“By that time I had completed my education at the academy, received the gold medal, and with it the joyful hope of a journey to Italy—the fairest dream of a twenty-year-old artist. It only remained for me to take leave of my father, from whom I had been separated for twelve years. I confess that even his image had long faded from my memory. I had heard somewhat of his grim saintliness, and rather expected to meet a hermit of rough exterior, a stranger to everything in the world, except his cell and his prayers, worn out, tried up, by eternal fasting and penance. But how great was my surprise when a handsome old man stood before me! No traces of exhaustion were visible on his countenance: it beamed with the light of a heavenly joy. His beard, white as snow, and his thin, almost transparent hair of the same silvery hue, fell picturesquely upon his breast, and upon the folds of his black gown, even to the rope with which his poor monastic garb was girded. But most surprising to me of all was to hear from his mouth such words and thoughts about art as, I confess, I long shall bear in mind, and I sincerely wish that all my comrades would do the same.
“‘I expected you, my son,’ he said, when I approached for his blessing. ‘The path awaits you in which your life is henceforth to flow. Your path is pure—desert it not. You have talent: talent is the most priceless of God’s gifts—destroy it not. Search out, subject all things to your brush; but in all see that you find the hidden soul, and most of all, strive to attain to the grand secret of creation. Blessed is the elect one who masters that! There is for him no mean object in nature. In lowly themes the artist creator is as great as in great ones: in the despicable there is nothing for him to despise, for it passes through the purifying fire of his mind. An intimation of God’s heavenly paradise is contained for the artist in art, and by that alone is it higher than all else. But by as much as triumphant rest is grander than every earthly emotion, by so much is the lofty creation of art higher than everything else on earth. Sacrifice everything to it, and love it with passion—not with the passion breathing with earthly desire, but a peaceful, heavenly passion. It cannot plant discord in the spirit, but ascends, like a resounding prayer, eternally to God. But there are moments, dark moments—’ He paused, and I observed that his bright face darkened, as though some cloud crossed it for a moment. ‘There is one incident of my life,’ he said. ‘Up to this moment, I cannot understand what that terrible being was of whom I painted a likeness. It was certainly some diabolical apparition. I know that the world denies the existence of the Devil, and therefore I will not speak of him. I will only say that I painted him with repugnance: I felt no liking for my work, even at the time. I tried to force myself, and, stifling every emotion in a hard-hearted way, to be true to nature. I have been informed that this portrait is passing from hand to hand, and sowing unpleasant impressions, inspiring artists with feelings of envy, of dark hatred towards their brethren, with malicious thirst for persecution and oppression. May the Almighty preserve you from such passions! There is nothing more terrible.’
“He blessed and embraced me. Never in my life was I so grandly moved. Reverently, rather than with the feeling of a son, I leaned upon his breast, and kissed his scattered silver locks.
“Tears shone in his eyes. ‘Fulfil my one request, my son,’ said he, at the moment of parting. ‘You may chance to see the portrait I have mentioned somewhere. You will know it at once by the strange eyes, and their peculiar expression. Destroy it at any cost.’
“Judge for yourselves whether I could refuse to promise, with an oath, to fulfil this request. In the space of fifteen years I had never succeeded in meeting with anything which in any way corresponded to the description given me by my father, until now, all of a sudden, at an auction—”
The artist did not finish his sentence, but turned his eyes to the wall in order to glance once more at the portrait. The entire throng of auditors made the same movement, seeking the wonderful portrait with their eyes. But, to their extreme amazement, it was no longer on the wall. An indistinct murmur and exclamation ran through the crowd, and then was heard distinctly the word, “stolen.” Some one had succeeded in carrying it off, taking advantage of the fact that the attention of the spectators was distracted by the story. And those present long remained in a state of surprise, not knowing whether they had really seen those remarkable eyes, or whether it was simply a dream which had floated for an instant before their eyesight, strained with long gazing at old pictures.
THE CALASH
The town of B—— had become very lively since a cavalry regiment had taken up its quarters in it. Up to that date it had been mortally wearisome there. When you happened to pass through the town and glanced at its little mud houses with their incredibly gloomy aspect, the pen refuses to express what you felt. You suffered a terrible uneasiness as if you had just lost all your money at play, or had committed some terrible blunder in company. The plaster covering the houses, soaked by the rain, had fallen away in many places from their walls, which from white had become streaked and spotted, whilst old reeds served to thatch them.
Following a custom very common in the towns of South Russia, the chief of police has long since had all the trees in the gardens cut down to improve the view. One never meets anything in the town, unless it is a cock crossing the road, full of dust and soft as a pillow. At the slightest rain this dust is turned into mud, and then all the streets are filled with pigs. Displaying to all their grave faces, they utter such grunts that travellers only think of pressing their horses to get away from them as soon as possible. Sometimes some country gentleman of the neighbourhood, the owner of a dozen serfs, passes in a vehicle which is a kind of compromise between a carriage and a cart, surrounded by sacks of flour, and whipping up his bay mare with her colt trotting by her side. The aspect of the marketplace is mournful enough. The tailor’s house sticks out very stupidly, not squarely to the front but sideways. Facing it is a brick house with two windows, unfinished for fifteen years past, and further on a large wooden market-stall standing by itself and painted mud-colour. This stall, which was to serve as a model, was built by the chief of police in the time of his youth, before he got into the habit of falling asleep directly after dinner, and of drinking a kind of decoction of dried goose-berries every evening. All around the rest of the market-place are nothing but palings. But in the centre are some little sheds where a packet of round cakes, a stout woman in a red dress, a bar of soap, some pounds of bitter almonds, some lead, some cotton, and two shopmen playing at “svaika,” a game resembling quoits, are always to be seen.