CHAPTER XVI.
SACRED BARDS OF THE NINETEENTH CENTURY.
“O happy saints! rejoice and sing!
He quickly comes, your Lord and King!”
—W. D. Maclagan, D.D., Abp. of York.
The religious Highlander of the present day is known to be stubbornly opposed to the use of hymns of human authorship in public worship. His prejudice was deepened and played upon recently in connection with a Union controversy between two well known ecclesiastical bodies. One result has been that many of the southern Highlanders who were in the habit of using the translated Scripture Paraphrases have discontinued the practice. But notwithstanding the prejudices of many Highlanders against hymns, all the writers of sacred poetry have been very popular among them. There were many authors of religious poetry whose compositions did not become much known until the beginning of this century. To this class belonged John Ban Maor and Bean a’ Bharra, under whose names a good deal of verse appears in a collection by Duncan Kennedy of Melfort, who plays a rather unenviable part in the Ossianic controversy. The names of other two authors also occur in the volume—Macindeor and Mackeich. Macfadyen, a Glasgow student, published a volume of hymns in 1770, but nothing more is known of him or his work.
WILLIAM MACKENZIE.
This poet was born at Balvicphadrick, on the estate of Culduthel, near Inverness. His father, who was a farmer at Borlum, bestowed some pains on the education of William, who, after his marriage, rented successively the farms of Bailedubh, in Tordarroch, and that of Cnocbui, in the parish of Daviot. He afterwards gave up farming, and was appointed by the Society for Propagating Christian Knowledge to teach one of their schools at Leys, in the parish of Croy, some three miles from Inverness. He laboured there as teacher and evangelist for forty years. He died in 1838 at the advanced age of ninety, and was buried in the churchyard of Dunlichity. Mackenzie appears to have been a man of fair culture and was well read. His poetry, although [not first-class], has a masculine, sensible ring about it. A good deal of it consists of excellent sermon matter, expressed in clear natural language and smooth and flowing verse. Scripture history and the usual evangelical doctrines of Christianity with an underlying practical application, constitute his general theme. He has also composed several elegies and addresses to persons. The poet deals thus with a certain class of religious professors:—
Bheir iad cuireadh dhuitse dh’òl
Le daimh is mòran carthannas;