"Isn't it wonderful?" I breathed as I clung to Mr. Pegg's arm, the lovers, if so I may call them, walking ahead, much to Sebastian's ill-concealed disgust.

"Pretty nifty," replied Mr. Pegg reluctantly. "But you ought to see the moon in Calif—of course, that is, you must admit it's not a patch on California."

"Oh, I'm not so certain!" I replied. "The moon is the moon, you know, and I am addicted to it. It—er—renews my youth, as it were."

"You said it!" replied the dear man.

But unfortunately we reached our own door at this juncture, where Peaches and Mr. Markheim were waiting for us, and there was nothing left, under Peaches' firm direction of matters, but to say good night and separate at the foot of the stairs.

For what seemed hours Peaches and I waited in my room listening to the low rumble of the two men as they sat upon the terrace and indulged in a final smoke; and then, presumably, in another final smoke and another.

"Will they never go to bed?" Peaches asked more than once, keeping her voice down to a whisper, however, as we had extinguished the lights and opened the windows in both rooms in order to give the appearance of having retired. Across the court the servants' wing showed an occasional lighted window, including that of Wilkes, the valet. Of course he would not be free until Markheim dismissed him for the night. It seemed as if our vigil would never end. But at length we heard a crisp voice below articulate in the fact that the owner was going to bed, and three-quarters of an hour later the light in the valet's room snapped out. Our time had come.

Never in all my born days had I imagined that a well-built staircase could make so much noise when trod upon by two of the gentler sex as did that stair in the Markheim mansion as Peaches and I made our stealthy—or at least comparatively stealthy—descent of it. Nor could I have believed it possible that the floor of that majestic hall was so ill laid as to squeak; but it did. As for the French windows of the library, which we selected as our means of exit, they appeared, to our hypersensitive consciousness, to be one chorus of rattles and groans. Unbarring them was simple enough even in the dark, for we did not dare to use any lights save that from Peaches's pocket flash, and once outside we took good care to close them after us, first making sure that the latch was open.

The garden was glorious in the moonlight, even though the barrenness of early spring was still upon it. A wealth of hyacinths sent up a heavy sweetness in the still night air, and on the lawn toward the river crocuses were whiter than the moonlight itself. Keeping close to the wall Peaches led the way to the fountain—a lovely thing, brought, like most of Sebastian's treasures, from overseas, and nestling against the wall as perfectly set as in the place for which it had originally been intended. A group of cedars, tall and dark, stood in a martial row on either side of it, casting a black shadow which afforded us perfect shelter from any prying eyes, and the tinkle of the water from the pipes of the ancient little Pan against the ivy-covered wall fell into the basin below with a sound that was music. A perfect night, a perfect spot, a perfect ladylove, Alicia—her face a white blur against the darkness—detached, ethereal, utterly lovely. And what of the man? Was he going to prove the ghost of a dead romance, or common clay? I fairly ached to know, being for once so absorbed in her love that I forgot to feel old and out of place.

But advancing years will manifest themselves, and often in the most annoying manner and at times least convenient. And as time went by and no lover appeared upon the scene I grew very, very tired.