The burden was light enough awhile, for Pearl Veal is so beautiful. She delights my eye. I could sit with her by the hour, as I can lounge beneath a spreading tree on some hill-top, smoking, watching the valley below, thought arrested, in my mind mirrored the rolling fields, the woods, the meadows, the blue sky, the lazy clouds, and cheerful sunlight. To me she always is a lovely view, a prospect restful. But the world can offer few so fair; it seeks to hide its homeliness; it makes its laws to suit the greatest number. Talk it commands—talk, else you stare—talk small, say things inane, chatter, chatter, let the brain run mad, gabble, gabble, and so forget the universal plainness. Pearl Veal, I suspect, would revel in the quiet valley, away from the clatter of mills and the roar of trade. Her mood is peaceful. She knows that Nature keeps the eyes open and the mouth closed, but perverse man reverses the rule. She would speak when she had something worth while saying. At conversation she fails lamentably. But the world says, talk, and that day it interfered with my happiness. Talk we did, or rather I did, for Miss Veal seems not yet to have learned that the art of polite conversation is to settle nothing, to leave everything up in the air, and if by chance you do make a definite statement, to preserve the subject for further use by that saving, "Don't you think so?" When I said that I believed it was going to rain, she agreed with me and that ended it. When I brought up tennis as an absorbingly interesting subject for sustained repartee, she knocked it on the head in like fashion and left me standing first on one foot and then on the other, gazing into space. Some hours later, it seemed, an innocent young man, with an eye to beauty, relieved me, and I bolted for the dining-room, away off in the rear, where Miss Wherry was pouring tea, and took me under her protecting wing. Radigan was there, penned up in a corner between Coppe, the business half of the architectural firm of Coppe & Coppe, and young Crayon, whose sole hold on life is a Beaux Arts education and a drawing-board. Then there were several bear customers' wives, who were standing around the great table sampling things, and talking between bites to one or two of the social representatives of leading real-estate houses. A few persons, strangers to me, wandered in, took a nibble or two, looked absently about as though they were in a dream, and then ambled out. When I had had a cup of tea, a sugar-coated bit of cake with cream inside, a glass of champagne, and a chocolate peppermint, I wandered out, too. Miss Veal gave me a lustrous smile on parting, and Mrs. Radigan said she was so glad I could come. I paused long enough upstairs to exchange hats with the other Rollers Club fellow, as I saw my new one on top of his coat and remembered that after the opera the other night I had been left with a derelict headgear with many bald spots. Then I went softly away, down the gloomy awning, over the muddied red carpet. I had no trouble getting out, but I prophesy that next time I shall have to fight to reach the street.
The Monday Cotillons
A few days ago I received under the tandem rampant a hurried summons from Mrs. Radigan. She was dying to see me, so I closed up my desk somewhat earlier than usual and turned my toes toward Billionville. I had never before seen her so beaming. She reminded me that Mrs. Tucker Ten Broeck had died some weeks ago. Well, she had been asked to take the vacant place among the patronesses of the Monday Cotillon. Now, I realized that society that is really worth knowing frowns on these subscription things, but considering that the previous generation of Radigans had probably waited at the Mondays, it seemed that the present generation was soaring when it danced there. Moreover, there are many thousands of simple, unassuming women in town who would give their heads to appear in that list of eminently respectable names. The Mondays looked down on the Tuesdays, and the Tuesdays looked blank and never heard of the Fridays, and as Mrs. Radigan had, in one wild leap, gone over the Fridays into the Mondays, there was indeed cause for congratulation. In a year or two, with her money, she can raise her eyebrows when the Mondays are mentioned, just as she does now when we speak of the Tuesdays or Fridays. She has had wonderful luck in skipping intermediate social degrees, and at the present rate she will soon take the thirty-third and become a grand commander. I could not understand how she worked it out so quickly.
Mrs. Radigan is inclined to regard the decease of Mrs. Ten Broeck as an intervention of Providence. It seems that on her demand Radigan—to use her own expression—has become "a patron of the church." He is now a vestryman at St. Edwards, a director of the Hydropathic Hospital, vice-president of the Improvident Pawning Society, and a heavy stockholder in the Underground Café Company. Mrs. Radigan is herself a manageress of the "Home for Aged but Respectable Unmarried Women." With Radigan passing the plate every Sunday with Major Plaster, and Mrs. Radigan constantly telephoning to Mrs. Plumstone Smith about the home, it just had to come.
After all, it is the brains that rise like cream in the social crock. There are plenty of people in this town with just as much money as the Radigans, but, struggle though they may, they will stay down. They swim dog-fashion, then drown. Their palaces rise on Riverside Drive, and even Harlem knows their countenances. But the Radigans have brains. They never seem to be swimming for dear life; they float up on their money. Now floating seemed so easy, so blissful. They were able to dispense with one of the Rollers Club fellows for the dinner before the dance and to put in his place young Plumstone Smith, which was a pleasant change for all, so we sat down at the table, besides the new fellow, the Radigans, Miss Constance Mint Wherry, Miss Veal, Miss Hope Van Rundoun, the other Rollers Club fellow and myself. And such a dinner! The Radigans never do things half-way. For each of the young women there was an enormous bunch of American Beauties, and as the men could not take flowers, Radigan loaded our cases with cigars that the gods might smoke. They did not churn us all up in a Fifth Avenue stage, as is the custom in some circles, but rolled us downtown, swiftly, gently, in their new electric carryall.
Mrs. Radigan had come to her own! You should have seen her as she stood in that august row of patronesses, right between Mrs. Plumstone Smith and Mrs. Stuyvesant Mint. They simply looked like the setting. She seemed to have been born and raised right in that spot, so natural did she appear. Mrs. Plumstone Smith let me tip up one of her gloved hands, and then recognized the existence of her son. Mrs. Radigan made a one-quarter bow at us and smiled vacantly, then turned and whispered to Mrs. Mint. But she thawed out later. I found her sitting behind the favor-counter, a part in a scene that called to my mind a street-bazaar in Cairo, though I did not suggest it to her as I led her forth into the mazes of the dance.
Mrs. Radigan hops. Mrs. Radigan loves dancing. Mrs. Radigan tells you to stop when you are tired—she can keep on forever. What an awful combination! The first time we hopped by that row of immaculately clad statuary known as the "stags" I recognized every face distinctly, and even saw the Rollers Club fellow wink at me. The second time around, young Plumstone Smith winked. At the third circuit two or three of the stags had their heads together and seemed to be looking our way and commenting. On the fourth, Tumbleton Wherry, who was leading the cotillon, stopped running around clapping his hands as if he were shooing chickens, and stood in the centre of the room just gazing our way. The last time I saw the stags they seemed to my distorted vision just a long band of black and white. I am positive that Mrs. Radigan, in the early ages of her existence—ages now remote—danced to the music of a hurdy-gurdy.