His angry father, deciding in his own mind that the boy was good for nothing, despatched him to St. Petersburg to embark upon a military career. The seventeen-year-old boy arrived in the capital with a copy-book of his poems and a few roubles in his pocket, and with a letter of introduction to an influential general. He was filled with good intentions and fully prepared to obey his father's orders, but before he had taken the final step of entering the nobleman's regiment he met a young student, a former school-mate, who captivated his imagination by glowing descriptions of the marvellous sciences to be studied in the university, and the surpassing interest of student life. The impressionable boy decided to abandon the idea of his military career, and to prepare for his matriculation in the university. He wrote to his father to this effect, and received the stern and laconic reply:

"If you disobey me, not another farthing shall you receive from me."

The youth had made his mind up, however, and entered the university as an unmatriculated student. And that was the beginning of his long acquaintance with the hardships of poverty.

"For three years," said Nekrassov in after life, "I was hungry all day, and every day. It was not only that I ate bad food and not enough of that, but some days I did not eat at all. I often went to a certain restaurant in the Morskaya, where one is allowed to read the paper without ordering food. You can hold the paper in front of you and nibble at a piece of bread behind it…."

While sunk in this state of poverty, however, Nekrassov got into touch with some of the richest and most aristocratic families in St. Petersburg; for at that time there existed a complete comradeship and equality among the students, whether their budget consisted of a few farthings or unlimited wealth. Thus here again Nekrassov was given the opportunity of studying the contrasts of life.

For several years after his arrival in St. Petersburg the true gifts of the poet were denied expression. The young man was confronted with a terrible uphill fight to conquer the means of bare subsistence. He had no time to devote to the working out of his poems, and it would not have "paid" him. He was obliged to accept any literary job that was offered him, and to execute it with a promptitude necessitated by the requirements of his daily bill of fare. During the first years of his literary career he wrote an amazing number of prose reviews, essays, short stories, novels, comedies and tragedies, alphabets and children's stories, which, put together, would fill thirty or forty volumes. He also issued a volume of his early poems, but he was so ashamed of them that he would not put his name upon the fly-leaf. Soon, however, his poems, "On the Road" and "My Motherland," attracted the attention of Byelinsky, when the young poet brought some of his work to show the great critic. With tears in his eyes Byelinsky embraced Nekrassov and said to him:

"Do you know that you are a poet, a true poet?"

This decree of Byelinsky brought fame to Nekrassov, for Byelinsky's word was law in Russia then, and his judgement was never known to fail. His approval gave Nekrassov the confidence he lacked, and he began to devote most of his time to poetry.

The epoch in which Nekrassov began his literary career in St. Petersburg, the early forties of last century, was one of a great revival of idealism in Russia. The iron reaction of the then Emperor Nicholas I. made independent political activity an impossibility. But the horrible and degrading conditions of serfdom which existed at that time, and which cast a blight upon the energy and dignity of the Russian nation, nourished feelings of grief and indignation in the noblest minds of the educated classes, and, unable to struggle for their principles in the field of practical politics, they strove towards abstract idealism. They devoted their energies to philosophy, literature, and art. It was then that Tolstoy, Turgenieff, and Dostoyevsky embarked upon their phenomenal careers in fiction. It was then that the impetuous essayist, Byelinsky, with his fiery and eloquent pen, taught the true meaning and objects of literature. Nekrassov soon joined the circles of literary people dominated by the spirit of Byelinsky, and he too drank at the fountain of idealism and imbibed the gospel of altruistic toil for his country and its people, that gospel of perfect citizenship expounded by Byelinsky, Granovsky, and their friends. It was at this period that his poetry became impregnated with the sadness which, later on, was embodied in the lines:

My verses! Living witnesses of tears Shed for the world, and born In moments of the soul's dire agony, Unheeded and forlorn, Like waves that beat against the rocks, You plead to hearts that scorn.