Beholding him, Christ loved him; nor could it have been otherwise. Some men we force ourselves to like. For reasons of finance or social advantage, men ignore their faults, while cherishing a secret dislike. But others are so attractive, they compel our friendship by a certain sweet necessity. The eye must needs like the rich red rose, and the ear can not but enjoy the sweet song. And this youth stood forth clothed with such rare attraction that it is said Christ cast one long lingering look of affection upon him; then widening the circle of friendship, he offered the young ruler a place therein. It was an overture such as Socrates made to the boy Plato; it was a proffer such as Michael Angelo made to the poor young artist who knocked at his door. Recalling the day when he met Göethe, Schiller was accustomed to say his creative literary career began with Göethe's proffer of friendship.
Carlyle tells us that each new epoch in his life began with the acquaintance of some great man. For it is not given to books nor business, to landscapes nor clouds nor forests, to have full power over the living man. Only mind can quicken mind, only heart can quicken heart. What would the youth of genius not give for the friendship of some Bacon or Shakespeare? But when this youth won Christ's regard, it was as if all the children of genius had come together in Christ's single person, to proffer intimacy and companionship. His great soul overhung his friends as the harvests overarch the fields, "filling the flowers with heat by day, and cooling them with dews by night." His friendship is like a mother's, a lover's, a friend's, but larger than either, and deeper than all. The rising of a star, that glows and sparkles with ten thousand effects, can alone be compared to this Son of Man, who flamed forth upon his friends such majesty of beauty, such royalty of kindling influences.
For centuries scholars have spoken of this interview between Christ and the young ruler as "the great refusal." Dante, wandering with Virgil through the Inferno, thought he saw this young ruler searching for his lost opportunity. For this ruler was the Hamlet of the New Testament. Like the Prince of Denmark, he stood midway between his conscience and his task, and indecision slew him. It has been said that Hamlet could have been happy had he remained in ignorance of his duty, or had he boldly obeyed the vision which called him to action. It was because he knew more than he had the courage to do that a discord arose, which destroyed the symmetry and sanity of his mind. His madness grew out of the breach between his enlarged and haunting sense of right and his faltering ability to face and fulfill it. Thus also the tragedy of this young ruler's life grew out of the fact that the new aspiration made his old contentment impossible, and compelled him either to go on with boldness to better things, or to go back to emptiness and misery. Beholding him, Christ loved him for what he was, and pointed out what he might become. He knew that the better was a great enemy of the best. For Christ had the double vision of the sculptor.
Before him was the mass of marble, rude and shapeless. But the outer shapelessness concealed the inner symmetry. Only the flying chips could let loose the form of glowing beauty hidden within. And before that youth he lifted up a vision of still better things. He set the youth midway between the man he was and the man he might become. He had achieved so much that Christ would fain lead him on to perfection itself. When the husbandman beholds his vines entering into leafage and blossom, he nurtures them on into fruitage. When Arnold finds some young Stanley ready to graduate, he whispers: "One thing thou lackest; let all thy life become one eager pursuit of knowledge." And to this youth who had climbed so high came the vision of something fairer and better still.
Going on before, Christ lured him forward, even as of old the goddess lured the Grecian boy forward by rolling rosy apples along the path. But the interview ended with the "great refusal." And the youth went away, not angry nor rebellious, but sad and deeply grieved at himself. For now he knew how far his aspiration outran performance. Like Hamlet, indecision palsied action. Contentment perished, for the vision of perfection ever haunted him. At first Christ's words and look of earnest affection filled his heart with a tumult of joy: but having fallen back into the old sordid self, the very memory of his master's face became a curse and torture. And so the vision blighted that should have blessed.
Now, the lives of great men tell us that God has always used visions for disturbing contentment, destroying ease, and securing progress. Witness the life of that young patrician, Wendell Phillips. His college mates love to describe him as they first saw him in the halls of Cambridge. His elegant person, his accomplished manners, his refined scholarship, made him the idol of the Harvard boys. Even in his youthful days he excelled as an orator, and was the easy master of the platform. But to him came the sirens singing of leisure, of opulence, and ambition. Full oft he looked forward to the day when he would be the champion of "elegant repose and cultivated conservatism" of the patrician element in his patrician state. But suddenly the Christ, in the person of one of his little ones, crossed the young scholar's path. One golden October afternoon, while Wendell Phillips was sitting in his office, he heard the noise of a strange disturbance in the street. Looking out he saw the mob maltreating Garrison, as, with blows and kicks, they dragged him toward the jail. All that night young Phillips lay tossing on his couch, thinking ever of this man who had been mobbed in the city where Otis had said "Liberty of speech is inalienable."
