Weishaupt's design of enlisting the clergy in the work of world-revolution has been carried out according to plan. Those Catholic priests in Ireland who inflamed popular passions acted as the tools of the International Atheist conspiracy and found at last the movement turning against themselves. The Protestant clergymen who profess "Christian Socialism" are playing the same part. Doubtless without knowing it, they act as the agents of the Continental Illuminati and pave the way, as did the emissaries of Weishaupt, for the open attack on all forms of religion. It is not a mere accident that the blasphemous masquerades of the French Revolution have recently been repeated in Russia. The horrible incidents described in the press[749] were simply the outward manifestation of a continuous conspiracy of which evidence was seen some years ago in Portugal under the influence of the Carbonarios, led by Alfonso Costa, whose utterances at times bore a striking resemblance to those of Anacharsis Clootz. The late Duchess of Bedford thus described the war on religion which inaugurated the new Republic:
One of the most zealous enterprises of this great society [the Carbonarios] is, in their own words, to exterminate "the Christian myth" in the minds of the nation of Portugal. The little children in the schools have badges pinned into their clothes with the words "No God! No religion!" and a British tourist who made a journey throughout the country of Portugal met bands of innocent babes carrying banners, on which the inscription was "We have no need of God."[750]
Is it only a coincidence that last year a Socialist and Communist meeting in Trafalgar Square displayed a red banner bearing the motto: "No King, no God, no Law"?[751]
I repeat: It is not an economic revolution which forms the plan of the real directors of the movement, it is neither the "dictatorship of the proletariat" nor the reorganization of society by the Intelligentsia of "Labour"; it is the destruction of the Christian idea. Socialist orators may inveigh against corrupt aristocracy or "bloated Capitalists," but these are not in reality the people who will suffer most if the aim of the conspiracy is achieved. The world-revolution has always shown itself indulgent towards selfish and corrupt aristocrats, from the Marquis de Sade and the Duc d'Orléans onwards; it is the gentle, the upright, the benevolent, who have fallen victims to revolutionary fury.
Socialism with its hatred of all superiority, of noble virtues--loyalty and patriotism--with its passion for dragging down instead of building up, serves the purpose of the deeper conspiracy. If the Christian Intelligentsia can be destroyed or won over and the nation deprived of all its natural leaders, the world-revolutionaries reckon that they will be able to mould the proletariat according to their desires. This being so, the thing we now call Bolshevism forms only one phase of the movement which is carried on by countless different methods, apparently disconnected but all tending towards the same end. We have only to look around us in the world to-day to see everywhere the same disintegrating power at work--in art, literature, the drama, the daily press--in every sphere that can influence the mind of the public. Just as in the French Revolution a play on the massacre of St. Bartholomew was staged in order to rouse the passions of the people against the monarchy, so our modern cinemas perpetually endeavour to stir up class hatred by scenes and phrases showing "the injustice of kings," "the sufferings of the people," the selfishness of "aristocrats," regardles of whether these enter into the theme of the narrative or not.[752] And in the realms of literature, not merely in works of fiction but in manuals for schools, in histories and books professing to be of serious educative value and receiving a skilfully organized boom throughout the press, everything is done to weaken patriotism, to shake belief in all existing institutions by the systematic perversion of both contemporary and historical facts, whilst novels and plays calculated to undermine all ideas of morality are pressed upon the public as works of genius which, in order to maintain a reputation for intellect, it is essential to admire. I do not believe that all this is accidental; I do not believe that the public asks for the anti-patriotic or demoralizing books and plays placed before it; on the contrary, it invariably responds to an appeal to patriotism and simple healthy emotions. The heart of the people is still sound, but ceaseless efforts are made to corrupt it.
This conspiracy has long been apparent to Continental observers. Some years before the war, Monsieur de Lannoy, a member of an anti-masonic association in France, at a conference on "the influence of judaeo-masonic sects in the theatre, in literature, in the fashions," showed how "orders of things which appear to have no connexion with each other are skilfully bound up together and directed by a single methodical movement towards a common end. This common end is the paganization of the universe, the destruction of all Christianity, the return to the loosest morals of antiquity."[753] Robison saw in the indecent dress of the period of the Directory the result of Weishaupt's teaching, and traces to the same cause the ceremony which took place in Notre Dame when a woman of loose morals was held up to the admiration of the public.[754] The same glorification of vice has found exponents amongst the modern Illuminati in this country. In The Equinox--the Journal of Scientific Illuminism, it is proposed that prostitutes should be placed on the same level as soldiers who have served their country and be honoured and pensioned by the State.[755] The community of women was not an idea that originated with the Russian Bolsheviks, but one that has run through all the revolutionary movements of the past.
The attempt to pervert all conceptions of beauty in the sphere of art serves to pave the way for moral perversion. In the New York Herald two years ago there appeared a circular protesting against the so-called Modernistic cult in art as "world-wide Bolshevist propaganda." The circular went on to declare:
This aims to overthrow and destroy all existing social systems, including that of the arts. This modernistic degenerate cult is simply the Bolshevist philosophy applied in art. The triumph of Bolshevism therefore means the destruction of the present æsthetic system, the transportation of all æsthetic values, and the deification of ugliness.
The whole propaganda of the movement was said to be organized by "a coterie of European art-dealers"--elsewhere described as German--who had flooded the market with the works of artists who began as "a small group of neurotic egomaniacs in Paris styling themselves worshippers of Satan, the God of Ugliness." Some of these men were suffering from the "visual derangement" of the insane, whilst "many of the pictures exhibited another form of mania. The system of this is an incontrollable desire to mutilate the human body." Sadism, as we know, played a prominent part in both the French and Russian revolutions. The most important point in all this is not that degenerates should be found to perpetrate these abominations, but what the circular describes as the "Machiavellian campaign organized for the unloading of these works. Editions de luxe ... were published and sold by the picture dealers; ...every crafty device known to the picture trade was resorted to in order to discredit and destroy the heretofore universally accepted standards of aesthetics."[756]
This process of reversing all accepted standards may also be brought about by subtler methods. We have already seen that occult practices may lead to the obliteration of all sense of truth and of normal sexual instincts. Under the influence of so-called occult science, which is, in reality, simply powerful suggestion or self-hypnotism, all a man's natural impulses and inhibitive springs of action may be broken; he will no longer react to the conceptions of beauty or ugliness, or right or wrong, which, unknown to himself, formed the law of his being. Thus not only his conscious deeds but his subconscious mental processes may pass under the control of another, or become entirely deranged.