Children know only their mother, and do not feel the least affection for their fathers, for the simple reason that they have so many. Without approving polyandry, I could not well blame Thibet for this institution, since without it, the population would prodigiously increase. Famine and misery would fall upon the whole nation, with all the sinister sequellæ of murder and theft, crimes so far absolutely unknown in the whole country.


A Festival in a Gonpa

Leh, the capital of Ladak, is a little town of 5,000 inhabitants, who live in white, two-story houses, upon two or three streets, principally. In its centre is the square of the bazaar, where the merchants of India, China, Turkestan, Kachmyr and Thibet, come to exchange their products for the Thibetan gold. Here the natives provide themselves with cloths for themselves and their monks, and various objects of real necessity.

An old uninhabited palace rises upon a hill which dominates the town. Fronting the central square is a vast building, two stories in height, the residence of the governor of Ladak, the Vizier Souradjbal—a very amiable and universally popular Pendjaban, who has received in London the degree of Doctor of Philosophy.

To entertain me, during my sojourn in Leh, the governor arranged, on the bazaar square, a game of polo—the national sport of the Thibetans, which the English have adopted and introduced into Europe. In the evening, after the game, the people executed dances and played games before the governor's residence. Large bonfires illuminated the scene, lighting up the throng of inhabitants, who formed a great circle about the performers. The latter, in considerable numbers, disguised as animals, devils and sorcerers, jumped and contorted themselves in rhythmic dances timed to the measure of the monotonous and unpleasing music made by two long trumpets and a drum.

The infernal racket and shouting of the crowd wearied me. The performance ended with some graceful dances by Thibetan women, who spun upon their heels, swaying to and fro, and, in passing before the spectators in the windows of the residence, greeted us by the clashing together of the copper and ivory bracelets on their crossed wrists.

The next day, at an early hour, I repaired to the great Himis convent, which, a little distance from Leh, is elevated upon the top of a great rock, on a picturesque site, commanding the valley of the Indies. It is one of the principal monasteries of the country, and is maintained by the gifts of the people and the subsidies it receives from Lhassa. On the road leading to it, beyond the bridge crossing the Indus, and in the vicinity of the villages lining the way, one finds heaps of stones bearing engraved inscriptions, such as have already been described, and t'horthenes. At these places, our guides were very careful to turn to the right. I wished to turn my horse to the left, but the Ladakians made him go back and led him by his halter to the right, explaining to me that such was their established usage. I found it impossible to learn the origin or reason of this custom.

Above the gonpa rises a battlemented tower, visible from a great distance. We climbed, on foot, to the level on which the edifice stands and found ourselves confronted by a large door, painted in brilliant colors, the portal of a vast two-story building enclosing a court paved with little pebbles. To the right, in one of the angles of the court, is another huge painted door, adorned with big copper rings. It is the entrance to the principal temple, which is decorated with paintings of the principal gods, and contains a great statue of Buddha and a multitude of sacred statuettes. To the left, upon a verandah, was placed an immense prayer-cylinder. All the lamas of the convent, with their chief, stood about it, when we entered the court. Below the verandah were musicians, holding long trumpets and drums.

At the right of the court were a number of doors, leading to the rooms of the lamas; all decorated with sacred paintings and provided with little prayer-barrels fancifully surmounted by black and white tridents, from the points of which floated ribbons bearing inscriptions—doubtless prayers. In the centre of the court were raised two tall masts, from the tops of which dangled tails of yaks, and long paper streamers floated, covered with religious inscriptions. All along the walls were numerous prayer-barrels, adorned with ribbons.