"Only fancy, Uncle Tom, what it must seem to see the ocean for the first time! I almost wish I had never seen it until now, just for the sensation."

"There was a superior New York girl at Wellington College who had a great time trying to tease me because I had never seen the ocean. She kept it up so long that I began to feel like a 'po' nigger at a frolic', so I retaliated by asking her if she had ever been to a hanging. I completely took the wind out of her sails, and then confessed that I hadn't either," said Molly with a laugh.

"Good for you, Miss Brown, give it to him. New York people are certainly very superior in their own estimation and need a good taking down every now and then. They are often more provincial than villagers, with no excuse for so being," and Mr. Kinsella gave his nephew an affectionate push.

The air was clear and crisp, with a rising wind that gave promise of a heavy sea. The passengers had begun to fill the decks, dragging steamer chairs into sheltered nooks and looking about for desirable places out of the wind, where they could see the sun set and the moon rise, get out of the way of the smokestacks, the fog horn and the whistle, and at the same time be in a good locality to see everything that was going on. Molly and her mother were much amused at the sight. They were both inclined to be rather careless of their ease and it had never entered their heads to hustle and bustle to make themselves comfortable on the trip.

"Jimmy Lufton has had our chairs placed on deck and lashed to the railing. He said he knew we would never look out for ourselves, and unless he saw to it, we would go abroad standing up or sitting on the floor! He tagged our chairs, too, as our names were on the backs only. He said there were always some 'chair hogs' who would push the chairs against the wall with the name out of sight and refuse to budge," said Molly.

"Where are your chairs?" asked Pierce. "Let's go find them and afterward we can get Uncle's and mine and have a snug foursome of a chat. Oh, Miss Brown, how lovely your mother is! I want to paint her; but I should have to put you in the picture, too, so that I could catch the wonderful expression on her face. It is when she is looking at you that she is most lovely."

"Well, don't you think I could be present to inspire the desired expression without being in the picture?" laughed Molly, delighted by the praise of her beloved mother. "But can you paint? I have been wondering what you are and what your uncle is, but I did not like to be too inquisitive."

"Well, one does not have to be with me long to hear the story of my life," said the boy. "You ask if I can paint: yes, I can paint; not as well as I want to by a long shot, but I mean to be a great painter. That sounds conceited, but it is not. I have talent and there is no use in being mealy-mouthed over it. To be a great painter means work, work, work; and I am prepared to do that with every breath I breathe. Painting isn't work to me; it is joy and life. Besides, I mean to make it up to Uncle for his disappointment in life, and the only way I can do it is by succeeding."

Molly was dying to know more about the uncle and what his disappointment was, but she was too well bred to show her desire and Pierce did not seem inclined to go on with his family disclosures. He stood looking at two ladies who had just come on deck, followed by a maid carrying rugs and cushions. The ladies were a very handsome mother and daughter, although the mother appeared too young to have such a very sophisticated, grown-up daughter. They were beautifully dressed in long fur coats and small toques. "Rather warm for October," thought Molly, but the rising cold wind soon made her know her mistake.

"There are our chairs," said Molly, starting toward the railing where the ever handy-man, Jimmy, had lashed the two steamer chairs.