When the admirers of Shakespeare bought the house in which their hero was born, they planted in the garden the flowers which the poet loved. Passing through the little wicket gate the pilgrim finds himself moving along a perfumed path, while to his garments clings the odor of violets and roses, sweet peas and buttercups, the columbine and honeysuckle—flowers these, whose roots are in earth indeed, but whose beauty is borrowed from heaven. From these grounds men have expelled the poison ivy, the deadly nightshade, all burdocks and thistles. And the soul is a garden in which truth, purity, patience, love, long suffering are qualities whiter than any lily and sweeter than any rose, whose perfume never passes, whose beauty does not fade. And having succeeded in transforming waste places into centers of radiant beauty, man encourages the hope that he can carry his own reason, judgment and ambition up to full symmetry and perfection.
What a transformation man has wrought in matter! Nature says, here is a lump of mud; man answers, let it become a beautiful vase. Nature says, here is a sweet briar; man answers, let it become a rose double and of many hues. Nature says, here is a string and a block of wood; man answers, let them be a sweet-voiced harp. Nature says, here is a daisy; Burns answers, let it become a poem. Nature says, here is a piece of ochre and some iron rust; Millet answers, let the colors become an Angelus. Nature says, here is reason rude and untaught; man must answer, let the mind become as full of thoughts as the sky of stars and more radiant. Nature says, here is a rude affection; man must answer, let the heart become as full of love and sympathy as the summer is full of ripeness and beauty. Nature says, here is a conscience, train it; man should answer, let the conscience be as true to Christ and God as a needle to the pole. Marvelous man's skill through the fine arts! Wondrous, too, his handicrafts! But no picture ever painted, no poem ever perfected, no temple ever builded is comparable for strength and beauty to a full-orbed soul, matured through a widely trained reason and a sober judgment—mellow in heart and conscience, pervaded throughout with the spirit of Jesus Christ, the soul's master and model.
[CHANNING'S VISION OF THE BEAUTIFUL LIFE.]
Among those gifted spirits who have toiled tirelessly to carry the individual life up to unity, symmetry and beauty, let us hasten to mention the name of Channing. The child of genius, he was gifted with a literary style that lent strange fascination to all his speech. But great as he was in intellect, his character shone with such splendor as to eclipse his genius. He was of goodness all compact.
Early the winds of adversity beat against his little bark. Invalidism and misfortune, too, threatened to destroy his career. But bearing up amid all misfortune, he slowly wrought out his ideal of life as a fine art. Patiently he perfected his dreams. Daily he practiced frugality, honor, justice, faith, love and prayer. He met storm with calm; he met provocation with patience; he met organized iniquity with faith in God's eternal truth; he met ingratitude and enmity with forgiveness and love.
At last he completed his symphony of an ideal life, that he hoped would help the youth and maiden to make each day as inspiring as a song, each deed as holy as a prayer, each character as perfect as a picture. For he felt that the life of child and youth, of patriot and parent should have a loveliness beyond that of any flower or landscape, and a majesty not found in any cataract or mountain, being clothed also with a beauty that does not inhere in Canova's marble and a permanency that is not possessed by Von Riles' cathedral, a structure builded of thoughts and hopes and aspirations, of tears and prayers, and purposes, whose foundation is eternal truth.