So they turned the land into a desert. Not otherwise the German seems to feel that if he cannot build structures as beautiful as these glorious buildings in France that he will not leave one of them standing.
Next to the Parthenon in Athens and St. Peter's in Rome, perhaps the world's best loved and most admired building was the Cathedral of Rheims. There Joan of Arc crowned Charles IX; there for centuries the noblest men of France had gone to receive their offices and their honours. A building that belonged to the world. What treasures of beauty for the whole human race in the thousand and more statues in the cathedral! How priceless the twelfth-century stained glass! What paintings which have come down from the masters of Italy! Whoever visited the library and the Cardinal's palace without exclaiming: "What beautiful missals! What illuminated manuscripts?"
Fully conscious of the fact that they were impotent to produce such treasures the Germans, unable to get closer to the cathedral than four miles, determined to destroy them. Day after day they bombed the noble cathedral. Gone now, too, the great stone roof! Fallen the flying buttresses, ruined the chapels. Perished all the tapestries, the rugs and the laces. Water stands in puddles on the floor. The cathedral is a blackened shell.
The victim of grievous ingratitude, King Lear, was turned out into the snow and hail by his wicked daughters; and the white-haired old king wandered through the blackness of the night beneath the falling hail. And, lo! the Cathedral of Rheims is a King Lear in architecture—broken, wounded, exposed to the hails of the autumn and the snow of the winter, through the coarseness and vandalism of the Germans.
The German Foreign Minister put it all in one word: "Let the neutrals cease their everlasting chatter about the destruction of Rheims Cathedral. All the paintings, statues and cathedrals in the world are not so much as one straw to the Germans over against the gaining of our goal and the conquest of their land."
Never was a truer word spoken. The German lacks the imagination and the gift of the love of the beautiful. He would prefer one bologna sausage factory and one brewery to the Parthenon, with St. Peter's and Rheims Cathedral thrown in.
8. The German Sniper Who Hid Behind the Crucifix
For hundreds of years the French peasants have loved the crucifix. Many a beautiful woman carries a little gold cross with the figure of Jesus fastened thereto, and from time to time draws it out to press the crucifix to her lips. Even in the harvest fields and beside the road, travellers find the carved figure of the Saviour lifted up to draw poor, ignorant and sinful men to His own level.
One of the most glorious pieces of carving in France was wrought in walnut by a great sculptor and lifted up on a tree in the midst of an estate, where the peasants, resting from their work, could refresh their souls by love and faith and prayer.
One day last summer, during the Teuton advance, a German officer stood beneath that divine figure. Mentally he marked the place. That night when the darkness fell a company of German officers returned to that spot. One of them climbed up on the tree. He found that the carved figure of Jesus was life size.