Yet to him and to all of them I must bid good-bye, here and now. At this hour to-morrow I shall be far from Cotrone.

Farewell to Capialbi, inspired bookworm! And to Lenormant.

Roman Masonry at Capo Colonna

On a day like this, the scholar sailed at Bivona over a sea so unruffled that the barque seemed to be suspended in air. The water’s surface, he tells us, is “unie comme une glace.” He sees the vitreous depths invaded by piercing sunbeams that light up its mysterious forests of algae, its rock-headlands and silvery stretches of sand; he peers down into these “prairies pélagiennes” and beholds all their wondrous fauna—the urchins, the crabs, the floating fishes and translucent medusae “semblables a des clochettes d’opale.” Then, realizing how this “population pullulante des petits animaux marins” must have impressed the observing ancients, he goes on to touch—ever so lightly!—upon those old local arts of ornamentation whereby sea-beasts and molluscs and aquatic plants were reverently copied by master-hand, not from dead specimens, but “pris sur le vif et observés au milieu des eaux”; he explains how an entire school grew up, which drew its inspiration from the dainty ... apes and movements of these frail creatures. This is du meilleur Lenormant. His was a full-blooded yet discriminating zest of knowledge. One wonders what more was fermenting in that restlessly curious brain, when a miserable accident ended his short life, after 120 days of suffering.

So Italy proved fatal to him, as Greece to his father. But one of his happiest moments must have been spent on the sea at Bivona, on that clear summer day—a day such as this, when every nerve tingles with joy of life.

Meanwhile it is good to rest here, immovable but alert, in the breathless hush of noon. Showers of benevolent heat stream down upon this desolation; not the faintest wisp of vapour floats upon the horizon; not a sail, not a ripple, disquiets the waters. The silence can be felt. Slumber is brooding over the things of earth:

Asleep are the peaks of the hills, and the vales,
The promontories, the clefts,
And all the creatures that move upon the black earth. . . .

Such torrid splendour, drenching a land of austerest simplicity, decomposes the mind into corresponding states of primal contentment and resilience. There arises before our phantasy a new perspective of human affairs; a suggestion of well-being wherein the futile complexities and disharmonies of our age shall have no place. To discard these wrappings, to claim kinship with some elemental and robust archetype, lover of earth and sun——