(Bryan Collection.)
B-111. The Crucifixion. (31½X20½.) Anthony van Dyck.
(Bryan Collection.)
B-112. Portrait of a Lady. (42½X35½.) Anthony van Dyck.
This picture belonged to General D'Espinoy's large and famous collection of portraits. It was covered with the dust of time; and the Cupid, which the donor found in perfect preservation, had been painted out by some sacrilegious hand.
(Bryan Collection.)
B-113. Portrait of Charles I. (30½X39.) Anthony van Dyck.
The monarch is represented on the same canvas in front, profile, and three-quarter view. The object in presenting such a picture was, as the reader will remember, to enable the Italian sculptor, Bernini, who had not seen Charles, to model a bust.
(Bryan Collection.)
B-114. The Artist in his Atelier. (12X15.) Gerard Douw.
(Bryan Collection.)
B-115. The Continence of Scipio. (52X67.) Gerbrandt vanden Eeckhout.