“Seven what?” asked Miss Moore.
“Seven pigeons on this step. Aren’t they pretty?” Rachel lingered to look at the burnished shining necks. She would much rather have stayed outside with the pigeons, but Miss Moore hurried on to the swing doors, and Rachel was obliged to follow her into the huge building.
“What do they keep here?” she asked listlessly, when Miss Moore had given up her umbrella to a man behind a counter, just inside.
“All sorts of things,” returned her governess vaguely. “It’s a museum, you know.”
Rachel was not very much the wiser but, as she walked with Miss Moore from one great hall to another, she was confused and wearied by the number of things of which she had glimpses. There were rows of statues, cases full of strange objects, monuments in stone all covered with carvings; curious pictures on the walls. Indeed, there were “all sorts of things” in the British Museum! But, as she knew nothing about any of them, and Miss Moore volunteered very little information, she was yawning with boredom by the time her governess remarked:
“Now, these things come from Egypt.”
For the first time Rachel pricked up her ears. Mother and Dad were now in Egypt, and as she glanced at the long stone things like tombs, at drawings and models and a thousand other incomprehensible objects all round her, she wished she knew something about them. Instead of saying so, however, and almost without thinking, she murmured, “This is the seventh room we’ve come to. I’ve counted them.”
“This is the famous Rosetta Stone,” observed Miss Moore, reading an inscription at the foot of a dull-looking broken block of marble in front of them.
Rachel yawned for the seventh time with such vigour that her eyes closed, and when she opened them a queer-looking little old man was bending over the big block.
“What is the date of the month?” he asked so suddenly that she started violently.