Though the youth still pursues, he never overtakes his ideal. In the process of transmutation into life the ideal is injured and dwarfed. Just as the poet's vision is transcendently more beautiful than the song he writes upon the page; as the artist's dream is a glorious-creation, but his picture is only a photograph thereof; as the musician's song or symphony is but an echo of the ethereal music he heard in his soul, so every purpose and ideal is marred in the effort to give it expression and embodiment.
These children of aspiration hold the secret of all progress for society. Just as of old artists drew the outline of glowing and glorious pictures, and then with bits of colored glass and precious stones filled up the mosaic, causing angels and seraphs to stand forth in lustrous beauty, so imagination lifts up before the youth its glowing plans and purposes, and asks him to give himself to the details of life in filling it up and perfecting a glorious character. The patterns of life are only given upon that holy mount where, midst clouds and darkness, dwell God and the higher imagination.
But if the imagination has its use, it has its abuse also. If visions of truth and beauty can exalt, visions of vice can debase and degrade. In that picture where Faust and Satan battle together for the scholar's soul, the angels share in the conflict. Plucking the roses of Paradise, they fling them over the battlements down upon the heads of the combatants. When the roses fall on Faust they heal his wounds; when they fall on Satan they turn into coals of fire. Thus the imagination casts inspirations down upon the pure, but smites the evil into the abyss. The miseries of men of genius like Burns are perpetual warnings to youth against the riotings of imagination. There are poems, also novels and lurid scenes in the city, hanging pictures before the imagination and scorching the soul like flames of fire. For as of old so now, what a man imagineth in his heart that he is. For not what a man does outwardly, but what he dreams inwardly, determines his character.
Most men are better than we think, but some men are worse. As steam in the boiler makes itself known by hisses, so the evil imaginings heave and strain, seeking escape. Many forbear vice and crime through fear; their conscience is cowardice; if they dared they would riot through life like the beasts of the field; if all their inner imaginings were to take an outward expression in deeds, they would be scourges, plagues and pests. In the silence of the soul they commit every vice. But they who sow the wind shall reap the whirlwind; the revealing day will come when the films of life shall be withdrawn, and the character shall appear faithful as a portrait, and then all the meanness and sliminess shall be seen to have given something to the soul's picture. Oh, be warned against these dreams, all ye young hearts! The indulgence of the imagination is like the sultriness of a summer's day; what began so fair ends with sharp lightnings and thunder. How terrible is this word to evil-doers! "As a man thinketh in his heart, so is he."
It is also given to this vision faculty to redeem men out of oppression and misfortune, and through its intimations of royalty to lend victory and peace. Oft the days are full of storms and turbulence; oft events grow bad as heart can wish; full oft the next step promises the precipice. There are periods in every career when troubles are so strangely increased that the world seems like an orb let loose to wander widely through space. In these dark hours some endure their pain and trouble through dogged, stoical toughness. Then men imitate the turtle as it draws in its head and neck, saying to misfortune: "Behold the shell, and beat on that." But, God be thanked! victory over trouble has been ordained. In the blackest hour of the storm it is given to the vision faculty to lift man into the realm of tranquillity. As travelers in the jungle climb the trees at night and draw the ladder up after them, and dwell above the reach of wild beasts and serpents, so the soul in its higher moods ascends into the realms of peace and rest. In that dark hour just before Jesus Christ entered into the cloud and darkness, and fronted His grievous suffering, He called His disciples about Him and uttered that discourse beginning: "Let not your hearts be troubled." Strange wonder words; words of matchless genius and beauty.
Moreover, the vision faculty furnishes man his idea and picture of God. Many suppose that all that is necessary to understand the divine nature is that it should be stated distinctly in language. Greater error there could not be. There can be no language for causing a little child to understand the larger truths of heroism, art or government. The unripe cannot understand the mature. Each mind must paint its own picture of God. Nature itself is but a palette upon which God draws her portrait. Reason furnishes the materials and truths about God, and the imagination unites them in some noble conception of His all-helpful nature. Everything in nature that has power or beauty or benefit has received it from God. Moving along the Alpine valleys the traveler sees huge bowlders lying in the stream, and, looking to the mountain side, his eye rests upon the very cliff from which the bowlder fell. Thus discerning the noble qualities in mother or patriot, in hero or friend, we trace their beautiful qualities back to God, from whom all noble souls borrow their excellence. In the largest sense all the elements of power in sea and sky and sun, all the beauty of the fields and forests, of summers and winters, are letters in nature's alphabet for spelling out the name of God. As a diamond has many facets, and every one reflects the sun, so the universe itself is a gem whose every facet reflects the mind and genius of God.
When reason has culled out of life and nature everything that excites awe or admiration, everything that represents bounty and beauty, then imagination lifts up all these ideals and sweeps them together and melts them into one glowing and glorious conception of the God of power, wisdom and love. But even then the heart whispers: "He is that, and infinitely more than that, even as the sun is more than the little taper man has made." But if the reason and memory, through misuse, furnish but few of the truths about God, and if the imagination has been weakened in its power, then how poor the picture the soul paints!
What scant, feeble portraits of God some men have! What can an Eskimo, whose highest conception of summer is a stunted bush, know of tropical orchards, of luscious peach, pear and plum? If the student has seen only the broken fragments of Phidias, what can he know of the Parthenon as it once stood in the zenith of its perfection, in the splendor of its beauty? But if man's reason can cull out all the lustrous facts of nature and history, and if his imagination has strength and skill to bring them all together, then how beautiful will be the face and name of God! That name will fill his soul with music. That thought will set his heart vibrating with tumultuous joy. If all the air were filled with invisible bells, and angels were the ringers, and music fell in waves as sweet as melted amethyst and pearl, we should have that which would answer to the sweetness that by day and night rains down upon the hearts of those who approach God—not through the eye nor ear, not through argument nor judgment, but through the heart, through the imagination, as they endure, beholding Him who is invisible.