I have in my possession several photographs of a ruined studio. Some twenty or thirty Germans dashed into a little French village one day, and demanded at the point of their automatic pistols the surrender by the women of their rings, jewelry, money and their varied treasure. At the edge of the village was a simple little summer-house, in which one of the French artists had his studio. He had been in that valley for three months, sketching, and working very hard. Knowing that they had but a little time in which to do their work as vandals, the Huns started to ruin the studio. With big knives they cut the fine canvases into ruins. They knocked down the marbles, and the bronzes; the little bust from the hand of Rodin was smashed with a hammer. The bronze brought from Rome was pounded until the face was ruined. One blow of the hammer smashed the Chinese pottery, another broke the plates and the porcelain into fragments. Then every corner of the room was defiled, and the pigs fled from their filthy stye. Across one of the canvases the German officer wrote the words, "This is my trademark." And every other part of the canvas was cut to ribbons with his knife. No more convincing evidence of the real German character can possibly be found than these photographs of the interior of that ruined studio.
Here we have the reason why the Kaiser himself, who knew the German through and through, called his people Huns. Long ago the first Huns entered Italy. They found a city of marble, ivory, and silver. They left it a heap and a ruin. They had no understanding of a palace; they did not know what a picture meant, or a marble; they were irritated by the superiority of the Roman. What they could not understand they determined to destroy. That is one of the reasons why all the marbles and bronzes that we have in Italy are marred and injured. The head of Jupiter is cracked; the Venus di Milo has no arms; Aphrodite has been repaired with plaster; Apollo has lost a part of his neck and one leg. From time to time an old marble is dug up in a field, where some ploughman has chanced upon the treasure. Owners hid their beautiful statues, ivories and bronzes, to save them from the vandals. Unfortunately, the modern Huns rushed into the French towns, riding in automobiles, and sculptors and painters had no time to hide their treasures. The great cathedrals could not be hidden. The Kaiser in one of his recent statements boasted that he had destroyed seventy-three cathedrals in Belgium and France. It is all too true. From the beginning, the Cathedral of Rheims, dear to the whole world, and glorious through the associations of Jeanne d'Arc, was doomed, because the Germans, having no treasure of their own, and incapable of producing such a cathedral, determined that France should not have that treasure. The other day, in Kentucky, a negro jockey came in at the tail end of a race, ten rods behind his rival. That night, the negro bought a pint of whiskey, and determined to have vengeance, so he went out at midnight, and cut the hamstrings of the beautiful horse that had defeated his own beast. Now that is precisely the spirit that animated the German War Staff and the men that have devastated France and Belgium, and every man who has witnessed these German crimes with his own eyes will never be the same person again. His whole attitude towards the Hun is an attitude of horror and revulsion. A certain noble anger burns within him, as burned that noble passion in Dante against those criminals who spoiled Florence of her treasures.
10. Was This Murder Justified?
One raw, December day, in 1914, an American gentleman, widely known as traveller and correspondent, was in a hospital in London, recovering from his wound, received in Belgium. He was startled by the appearance of an old Belgian priest, and a young Belgian woman. The American author was travelling in Belgium at the time of the German invasion. Quite unexpectedly he was caught behind the lines, near Louvain. Having heard his statement, the German officer recognized its truthfulness and sincerity, and insisted that this American scholar should be his guest at the Belgian château of which he had just taken possession. The German had already shot the Belgian owner, and one or two of the servants, who defended their master. To the horror and righteous anger of the American, the German officer took his place at the head of the table, waved the American to his seat, and ordered the young Belgian woman to perform her duties as hostess. In that tense moment, it was a matter of life and death to disobey. That German officer had his way, not only with the young Belgian wife, half dazed, half crazed, wholly broken in spirit, but with the American whom he sent forward to Brussels.
Plunged into the midst of many duties in connection with Americans and refugees who had to be gotten out of Belgium into England, this American author had to put aside temporarily any plan for the release of that young Belgian woman held in bondage. Later, when he was wounded, the American crossed to London for medical help. When the old Belgian priest and that young woman stood at the foot of his bed in the hospital in London, all the events of that terrible hour in the dining-room of the Belgian château returned, and once more he lived through that frightful scene. The purpose of the visit soon became evident. The old Belgian priest stated the problem. He began by saying that God alone could take human life since God alone could give it. He urged that the sorrow of the young woman's present was as nothing in comparison to the loss of her soul should she be guilty of infanticide. It was the plea of a man who lived for the old ideals. His white hair, his gentle face, his pure disinterested spirit lent weight to his words. Then came the statement of the young Belgian woman. She told the American author of the dreadful days and weeks that followed after his departure, that every conceivable agony was wrought upon her, and that now within a few months, she must have a child by that wicked German officer. She cried out that the very babe would be unclean, that it would be born a monster, that it was as if she was bringing into the world an evil thing, doomed in advance to direst hell. That every day and every hour she felt that poison was running through her veins. She turned upon the old priest, saying, "You insist that God alone gives life! Nay, no, no, no! It was a German devil that gave me this life that now throbs within my body! And every moment I feel that that life is pollution. German blood is poisoned blood. German blood is like putrefaction and decay, soiling my innermost life." The young woman wept, prayed, plead, and finally in her desperation cried out, "Then I decide for myself! The responsibility is mine. I alone will bear it." And out of the hospital she swept with the dignity and beauty of the Lady of Sorrows.
A year later, in Paris, the French judge and court cleared the young girl who choked to death with a string the babe of the German officer who had attacked her. But since that time, all France and Belgium and the lands where there are refugees are discussing the question—Where does the right lie? Has the French mother, cruelly wounded, no right? And this foul thing forced upon her a superior right? Which path for the bewildered girl leads to peace? Where does the Lord of Right stand? What chance has a babe born of a beast, abhorred and despised, when it comes into the world? The women of the world alone can answer this question.