Tom Marshall has played but a small part in my life. Like that of Boller of '89, his place in the cast is a minor one. He is one of those who fall in near the end of the line when the company joins hands to sidle across the stage, bowing and smiling, after the second act. Yet without him I wonder sometimes how my own play would have ended. It seems to me now as though he must have been born in Pogatuck, as though his whole life had been ordered, his love of going out developed, so that at the proper moment he might enter the stage where I was playing the hero to an empty house. He entered it at one o'clock in the morning. The door was chained. At the moment I was sitting in my room, on my one comfortable chair, my book on the floor at my side, my pipe in my mouth, and I was smoking very hard. What countless pipes I had smoked in this same way since the night, a month before, when I had dined with Rufus Blight! What countless nights I had sat in this same way, in this same month, with my book on the floor and my mind revolving ceaselessly in a circle! This night I had come to that part of the circle where I thought of Penelope, the lovely, the formal, the distant Penelope, when down in the depths of the house I heard the muffled clatter of the bell and faint rat-tats upon the front door. I went to the window and put out my head, to see on the stoop the muffled black figure of Tom Marshall.

"It was old Ransome again, I'll bet you," he said, when I had unchained the door and we stood in the dimly lighted hall. "This is the third time this month that he has locked me out, confound him!"

I raised my finger to my lips, cautioning Marshall not to arouse the whole house. But he would not be silenced—it was early yet, anyway—he had been to a Friday cotillon and it was a beastly bore—even the supper was poor—he wanted something to eat. His foot was on the stairs when he discovered that he was hungry. He discovered at the same time that he was indebted to me for having let him in, not alone this time but many others, and he insisted on showing his appreciation by taking me out to a late supper. I demurred. Marshall talked louder. I insinuated that he had been drinking, to which he replied that the Fridays never served anything but weak punch. I should have protested further, but Mrs. Markham's door opened at the head of the stairs and I heard her breathing indignantly. For the sake of quiet I consented, and so it happened that at one o'clock in the morning I found myself in the street, with my arm tucked under Marshall's and our faces set toward O'Corrigan's chop-house.

O'Corrigan's has been torn down these many years, but you can see a score of replicas of it on upper Sixth Avenue and Broadway. Its plate-glass windows were adorned with set pieces of lobsters and oysters, celery and apples, and you entered through a revolving door into an atmosphere laden heavily with kitchen fumes, into a room which multiplied itself in many mirrors. When you went there for the first time the man who took you, if he knew his New York, would tell you of O'Corrigan's rise from waiting at a downtown lunch-counter to the ownership of these glittering halls.

Of course, Tom Marshall knew O'Corrigan. He hailed him cordially, and it seemed to me that he had no little pride in the privilege. He even nodded to the bartender as we passed him, leading me to the archway whence we could survey the adjoining room to see what was going on there. But nothing was going on there. These late-night restaurants are at their best in colored pictures. There they seem to own an atmosphere of light and joy. There lovely women sip champagne, that gayest of wines, from dainty glasses, and gallant men seem to say to us that if you would have health and wealth and happiness you would never go home until morning, but would live with them in this bright world of wine and women and song. Really, they are melancholy places, especially in their gayest hours. If vice really were attractive, how vicious most of us would be! I do not say that O'Corrigan's was a vicious place. At certain hours its patronage was of the dullest respectability from the suburbs. Dull respectability is not supposed to be abroad in the early hours of the morning, but it does seek at times to hover on the edge of disrespectability with something of the roguish curiosity of childhood. And now the respectables and the unrespectables, a motley gathering in that garish room, amid the ugly debris of their feasting, made an unattractive picture from which I turned with a sense of relief to the quieter place behind us.

As we moved to a table in a secluded corner, I saw Talcott and Bob Grant sitting with their heads close together over a litter of plates and glasses. Grant spoke to me. As he rose and offered his hand, I noticed in his eyes that watery brightness which comes in certain stages of conviviality. The effusiveness of his greeting might have flattered me had I not realized that his heart was unduly expanded by alcohol. To see such a great, good-natured animal as young Grant thus exhilarated was not surprising to me, but with Talcott it was different. I had known him only as a quiet, self-possessed man who, from policy if nothing else, I believed must be as circumspect in his life as in his clothes. Now he spoke to me. His greeting was perfunctory. In his eyes was that watery dulness which comes with the later stages of conviviality. His hair was tousled, his collar crushed, his tie awry; for whiskey muddles the clothes as well as the brain. He nodded to me; he wondered what I was doing out so late; he snapped his fingers and called loudly for Andrew. The summons to the waiter was for me a hint to be gone.

Tom Marshall was greatly impressed by the fact that I knew Talcott and Grant. When I rejoined him he seemed to treat me with greater respect than hitherto, for he had been rather patronizing. It was surprising to him, always so busy storming the outer works, to know that I, the drudge of the fourth floor front, who never "went out," was so intimate with these gallant cadets who lived in the citadel. He had come to give me beer. Now in a faltering voice he suggested champagne, rubbing his hands and smiling as he named it, as though it were his habit to indulge nightly in so expensive a beverage. Remembering that he had owed me five dollars for many months, I deemed it unwise to make an unnecessary inroad into his pocket-book. With my refusal he grew insistent, and at last consented, only with reluctance, to a modest repast of welsh-rabbit and beer.

"And the beer at once," he commanded the waiter.

Then, unfolding his napkin on his knees and lighting a cigarette, he looked over my shoulder to the distant table where the two heads were close together over the litter of plates and glasses. "So you know Talcott and Grant," he went on. "I'm sorry you didn't introduce me, Malcolm. I've seen them around, of course, but, strangely, have never met them. They are a great pair—stacks of money—Grant especially. Talcott was in Harvard with me—was rather a snob and went with the rich crowd—very smart now. He was one of Willie Ruyter's ushers."

I smiled with compassion at this broken discourse. It brought to my mind Mrs. Bannister. Tom Marshall and Mrs. Bannister looked at life from the same view-point and I from one entirely different. To my mind there was nothing very remarkable in having my existence acknowledged by two very muddled young men, who in their present state acknowledged also their brotherhood with the roué whom I had seen in the next room or the cabman sitting outside on his box in a half-stupor. I might envy the good fortune which allowed them to move in the same world as Penelope Blight, but to disavow intimacy with them, even to one so strangely ambitious as Tom Marshall, called for no loss of pride. With some show of temper I avowed that I hardly knew them. I had only met them once or twice at the house of friends. But the sincerity with which I disowned them served only to heighten the new-born respect with which Marshall treated me. He did not know that I "went out." Laughing, I retorted that I never did go out. He said that I must; that he would take me out; he would present me to the right people. He launched into the delights of going out and the necessity of going out if a man was to be anybody at all; then suddenly stopped at the thought that the beer ordered at once was very slow in coming.