* [No. 127.] The Golden Cockerel 3—Cl., Bass Cl., Fag., C-fag.
"""40-41 Bass Cl., Fag.; Fl., Cl.; Cl., Bass Cl.
* [No. 128.]"""156—harmonic parts in motion: Fl. and Cl.
Harmony in the brass.
Here, as in the wood-wind, part writing should be of the close order with no empty spaces in the intervals.
Four-part writing.
It is evident that the quartet of horns presents every facility for four-part harmony, perfectly balanced in tone, without doubling the bass in octaves:
Note. In the diagrams of the present section the actual sounds of horns and trumpets are given, as in a piano score, for the sake of simplicity.