"I think the prime materials are at fault. They sacrifice everything to size. It's barbaric. Those greasy Southdown sheep! It's the same with their fowls; they're large, but insipid—very different from the little things you get down here. Now a goose is capital fodder. But if you grow him only for his weight, you destroy his quality and flavour; you get a lump of blubber instead of a bird."
"Apple sauce?"
"I don't like apples in any shape. A sour kind of potato, I call them. They eat an awful lot of apples in our country. That is what makes so many of our women as flat as boards, in front and behind—especially in the Eastern States. It's apple-eating. Apples ought to be taxed. They ruin the female figure. I'm not sure that they don't sour the character as well."
"Don't you care about our English vegetables?"
"Can't say I'm much in love with them, Mr. Heard. Brussels sprouts, for instance—I'm very partial to Brussels sprouts. But the things they give you over there are the size of a bath sponge, and much the same taste, I reckon. And the carrots! A carrot ought to be small and round and yellow, it ought to melt in the mouth like a plum. Those carrots aren't carrots at all. They're walking sticks. And the peas! No, I don't care about English peas. Too large and too lively for me."
"Lively?"
"That's it. Lively. I shall never forget my first experience of them," he went on, laughing. "There were two or three in the dish; just two or three; filled it up nicely. Looked like cannon-balls. What do they expect me to do with these things? I wondered. I didn't like to ask the waiter. One doesn't care to be taken for an ignorant stranger. Well, I landed one on my plate and began carving at it, to see if there was anything eatable inside the shell, when the durned thing slipped away from my knife and crashed on to the floor. Bounced up like a marble. I called for a nutcracker—'I shall want the largest you've got,' I said. They couldn't find one. Now I'm not the sort of man, Mr. Heard, to be beaten by a vegetable, if it really was a vegetable. Because, you see, it behaved more like a blamed mineral. I sent for the head waiter, and took him into my confidence. I tried to talk English, like I'm talking to you. 'What d'ye call these things?' I asked. 'Marrowfats, Sir.' 'Ah, I thought they weren't peas. You've got PETITS POIS down on the bill of fare. Better get that put right. And now, how d'ye eat them?' 'You bite them!' That's what he said. 'You bite them.' Of course I didn't believe him. I thought it was just a bit of English humour, especially as the other waiter was looking the opposite way all the time. Well, like a fool, I said to myself: 'No harm in trying!' I've got pretty sharp teeth, you know, for a boy of my age. That's how I managed to do what a lot of you younger fellows couldn't have done. I got them fixed into the softest of that bunch of marrowfats. But as to pulling them out again! The head waiter, you bet, had disappeared. And the other fellow was standing at the window with his back to me. Looking up the street, I should say, to see if it was going to rain."
After this little outburst, the millionaire seemed to have nothing more to say.
He was thinking….
Cornelius van Koppen loved a good liar. He knew something about the gentle art. It was an art, he used to say, which no fool should be allowed to cultivate. There were too many amateurs knocking about. These bunglers spoiled the trade. Without doing any good to themselves, they roused distrust; they rubbed the fine bloom off human credulity. His puritan conscience was enraged at petty thefts, petty forgeries, petty larcenies. That was why he despised that otherwise excellent person, the Financial Commissioner for Nicaragua, whose wildest flights of embezzlement never exceeded a few hundred dollars. He respected a man who, like himself, could work in the grand style. To play upon the credulity of a continent—it was Napoleonic, it was like stealing a kingdom; it was not stealing at all. This, he shrewdly suspected, was what his good friend the Count was engaged upon. That delightful old man was working in the grand style.