Principles of Orchestration, with Musical Examples Drawn from His Own Works

by Nikolay Rimsky-Korsakov

Sadko 3, 223, 239—Full Tutti (cf. [Ex. 86]).

[No. 205]-[206]. Sadko 173, 177—Full Tutti with chorus, differently scored.

[No. 207]-[208]. The Christmas Night 184 and 186—Full Tutti, orchestrated in different ways, with and without chorus.

* The Tsar's Bride, Overture 1, 2, 7—Full and partial Tutti (cf. [Ex. 179]-[181]).

* """ 141—Full Tutti.

* """ 177— ""

Pan Voyevoda 186 and 188 Full Tutti.

* Antar 65—(cf. [Ex. 32]).

* [No. 209.] Shéhérazade, 3rd movement M; cf. also 1st movement A, E, H; 2nd movement K, P, R; 3rd movement G, O; 4th movement G, P, W and further on to Y ([No. 193], [194], [19], [66], [77]).

* Spanish Capriccio B, F, J, P, V, X-Z (cf. [Ex. 3]).