But Messina is in desperate case.
That haughty sea-front, with its long line of imposing edifices—imagine a painted theatre decoration of cardboard through which some sportive behemoth has been jumping with frantic glee; there you have it. And within, all is desolation; the wreckage reaches to the windows; you must clamber over it as best you can. What an all-absorbing post-tertiary deposit for future generations, for the crafty antiquarian who deciphers the history of mankind out of kitchen-middens and deformed heaps of forgotten trash! The whole social life of the citizens, their arts, domestic economy, and pastimes, lies embedded in that rubbish. “A musical race,” he will conclude, observing the number of decayed pianofortes, guitars, and mandolines. The climate of Messina, he will further argue, must have been a wet one, inasmuch as there are umbrellas everywhere, standing upright among the debris, leaning all forlorn against the ruins, or peering dismally from under them. It rained much during those awful days, and umbrellas were at a premium. Yet fifty of them would not have purchased a loaf of bread.
It was Goethe who, speaking of Pompeii, said that of the many catastrophes which have afflicted mankind few have given greater pleasure to posterity. The same will never be said of Messina, whose relics, for the most part, are squalid and mean. The German poet, by the way, visited this town shortly after the disaster of 1783, and describes its zackige Ruinenwüste—words whose very sound is suggestive of shatterings and dislocations. Nevertheless, the place revived again.
But what was 1783?
A mere rehearsal, an amateur performance.
Wandering about in this world of ghosts, I passed the old restaurant where the sword-fish had once tasted so good—an accumulation of stones and mortar—and reached the cathedral. It is laid low, all save the Gargantuan mosaic figures that stare down from behind the altar in futile benediction of Chaos; inane, terrific. This, then, is the house of that feudal lady of the fortiter in re, who sent an earthquake and called it love. Womanlike, she doted on gold and precious stones, and they recovered her fabulous hoard, together with a copy of a Latin letter she sent to the Christians of Messina by the hand of Saint Paul.
And not long afterwards—how came it to pass?—my steps were guided amid that wilderness towards a narrow street containing the ruins of a palazzo that bore, on a tablet over the ample doorway, an inscription which arrested my attention. It was an historical title familiar to me; and forthwith a train of memories, slumbering in the caverns of my mind, was ignited. Yes; there was no doubt about it: the old “proprietor” and his nephews, he of the municipal gardens. . . .
I wondered how they had met their fate, on the chill wintry morning. For assuredly, in that restricted space, not a soul can have escaped alive; the wreckage, hitherto undisturbed, still covered their remains.
And, remembering the old man and his humane converse that evening under the trees, the true meaning of the catastrophe began to disentangle itself from accidental and superficial aspects. For I confess that the massacre of a myriad Chinamen leaves me cool and self-possessed; between such creatures and ourselves there is hardly more than the frail bond of a common descent from the ape; they are altogether too remote for our narrow world-sympathies. I would as soon shed tears over the lost Pleiad. But these others are our spiritual cousins; we have deep roots in this warm soil of Italy, which brought forth a goodly tithe of what is best in our own lives, in our arts and aspirations.
And I thought of the two nephews, their decent limbs all distorted and mangled under a heap of foul rubbish, waiting for a brutal disinterment and a nameless grave. This is no legitimate death, this murderous violation of life. How inconceivably hateful is such a leave-taking, and all that follows after! To picture a fair young body, that divine instrument of joy, crushed into an unsightly heap; once loved, now loathed of all men, and thrust at last, with abhorrence, into some common festering pit of abominations. . . . The Northern type—a mighty bond, again; a tie of blood, this time, between our race and those rulers of the South, whose exploits in this land of orange and myrtle surpassed the dreamings of romance.