[No. 288.] The Tsar's Bride 124-125.
The following double examples, similar from a musical point of view, show different methods of handling an orchestra from the standpoint of accompaniment to the voice, and the tutti form.
Examples:
[No. 289]-[291]. Sadko 99-101 and 305-307 (compare also [Ex. 75]).
Vera Scheloga 3-7 and 28.
Care should be taken not to score too heavily when accompanying singers in the wings.
Examples:
* [No. 292.] Sadko 316, 318, 320.
* Legend of Kitesh 286-289, 304-305.