| Ob. + Cl. Ob. + Cl. | ] | 6 | ] | 8. |
| Horn Horn | ] | 6 |
* Mention should also be made of mixed timbres (wood and brass) in progression in octaves.
Examples:
Mlada, Act III, beginning of Scene III—
| Trombone + Bass cl. Tuba + C-fag. | >[ | 8. |
[No. 78.] Mlada, Act III after 25—
| 2 Cl. + 2 Horns + Trombone Bass cl. + 2 Horns + Trombone | >[ | 8 (low register). |
[No. 79.] Mlada, Act III, before 35—general unison.
When it is desired to distribute the melody over three or four octaves, it is difficult to achieve perfect balance of tone.