This composition was repeated many times by Titian, and without great variation. This repetition is distinguished by the absence of some figures in the background, and the introduction of a rivulet in the foreground, and a butterfly upon a flower in the right corner. It has twice been found necessary to remove the picture from its canvas: the drapery of the Virgin has suffered somewhat from this and other causes; the other parts of the picture are somewhat injured.
(Bryan Collection.)
B-34. Portrait of a Lady. (43X40.) Style of Titian.
From the collection of R. W. Meade, of Philadelphia.
(Bryan Collection.)
B-35. St. Jerome, in his Study. (39X29.) School of Titian.
Probably a copy by Odvardo Fialetti, scholar of Tintoretto. This is a large copy of a print by Albrecht Dürer. Its color shows it evidently to be of the Venetian School.
(Bryan Collection.)
B-36. Virgin and Child. (43X36.) Oval. School of Titian.
This picture came from the Gallery of Louis Philippe, and on the back was written "Dans la Chambre du Prince."
(Bryan Collection.)
B-37. Portrait of a Presbyter. (20½X16½.) Tintoretto.
(Bryan Collection.)
B-38. St. Benedict. (91X54.) Oval Top. Francesco Zucco.