A chorus in the wings requires as light an accompaniment as that employed for a solo singer on the stage.
Examples:
* Ivan the Terrible, Act I 25-26, 90; Act III 13-14.
* The May Night, Act I, before X; Act III Bbb-Ccc.
* [No. 297.] Sadko 102.
* Legend of Kitesh 54-56 (cf. [Ex. 196] and [197]).
Solo voice with chorus.
When an aria or recitative is coupled with the chorus great care must be taken in the choral writing. A woman's solo voice stands out well against a male voice chorus, likewise a solo male voice against a women's chorus, for in both cases, the timbre of the solo voice differs from the rest. But the combination of solo voice and chorus, of the same timbre, or mixed chorus, creates a certain amount of difficulty. In such cases the soloist should sing in a higher register than the chorus, the former a piena voce, the latter piano. The soloist should stand as near to the footlights as possible; the chorus up-stage. The orchestration should be adapted to the soloist, not to the chorus.
Examples:
[No. 298.] Snegourotchka 143.