[Footnote 1: Ant. XVIII. i. 1.]
[Footnote 2: Comp. B.J. II. viii.]
[Footnote 3: Comp. Vergil, Aeneid, vi.]
Lastly, Josephus turns to the fourth sect, the Zealots, whose founder was Judas the Galilean:
"These men agree in all other things with the Pharisees, but they have an inviolable attachment to liberty, and they say that God is to be their only Ruler and Lord. Moreover they do not fear any kind of death, nor do they heed the death of their kinsmen and friends, nor can any fear of the kind make them acknowledge anybody as sovereign."
Josephus, however, cannot refrain from imputing low motives to those who belonged to the party opposed to himself and hated of the Romans. "They planned robberies and murders of our principal men," he says, "in pretense for the public welfare, but in reality in hopes of gain for themselves." And he saddles them with the responsibility for all the calamities that were to come. About the Messianic hope, which appears to have inspired them, he is compulsorily silent.
The historical record that follows is very sketchy. We have a bare list of procurators and high priests down to the time of Pontius Pilate, a notice of the foundation of Tiberias by the tetrarch Herod, and an irrelevant account of the death of Phraates, the king of the Parthians, and of Antiochus of Commagene, who was connected by marriage with the Herodian house. Still there is rather more detail than in the corresponding summary in the second book of the Wars, and Josephus must in the interval have lighted on a fuller source than he had possessed in his first historical essay. It is not impossible that the new authority was again Justus of Tiberias. Of the unrest in the governorship of Pontius Pilate he has more to say, but the genuineness of the passage referring to the trial and death of Jesus, which is dealt with elsewhere,[1] has been doubted by modern critics. It is followed in the text by a long account of a scandal connected with the Isis worship at Rome, which led to the expulsion of Jews from the capital. In this way the chronicler wanders on between bare chronology and digression, until he reaches the reign of Agrippa, when he again finds written sources to help him. The romance of Agrippa's rise from a bankrupt courtier to the ruler of a kingdom is treated with something of the same full detail as the events of Herod's career, and probably the historian enjoyed here the use of royal memoirs. He may have obtained material also from the historical works of Philo of Alexandria, which were partly concerned with the same epoch. He refers explicitly to the embassy which the Alexandrian Jews sent to the Roman Emperor to appeal for the rescission of the order to set up in the synagogue the Imperial image, at the head of which went Philo, "a man eminent on all accounts, brother to Alexander the Alabarch, and not unskilled in philosophy." Bloch[2] indeed is of the opinion that the later historian did not use his Alexandrian predecessor, either in this or any other part of his writings, and points out certain differences of fact between the two accounts; but in view of the references to Philo and the fact that Josephus subsequently wrote two books of apology, one of which was expressly directed in answer to Philo's bitter opponent Apion, it is at least probable that he was acquainted with Philo's narrative. He may, however, have used it only to supplement the memoirs of the Herodian house, which served him as a chief source. Josephus devotes less attention to the Alexandrian embassy than to the efforts of the Palestinian Jews to obtain a rescission of the similar decree which Petronius, the governor of Syria, was sent to enforce in Jerusalem. His account is devised to glorify the part which Agrippa played. The prince appears as a kind of male Esther, endangering his own life to save his people; and indeed higher critics have been found to suggest that the Biblical book of Esther was written around the events of the reign of Gaius.
[Footnote 1: Ant. XVIII. iii. Comp. below, p. 241.]
[Footnote 2: Die Quellen des Flavius Josephus.]
The story of Agrippa is interrupted by a chapter about the Jews of Babylon, which has the air of a moral tale on the evils of intermarriage, and may have formed part of the popular Jewish literature of the day. Another long digression marks the beginning of the nineteenth book of the Antiquities, where Josephus leaves Jewish scenes and inserts an account of Caligula's murder and the election of Claudius as Emperor. This narrative, while of great interest for students of the Roman constitution, is out of all proportion to its place in the Jewish chronicle. Josephus, it has been surmised, based it on the work of one Cluvius (referred to in the book as an intimate friend of Claudius), who wrote a history about 70 C.E.; he may besides have received hitherto unpublished information from Agrippa II, whose father had been an important actor in the drama, or from his friend Aliturius, the actor at Rome, who had mixed in affairs of state. Anyhow, he took advantage of this chance of making a literary sensation. Doubtless also, the recital, which threw not a little discredit on the house of the earlier Caesars, was for that reason not unwelcome to the upstart Flavians, and may have been inserted at the Imperial wish.