All that night the vision of the slave, scarred and scorned and forsaken, stood before his mind, while ever he heard a voice whispering: "Inasmuch as ye have done it unto one of the least of these my brethren, ye have done it unto me." In that vision hour perished forever all his dreams of opulence and ease. He decided to turn his back upon all preferment and ambition, all comfort and leisure, and follow his vision whithersoever it led. Soon the vision led him to the platform of Faneuil Hall, where an official was justifying the murderers of Lovejoy. "Mr. Chairman," he said, "when I heard the gentleman lay down principles which placed the murderers of Alton side by side with Otis and Hancock, with Quincy and Adams, I thought those pictured lips would have broken into voice to rebuke the recreant American, the slanderer of the dead." And that vision lent his words such burning eloquence that Wendell Phillips' speech in Faneuil Hall ranks with Patrick Henry's at Williamsburg and Abraham Lincoln's at Gettysburg—and there is no fourth. His vision led him unto obloquy also. What revilings were his! What bitter hatred! What insults and scoffs! At last the vision led him unto fame. The very city that would have slain him builded his monument, and men who once would not defile their lips with his name taught their children the pathway to his tomb. It was that vision splendid that saved Phillips from sodden contentment. Had Christ never crossed his path, his imagination would have lost its brightest picture, his life its noblest impulses, its most energetic forces.
And not only have visions power to shape young men's lives. To the mature and the great also come dreams of ideal excellence, smiting selfishness, rebuking sin, taking the sweetness out of sordid success, and urging men on to higher achievements. The biographers have never been able to fully account for the pathetic sadness and gloom of the closing days of Daniel Webster. Horace Greeley once said that "Webster's intellect is the greatest emanation from the Almighty mind now embodied." For picturesque majesty and overpowering mentality he is doubtless our most striking figure. That enormous and beautiful head, those wonderful eyes, that stately carriage, that Jove-like front, led men to call him "the godlike Daniel." When he appeared upon the Strand in London a great crowd followed him, and a British statesman described Webster as one describes a majestic landscape or the sublimity of a mountain. But during the last years of his life his face took on a strangely pathetic sorrow. With the language of a Dante his biographer has pictured for us an Inferno, in which we see one, sublime of reason, walking in the very prime and strength and grandeur of full manhood, yet walking in a round of night, in a realm of bitterness, ever gnawed by disappointment and consumed by fierce ambition. He sank into his grave, says the historian, "under a heart-crushing load of political despair."
But disappointed ambition cannot account for Daniel Webster's sadness and woe. Strength was his for supporting the loss of a nomination. He knew that his title, "Defender of the Constitution," was fully equal to the title of President. He was too great a man to have his heart broken by the loss of political honor. What was his woe? Let us remember the young ruler who was sad and grieved after he met Christ, and had refused to obey the heavenly vision. Let us remember the dream that came to Pilate, and how, afterward, the great Roman was uneasy and restless. And to Daniel Webster there came the memory of his speech in favor of a law compelling men in the North to send fugitive slaves back to their masters; and there also came the words of Christ, who said: "I am come to give deliverance to the captive." And looking forward, Webster anticipated the judgment of the generations upon the breach between his duty and his performance. That vision of higher things haunted him. Oft he heaved sighs of bitter regret. Daniel Webster was saddened and deeply grieved at what he himself had done. For the hope of the Presidency he sacrificed his convictions as to the slave. The heavenly vision bade him deliver the captives, not send them back into slavery. No political disappointment crushed Daniel Webster. The consciousness of duty performed would have sustained him under any sorrow. It was the consciousness of having sinned against the heavenly vision that broke his heart, and brought Webster's gray hairs down with sorrow to the grave!
Plutarch tells us that the finest culture comes from the study of men in their best moods. But always life's best moods come through these heavenly visions. George Eliot makes the destiny of each hero or heroine to turn upon the use of those critical hours when some ideal fronts the soul for acceptance or rejection. To Maggie Tulliver came a delicious moment when her lover offered her honorable marriage, and would have led her into a perfumed garden of perfect happiness. But just in that hour when joy bubbled like a little spring in her heart, there came the memory of the crippled boy, to whom years before in her childhood she had plighted her troth. And the vision of her duty and the thought of his disappointment led her to refuse pleasure's spiced cup, and choose self-renunciation and a life for others. That heavenly vision saved her from plunging into the abyss of selfishness, even as the lightning's flash in the dark night reveals the precipice to the startled traveler.