mistress Molly,” called Judy, bursting into the room. “Why are you lingering here in the house when all the world’s afield? Get thee up and go hence with me unto the green woods where we are to have tea, probably for the last time before the winter’s call.”
“Who’s ‘we’?” asked Molly.
“Why, the usual crowd, and a few others from Beta Phi House.”