When all the workmen had saluted the Effendi with respectful salaams and returned to their common toil, Freddy Lampton addressed the native overseer. He was enveloped in a white woollen hooded cloak, for the heat of the day had not yet begun; he also wore a fine turban; while the fellahin who did the roughest work wore only white skull-caps and cotton drawers to their knees and full shirts of blue or white cotton, open from the neck to the waist. A few of the better-paid older men wore turbans of cheap white muslin, wrapped round brown felt skull-caps, or fezes. The carriers of rubbish, who received the smallest pay of any, dispensed with the drawers as well as with the turban. In the sunlight their one garment, a blue or white shirt, stood out against the yellow sand as they wound their way in Indian file from the low level of the excavation to the place in the desert where they threw down their burdens.
The gaphir led his master a few steps from where the staircase had been excavated the day before and then bade him look own. Freddy's quick eye detected a horizontal line of masonry, the beginning of a strongly-built wall. The men had earthed it that morning, it was only a narrow strip, but it would have been against the strictest rules to have excavated more without informing the "Effendi."
The gaphir, a splendid man and very reliable, adored his enthusiastic English master, whose good looks and well-bred, unfailing courtesy of speech alone would have made his personality irresistible to the Arab. Added to his good looks and to his manner of "one who is born to be obeyed," Freddy had courage and great ability and—best of all in the gaphir's eyes—a silent respect for the teachings of the Prophet.
After an inspection of the various points of excavation and a word of greeting here and there had been passed with upper workmen, those who had showed an intelligent interest in their work, Freddy returned to the exciting spot and with two or three men who had "fingers" and a "sense" of things, began his morning's picking.
While he worked away with youthful energy and an almost inspired intelligence, he could hear the toilers with the rubbish-baskets singing their monotonous chants. The word "Allah, Allah" came repeatedly to his ears. He had grown so accustomed to the words of their chants that he followed them subconsciously; the words "Allah, Lord of Kindness, Giver of Ease," rang out with monotonous persistence. Allah was to ease their burdens; Allah was to moisten their dry lips; the "Lord of the Worlds" was to hasten the time when the poor man might sit in the shade and smell the sweet scents of paradise and listen to the sound of running waters.
They chanted verses from the Koran as Jack Tars sing sea songs. In
Mohammedan lands the song of Allah never dies.
Only occasionally Freddy heard the quaint words of some popular love-song, coming from the lips of one of the higher-class Arab workmen, a song as old as their tales of The Thousand and One Nights. One was drifting to his half-conscious ears at the moment; he was familiar with every word of it.
"A lover says to his dove, 'Send me your wings for a day.' The dove replied, 'The affair is vain.' I said, 'Some other day, that I may soar through the sky and see the face of the beloved; I shall obtain love enough for a year and will return, O dove, in a day.' The night! The night! O those sweet hands! Gather of the dewy peach! Whence were ye, and whence were we, when ye ensnared us?"
The Arab who was singing it was considered quite a musician amongst his fellow-workmen. He had earned his living for some years by singing love-songs on the small boats which drift up and down the Nile and in the cafés in Luxor. To English ears his talents as a singer would not have been recognized; the particular qualities which ensured the approval of his native audience would have caused much laughter in an English music-hall. Freddy Lampton, who knew something of Arab music, was able to recognize the singer's talents, but he was not near enough to hear the grunts of intense satisfaction and longing which the song was calling forth from the blue-shirted fellahin.
And so the hours of the morning wore on, until the sun was too powerful to allow even the natives to work, and Freddy Lampton wandered off to the tomb in which his friend was painting. The fellahin instantly untied the bundles which held their simple food and began their midday meal. Many of them prayed before eating; many of them did not.