| Vns I + II +Violas | ] | 8 |
| 'Cellos D. basses | >[ | 8 |
is not of any great importance, for, in such cases, the partial harmonics of one octave support the tone of the other, and vice versa.
Doubling in three and four octaves.
The distribution
| Vns I Vns II Violas 'Cellos D. basses | >[ 8 ] 8 ] 8 ] 8 |
is very seldom found, and as a rule, only when supported by wind instruments.
Examples:
The Legend of Kitesh 150 (allargando).
* Shéhérazade, 4th movement, commencing at the 10th bar.
| Vns I Vns II Violas + 'Cellos D. basses | >[ ] ] | 8. |