'The old order changeth, yielding place to new.'
Somewhere have I seen some remarks about the Coolin, where no mention is made of the mountains as being capable of stirring the imagination or gratifying the mind; no, the subject was 'the ridiculously easy nature of the climbing in Skye,' 'the gabbro of the Coolin being too good,' and so on, the New Mountaineer merely looking upon these peaks and ribs of splintered rock as a useful spot where gymnastic feats might be performed, and even compares the Coolin unfavourably with the decomposing granite slabs at the head of Glen Sannox. Truly the glory of the mountains is departing. The progressive, democratical[P] finger of the 'New Mountaineer' is laid with equal irreverence and mockery on Sgurr nan Gillean and Cir Mhor, and this spirit of irresponsible criticism 'fulfils itself in many ways.' It is not the first time that the Coolin have been 'slandered.' Have they not been called 'inferior mountains'? (Modern Painters). Now the climbers 'run' over the Pinnacle Ridge of Sgurr nan Gillean, and no doubt the next generation (if they have wise fathers) will be induced to take their maternal grandmothers up the inaccessible summit of Sgurr Dearg. One by one the recollections of all our most cherished climbs will be punctured, flat and unprofitable as a collapsed bicycle tire; they will rotate over the rough roads of bygone memories, whilst that progressive democratical finger will guide the new nickel-plated, pneumatic-cushioned, electrically-driven modern mountaineer on his fascinating career. But to return. I am still sitting in my comfortable arm-chair, and looking at my own fingers to see whether they possess a progressive democratical appearance.
Before me passes the vision of a mountain, a beautiful, many-headed mountain, hidden away from democratical enemies of mountaineering, and without the line of vulgarity. Carefully enclosed on its western face lies a corrie named Coire Mhic Fhearchair. I see a party wandering up its glacier-worn entrance. At its head the mist lies low down, but not low enough to hide the precipices that encircle the lochan in its centre. On the right, snow-filled gullies sweep with graceful curves from a dome-shaped peak.
But it is the rock escarpment at the back of the corrie that fascinates their gaze. As the mists begin to clear one by one, they suggest climbs on its face, for there are 1250 feet of bare rock in front of them, broken up into three distinct buttresses with two splendid gullies dividing them. At last they choose the right-hand gully, and, having roped themselves, proceed to cut steps up the steep snow that has drifted into it and obliterated any perpendicular pitches there may be. I am sorry that there are no perpendicular pitches—it is most unfortunate; for I should like to see that party performing all these daring feats so well known to, and beloved by, the professional rock climber, 'How things began to look rather blue.' 'How for a minute or two one of the party remained spread-eagled on the face of a cliff almost despairing of getting up, the desired crack being a good two feet out of reach, till, with a supreme effort, he was propelled from below by a sudden and powerful jerk, his outstretched fingers seize the desired crack.' Nor can I describe how 'the heavy man of the party, his finger tips playing upon the face of the cliff with the delicacy of touch of a professional pianist, his every movement suggestive of the bounding lightness of the airy thistle-down,' followed. No, I am sorry I have no such wildly exciting adventures to relate, nor such poetical fancies wherewith to eke out a plain story. I see that party merely climbing up that gully, in a most uninteresting yet simple manner, by cutting steps. They come to where it ends against a perpendicular and overhanging cliff at least a couple of hundred feet high. Only 200 feet, but higher they cannot go, for none of the party are sufficiently muscular to propel the leader with a jerk upwards that paltry 200 feet. Therefore they climb out to their left, along a narrow and somewhat broken ledge, on to the middle buttress, where a place is found large enough for them all to sit down. They gaze upwards at the last 300 feet that separate them from the summit, but it is steep, very steep, 'A.P.'[Q] Also, it is late in the afternoon; so they comfort themselves by building a cairn, and eating all these delicious things that are so good on a mountain-side—meat sandwiches which have remained from lunch, and taste so full of mustard and so delightfully dry; old, old prunes encrusted with all kinds of additional nutriment from the bottom of some one's pocket; a much-worn stick of chocolate, or perhaps an acidulated drop—on such fare does the hardy mountaineer feed. I see them once more in the gully, but they descend more rapidly than they climbed up it, for the more daring of the party glissade down the lower part, and so home.
