The buggy sped along the road, the rattle of its wheels, the clatter of the mare’s hoofs and the shrill calls of the killdeer skimming over the meadows, being the sole sounds to break the silence of the country.
A mile was gone over. Then the girl said falteringly, “Beel, a’n’t it wrong?”
In response William gave his horse a vicious cut with the whip and replied, “It don’t seem jest right to fool ’em, but you’ll fergit all about it ’hen we git dancin’.”
There was silence between them—a silence broken only at rare intervals when one or the other ventured some commonplace remark which would be rewarded with a laconic “Yais” or “Ye don’t say.”
Up hill and down rattled the buggy, following the crooked road across the valley, over three low wooded ridges, then up the broad meadows that border the river, until at length the grove in which lies Blue Bottle Spring was reached. The festivities had already begun. The outskirts of the wood were filled with vehicles of every description—buggies, buckboards, spring-wagons, omnibuses and ancient phaetons. The horses had been unhitched and tied to trees and fences, and were munching at their midday meal, gnawing the bark from the limbs, snatching at the leaves or kicking at the flies while their masters gave themselves up to the pursuit of pleasure. Having seen his mare comfortably settled at a small chestnut, William Larker took his lunch basket on one arm and his companion on the other and proceeded eagerly to the inner part of the grove, whence came the sounds of the fiddle and cornet. They passed through the outer circle of elderly women, who were unpacking baskets and tastefully arranging their contents on table-cloths spread on the ground—jars of pickles, cans of fruit, bags of sandwiches, bottles of cold tea, layer cakes of wondrous size and construction, and the scores of other dainties necessary to pass a pleasant day with nature. They went through a second circle of venders of peanuts, lemonade and ice-cream, about whose stands were gathered many elderly men discussing the topics of the day and exchanging greetings.
The young Dunkards had now arrived at the center of interest, the platform, and joined the crowd that was eagerly watching the course of the dance. An orchestra of three pieces, a bass-viol, a violin and a cornet, operated by three men in shirt sleeves, sent forth wheezy strains to the time of which men and women, young and old, gaily swung corners and partners, galloped forward and back, made ladies’ chains, winding in and out, then back and bowing, until William Larker and his companion fairly grew dizzy.
The crowd of dancers was a heterogeneous one. There were young men from the neighboring county town, gorgeous in blazers of variegated colors, and young farmers whose movements were not the less agile for the reason that they wore heavy sombre clothing and high-crowned, broad-brimmed felt hats. There were three particularly forward youths in bicycle attire, and three gay young men from a not far distant city, whose shining silk hats and dancing pumps made them centers of admiration and envy. The women, likewise, went to both extremes. Gaily flowered, airy calico, cashmere and gingham bobbed about among glistening, frigid satins and silks.
“Oh, ain’t it grand?” cried Mary Kuchenbach, clasping her hands.
“That’s good dancin’, I tell ye,” replied her companion with enthusiasm.
She had seated herself on a stump, and he was leaning against a tree at her side, both with eyes fixed on the platform.