It was in Samoa that Mrs. Stevenson acquired the name of Tamaitai,[47] by which she was known thenceforth to her family and intimate friends until the day of her death. English words do not come easily from the tongues of the natives, and so they obviate the difficulty by bestowing names of their own upon strangers who come to dwell among them. It was as Tusitala, the writer of tales, that Louis was best known, his wife was called Aolele,[48] flying cloud, and her daughter, because of her kindness in giving ribbons and other little trinkets to the girls, was named Teuila, the decorator. Tamaitai is a general title, meaning "Madam," and is used in reference to the lady of the house. Mr. Stevenson himself started the custom by calling his wife Tamaitai, and it was finally adopted by everybody and grew to be her name—the complete title being Tamaitai Aolele (Madam Aolele). These Samoan names were adopted partly as a convenience, to escape the embarrassment that sometimes arose from the habit among the natives of calling the different members of the family by their first names. It was felt to be rather undignified, for instance, that the mistress of the house should be called "Fanny" by her servants.
Mrs. Stevenson, as I have said before, was a famous cook, and had learned how to make at least some of the characteristic dishes of each of the many countries where she had sojourned awhile in her long wanderings. From her mother she had inherited many an old Dutch receipt—peppery pot, noodle soup, etc.; in France she acquired the secret of preparing a bouillabaise,[49] sole à la marguery, and many others; from Abdul, an East Indian cook she brought from Fiji, she learned how to make a wonderful mutton curry which contained more ingredients than perhaps any other dish on earth; in the South Seas she picked up the art of making raw-fish salad; and now at Vailima she lost no time in adding Samoan receipts to her list. She soon knew how to prepare to perfection a pig roasted underground and eaten with Miti sauce,[50] besides dozens of other dishes, including ava for drinking.
It was not the least of her duties to play the hostess to a remarkable assortment of guests—the Chief Justice, officers from the men-of-war that frequently came into the harbour, Protestant, Catholic, and Mormon missionaries, all kinds of visitors to the islands, including an English duchess, and native kings and chiefs. Once a high chief, one of the highest, bearing the somewhat lengthy name of Tuimalealiifono, came on a visit to Vailima. He was quite unacquainted with white ways of living, and, when shown to his bedroom, looked askance at the neat, comfortable bed that had been prepared for him. In the morning it was found that he had scorned the bed, and, retiring to the piazza, had rolled himself up in his mat and lain down to pleasant dreams. At table, although he had never before seen knives and forks, he picked up their use instantly by quietly observing the manners of the others.
A curious episode, which might have turned out to be dangerous, happened during the war troubles, when King Malietoa went up to Vailima secretly to have a talk with Tusitala. After the talk Louis offered him a present, asking what he preferred. Malietoa said he would like a revolver, and Louis took one from the safe and handed it to his wife, who happened to be sitting next the king. She emptied the chambers, as she thought, and then, not noticing that the thing was pointing straight at the king's heart, she clicked it five times. By a lucky chance, before clicking it the sixth time she looked in, and behold, there was the last cartridge! If she had given the last click she certainly would have killed the king, and one can imagine the complications that would have resulted in those uneasy times. Of course the episode, with all the dramatic possibilities attached to it, appealed to the romantic imaginations of the two Stevensons, and, after the king's departure, they spent the evening in making up a harrowing tale about what would have happened if she had killed him.
Among the notable visitors to Vailima was the Italian artist Pieri Nerli, who came to paint Mr. Stevenson's portrait—the one that now hangs in Swanson Cottage in Scotland. This portrait pleased his wife as little as did the Sargent picture, and, in a letter to Lord Guthrie of Edinburgh, she makes what Lord Guthrie calls "an acute criticism of this overdramatized likeness." She says: "It would have been all right if Nerli had only been content to paint just Louis, and had not insisted on representing instead the author of Dr. Jekyll and Mr. Hyde."
It was not all work at Vailima by any means. "Socially," she writes, "Samoa was not dull. There were many entertainments given by diplomats and officials in Apia. Besides native feasts there were afternoon teas, evening receptions, dinner parties, private and public balls, paper chases on horseback, polo, tennis parties, and picnics. Sometimes a party of flower-wreathed natives might come dancing over the lawn at Vailima, or a band of sailors from a man-of-war would be seen gathered in an embarrassed knot at the front gate." She herself cared little for these entertainments, and usually busied herself in helping others with the preparations for them. Her mother-in-law writes: "A fancy dress ball has been held in honor of the birthday of the Prince of Wales. Fanny designed a costume for Mrs. Gurr (a pretty Samoan girl) as Zenobia, Empress of the East. She wore a Greek dress, made in part of cotton stuff with a gold pattern stamped on it; over this a crimson chuddah was correctly draped, with a gold belt, many beads, and an elaborate gold crown."
From the busy round of her many-sided activities she took time now and then to do a little writing, though in truth she had little liking for it nor any high regard for her own literary style, in which she complained of a certain "dry nippedness" that she detested but could not get rid of. It was only when she wanted some extra money for her water-works at Vailima that she "took her pen in hand" and wrote a story for Scribners.
All this sounds hurried and breathless, but in reality these activities were spread out over far more time than appears in the telling of them, and there were peaceful intervals of rest and happiness in seeing Louis well and able for the first time to bear his share in hospitality.
Always, high above every other purpose, was her unfailing devotion to her husband and his work, and no other task ever interfered with her careful watch over his health and her keen interest in his writing. He appreciated her aid from the bottom of his heart, and in the dedication to his last unfinished novel, Weir of Hermiston, he endeavours to express in some degree his profound sense of obligation:
"I saw the rain falling and the rainbow drawn
On Lammermuir. Hearkening, I heard again
In my precipitous city beaten bells
Winnow the keen sea wind. And here afar,
Intent on my own race and place I wrote.
Take thou the writing; thine it is. For who
Burnished the sword, blew on the drowsy coal,
Held still the target higher; chary of praise
And prodigal of counsel—who but thou?
So now in the end; if this the least be good,
If any deed be done, if any fire
Burn in the imperfect page, the praise be thine."