On the morrow, however, I see three of the party again setting forth for that precipice. This time, instead of approaching it from the north-west by the Allt Toll a'Ghiubhais, they hire a machine, and drive as far as the foot of Sgurr Bàn on the southern side; then mounting to the peak just to the west of Sgurr Bàn by a well-made deer path, they soon arrive at the summit of the middle buttress, overlooking Coire Mhic Fhearchair. They climb out to the very end of the nose and look down, straight below, and only 300 feet away is the little cairn built on the preceding afternoon, but, as I have remarked before, that 300 feet is very steep. A photograph taken from the most southerly of the three buttresses, so as to get the middle buttress in profile, shows the angle of the last 200 feet to be about 85 degrees, not quite but very nearly 'A.P.' However, they think that they may as well see how far they can descend. The rocks on the left-hand (southern) side of the buttress are obligingly broken up, so that by a series of small climbs the party are enabled to get from one small platform to the next, always edging towards the outside of the buttress. At last they all congregate together. A perpendicular slab, which has partly come away from the front of the crags, bars their way to the right, and, below, a quite perpendicular drop of about 200 feet on to the ledge quietly but firmly impresses on them the fact that that way is not for them. But always in mountaineering, just as things become quite hopeless and 'blue,' then it is the duty of the person who describes the adventure to appeal to the feelings of the public (who, presumably, are unacquainted with that particular climb). It is his duty to picture these unfortunate individuals, fearful that their retreat is cut off, yet unable to proceed; how, having dangled on the ends of ropes, swinging backwards and forwards in the breeze, they return to the ledge baffled; or having climbed on each other's shoulders, they find 'the desired crack two good feet out of reach,' and there is not always one in the party powerful enough to 'propel' the leader 'from below by a sudden and powerful jerk, so that he can with outstretched fingers clutch that desired crack.' But still, with a little imagination, we can see these things. A good imagination is necessary, I may say very necessary, to the enthusiastic climber; much pleasure is otherwise lost.
The party I see, evidently has none of this precious imagination. They are obviously wasting their opportunities most shamefully on that rock face. I see one of them climb out on to the face just under the great loose slab, and disappear round the corner; then the rest follow, and find themselves on the topmost of a series of ledges, and about 200 feet above the small cairn below. I will not describe that traverse, but will merely mention that the party seem quite pleased with it. Then they begin the descent. First they get down a narrow slit between a slab and the buttress, and with a drop of about 10 feet get into the next ledge. Next they have to climb down another slab, bulging over into space, or a perpendicular gully gives them an interesting piece of climbing. About 120 feet from the bottom they build a small cairn, and then, without much further difficulty, they finally find themselves where they had ended their climb on the afternoon of the day before. They do not, however, descend to the bottom of the gully, but about half-way down, traversing out to the left, they make for the ridge connecting Sail Mhòr with the rest of the mountain. It is now evening, and I ought, if orthodox, here 'to burst out in sentences which swell to paragraphs, and in paragraphs which spread over pages; to plunge into ecstasies about infinite abysses and overpowering splendours, to compare mountains to archangels, lying down in eternal winding-sheets of snow, and to convert them into allegories about man's highest destinies and aspirations. This is good when it is well done. Yet most humble writers will feel that if they try to imitate Mr. Ruskin's eloquence, they will pay the penalty of becoming ridiculous. It is not every one who can with impunity compare Alps to archangels.'[R] Yet there is always something about sunsets which is horribly fascinating—from a literary point of view; it is so easy to become suddenly enthusiastic and describe how 'The sun-god once more plunges into the baths of ocean.' The sea too is always useful at such moments. 'Banks of sullen mist, brooding like a purple curtain,' etc., sounds well; and one must not forget 'the shadows of approaching night,'—they form a fitting background for the gloomy and introspective spirit which ought to seize upon one at this particular psychological moment. 'The tumbled fragments of the hills, hoary with memories of forgotten years,' come next, with a vague suggestion of solitude, which should be further emphasised by allusions to 'the present fading away, and being lost in the vast ocean of time, a lifetime being merely a shadow in the presence of these changeless hills.' Then, to end up, mass the whole together, and call it an 'inscrutable pageant'; pile on the shadows, which must grow blacker and blacker, till 'naught remains but the mists of the coming night and darkness'; and if you have an appropriate quotation, put it in!