B-116. THE CRUCIFIXION.
JAN VAN EYCK.
(BRYAN COLLECTION)
B-125. Landscape. (25½X30.) Cornelius Huysmans, of Mechlin.
This is the finest easel-picture of this Master known to the donor. One inferior to it in every respect was placed by the side of a Hobbema at the exhibition of the British Institution, 1851, and sustained itself.
(Bryan Collection.)
B-126. Portrait. (25X20.) Karl du Jardin.
Portraits by this Master are very rare.
(Bryan Collection.)
B-127. Landscape, with Figures. (24X21.) Karl du Jardin.
The signature is in script, K. du Jardin; an unusual one for the Master, who almost always signed in Roman letters.
(Bryan Collection.)