“I know everything.”
“And this broken statue—whence?”
“Dalla provincia!”
“But the province is large,” I objected.
“So it is. Large, and old.”
I have also revisited Tiriolo, once celebrated for the “Sepulchres of the Giants” (Greek tombs) that were unearthed here, and latterly for a certain more valuable antiquarian discovery. Not long ago it was a considerable undertaking to reach this little place, but nowadays a public motor-car whirls you up and down the ravines at an alarming pace and will deposit you, within a few hours, at remote Cosenza, once an enormous drive. It is the same all over modern Calabria. The diligence service, for instance, that used to take fourteen hours from San Giovanni to Cosenza has been replaced by motors that cover the distance in four or five. One is glad to save time, but this new element of mechanical hurry has produced a corresponding kind of traveller—a machine-made creature, devoid of the humanity of the old; it has done away with the personal note of conviviality that reigned in the post-carriages. What jocund friendships were made, what songs and tales applauded, during those interminable hours in the lumbering chaise!
You must choose Sunday for Tiriolo, on account of the girls, whose pretty faces and costumes are worth coming any distance to see. A good proportion of them have the fair hair which seems to have been eliminated, in other parts of the country, through the action of malaria.
Viewed from Catanzaro, one of the hills of Tiriolo looks like a broken volcanic crater. It is a limestone ridge, decked with those characteristic flowers like Campanula fragilis which you will vainly seek on the Sila. Out of the ruins of some massive old building they have constructed, on the summit, a lonely weather-beaten fabric that would touch the heart of Maeterlinck. They call it a seismological station. I pity the people that have to depend for their warnings of earthquakes upon the outfit of a place like this. I could see no signs of life here; the windows were broken, the shutters decaying, an old lightning-rod dangled disconsolately from the roof; it looked as abandoned as any old tower in a tale. There is a noble view from this point over both seas and into the riven complexities of Aspromonte, when the peak is not veiled in mists, as it frequently is. For Tiriolo lies on the watershed; there (to quote from a “Person of Quality”) “where the Apennine is drawn into so narrow a point, that the rain-water which descendeth from the ridge of some one house, falleth on the left in the Terrene Sea, and on the right into the Adriatick. . . .”
My visits to the provincial museum have become scandalously frequent during the last few days. I cannot keep away from the place. I go there not to study the specimens but to converse with their keeper, the woman who, in her quiet way, has cast a sort of charm over me. Our relations are the whispered talk of the town; I am suspected of matrimonial designs upon a poor widow with the ulterior object of appropriating the cream of the relics under her care. Regardless of the perils of the situation, I persevere; for the sake of her company I forswear the manifold seductions of Catanzaro. She is a noteworthy person, neither vicious nor vulgar, but simply the dernier mot of incompetence. Her dress, her looks, her children, her manners—they are all on an even plane with her spiritual accomplishments; at no point does she sink, or rise, beyond that level. They are not as common as they seem to be, these harmoniously inefficient females.
Why has she got this job in a progressive town containing so many folks who could do it creditably? Oh, that is simple enough! She needs it. On the platform of the Reggio station (long before the earthquake) I once counted five station-masters and forty-eight other railway officials, swaggering about with a magnificent air of incapacity. What were they doing? Nothing whatever. They were like this woman: they needed a job.