| 8 | [ | Sopr. | ] | 3 |
| Altos | ||||
| Ten. | ] | 3. | ||
| Basses |
Examples:
Mlada, Act I 24; Act II, before 31.
The Golden Cockerel 235.
On the rare occasions when the whole chorus progresses in double octaves the usual arrangement is:
| Sopr. | + | Altos | ] | 8, | or else | 8 | [ | Sopr. | |||||
| 8 | [ | Ten. | Altos | + | Ten. | ] | 8. | ||||||
| Basses | Basses | ||||||||||||
Examples:
Snegourotchka 319.
Sadko 182.